My favorite pages from the novel Fathers and Sons (I. S. Turgenev). My favorite episode from the novel "Fathers and Sons" The most interesting pages of the novel Fathers and Sons

My favorite pages of Turgenev's novel "Fathers and Sons".

When I started reading the novel "Fathers and Sons", I thought that I would not like it at all. But I was wrong. At first, Turgenev’s hero Bazarov was even somewhat disgusting to me. But when I learned more about him, I realized that he was just a common person, only different from others in his worldview, his attitude towards the world around him and people. Let him be both a nihilist and a cynic. but Bazarov is not at all a cruel person. It's just the way he is. And I accepted it.

As for my favorite pages in Turgenev’s novel “Fathers and Sons,” I counted about three episodes. The very first episode that I liked and changed my attitude towards Evgeniy was his declaration of love to Anna Sergeevna. Here, I believe, was crucial moment. bazaars, all so cold and reserved, suddenly shows such strong feelings. "... Bazarov rested his forehead against the glass of the window. He was gasping for breath; his whole body was apparently trembling... this passion was beating in him, strong and heavy - a passion similar to anger and, perhaps, akin to it..." I understand how difficult it was for Bazarov to admit his feelings. AND to the common man This seems difficult, let alone Bazarov, who did not believe in love and romance at all.

The second scene I liked was Arkady’s declaration of love to Katya. Comparing the love of Arkady and Bazarov, it is clear that the feelings of the first are more tender, more pure. Arkady is so worried, he can’t confess his love and ask for Katya’s hand in marriage. “I wanted to tell you this, to find out your opinion and ask for your hand, because I am not rich and I feel that I am ready for all sacrifices... Haven’t you been convinced for a long time that everything is different... everything, everything else has long disappeared without a trace?.. I love you... believe me!” And the way Katya looked at him with an “important and bright look” touched me to the depths of my soul.

My third favorite episode is the death of Bazarov. I think this part of the novel cannot leave anyone indifferent. The atmosphere of the episode is filled with sadness. despair, fear and excitement of the hero’s parents, Bazarov’s external calm and internal rage and regret. Evgeniy regretted that he did not have time to do so much more; he was terribly angry with his body, which had let him down so much. But there was no fear in him, Bazarov was not afraid of death. While Vasily Ivanovich convinced himself that his son just had a cold, Bazarov does not try to deceive himself, he looks death in the face and is not a coward. What a strong, strong-willed person you have to be to behave so calmly, knowing that you will soon die, knowing that nothing can be done. Another person would have long ago fallen into despair and panic, but not Bazarov. He meets his death with his head held high, he does not break even until last minute in his life he remains true to himself and his principles. Evgeny does not console himself with hope, unlike his father. “Still, we will cure you!” - says Vasily Ivanovia. to which Evgeny calmly replies: “Well, these are pipes. But that’s not the point. I didn’t expect that I would die so soon; it was an accident, very, to tell the truth, unpleasant.”

And of course, one cannot forget the farewell scenes of Bazarov and Anna Sergeevna.
- Well, thank you... This is royal. They say that kings also visit the dying.
- Evgeny Vasilyevich, I hope...
- Eh, Anna Sergeevna, let’s tell the truth. I'm finished. Got under a wheel. And it turns out that there was nothing to think about the future. The old joke is death, but a new one for everyone. I’m still not giving up... and then unconsciousness will come and fume! Well, what can I tell you... I love you!..
Anna Sergeevna kisses him on the lips.

Turgenev's novel "Fathers and Sons" became a great discovery for me, I learned a lot of new things. Overall, the novel resonated deeply with me. I think it was interesting for me to read precisely because I had never read anything like this before. The characters of the heroes, their behavior, and especially everything that concerns Bazarov, were new and fascinating to me. I think in ten years I will re-read this book and, undoubtedly, will make even more discoveries.

Describe your impressions of reading the book by I.S. Turgenev "Fathers and Sons"

There are many books in Russian literature that are worthy of being read and studied, admired and talked about. One of such works is, in my opinion, the novel by I.S. Turgenev "Fathers and Sons".

This work can be called a novel-discussion, a novel-argument. In it, the writer expresses his attitude towards the philosophical trend that was “fashionable” in the 60s of the 19th century - nihilism.

Let me remind you that the basis of this concept was a complete denial of the entire accumulated experience of mankind. The nihilists argued that their vital task was to destroy the heritage of their ancestors and, thereby, free people from “unnecessary trash,” that is, the entire wealth of world cultural thought.

The main character of "Fathers and Sons" is just such a nihilist - Evgeny Bazarov. This is a young commoner, a medical student. The origin of the hero is important - since childhood he was not involved in traditional culture, to what the Russian aristocracy absorbed with their mother’s milk. Maybe this is why the hero is so contemptuous of poetry, music, nature, love, finally?

Bazarov despises everything that constitutes the “life of the soul”; all this is subject to his merciless ridicule. The hero believes that only what is material, what concerns urgent, physiological needs, is important. And everything else is “nonsense,” the inventions of weak, unadapted people.

This point of view is one ideological pole in the novel. There is another radically opposite opinion - the opinion of Pavel Petrovich Kirsanov, an aristocrat, a Russian nobleman. For this person, everything that Bazarov calls to destroy constitutes the essence of life, its basis. That’s why he is so outraged by the main character’s ideas, takes them with hostility, considers them dangerous and destructive. That is why, at the first opportunity, he desperately argues with the nihilist, although he feels that Bazarov is stronger.

So, Evgeny Vasilyevich treats poetry and music with contempt. He believes that “a decent chemist is twenty times more useful than any poet.” Let us remember how the hero mocks Arkady’s father when he accuses Nikolai Petrovich of these “sins”: “He reads poetry in vain and hardly understands housekeeping...”, “Have mercy! at forty-four years old, a man, pater familias, in ... the district - plays the cello! and so on.

In addition, Bazarov does not believe in nature as something living, having its own laws, wiser and more eternal than the laws human society. The hero says to Arkady: “And nature is nothing in the sense in which you understand it. Nature is not a temple, but a workshop, and man is a worker in it.”

Evgeny Bazarov also approaches human relations from a purely pragmatic, materialistic point of view. So, for example, he believes that love between a man and a woman is explained only by physiology, instincts, and there is no place for high feelings.

Turgenev begins his argument with the hero, the debunking of his views, precisely by refuting his views on love. Quite unexpectedly, Bazarov falls in love, falls in love exactly as they write about it in the novels he despises - to the point of frenzy, to the point of self-forgetfulness, to the point of loss of feeling. self-esteem. The scene of the hero’s declaration of love is one of the most emotional scenes of the novel: “Bazarov rested his forehead against the glass of the window. He was out of breath; his whole body was apparently trembling. ... this passion beat within him, strong and heavy - a passion similar to anger and, perhaps, akin to it.”

Bazarov realizes that he has fallen in love. This fact for the hero is akin to a catastrophe, a natural disaster - he understands that his entire theory has collapsed, that he is an ordinary person, the same “weakling” as the Kirsanovs and the like. What to do next? How to live? Bazarov had no support left, no rod on which to lean. He is not able to radically change his worldview, to accept what he has understood - eternal values ​​exist and will always exist, being the basis human existence.

From this moment the spiritual death of the hero begins, his extinction, which ends physical death Bazarov in the finale of the work. Important, that last man The person Evgeniy Vasilyevich wanted to see in his life was Anna Sergeevna Odintsova.

Thus, Turgenev debunks the position of his hero, and with it the nihilistic theory in general. But we understand that the writer does not approve of the position of Pavel Petrovich Kirsanov, who is ossified in his “principles” and does not want to develop or move forward.

Turgenev understands the importance technical progress, its importance and necessity. But, at the same time, the paramount ones, as the writer states in his novel, are eternal values, the experience passed on by ancestors. By refusing all this, a person destroys himself and dooms his offspring to extinction.

“Fathers and Sons” is a book that made a strong impression on me and made me think about many questions. But, despite the seriousness of this work, many of its pages are filled with subtle humor, irony, wonderful descriptions Russian nature. I spent many wonderful minutes communicating with the author and characters of this novel, and therefore I decided to tell you about it.

Bazarov's whole world is collapsing, all of him beliefs lose their strength and argumentation. ... The earthly human turned out to be stronger than convictions nihilist, and This is unbearable to realize.

The doctor managed to whisper to her that there was no need to think about the patient’s recovery.

She looked at Bazarov... and stopped at the door, she was so struck by this inflamed and at the same time deathly face with dull eyes fixed on her. She was simply frightened with some kind of cold and languid fear; the thought that she would have felt differently if she really loved him instantly flashed through her head.

“Thank you,” he spoke intensely, “I didn’t expect this.” This is a good deed. So we met again, as you promised.

Well, thank you,” repeated Bazarov. “This is royal.” They say that kings also visit the dying.

Evgeny Vasilich, I hope...

Eh, Anna Sergeevna, let’s tell the truth. I'm finished. Got under a wheel. And it turns out that there was nothing to think about the future. The old thing is death, but something new for everyone. I’m still not afraid... and then unconsciousness will come, and fuck! (He waved his hand weakly.) Well, what can I tell you... I loved you! This didn’t make any sense before, but even more so now. Love is a form, and my own form is already decaying. I’d better say that - how nice you are! And now here you stand, so beautiful...

Anna Sergeevna involuntarily shuddered.

It’s okay, don’t worry... sit there... Don’t come near me: my illness is contagious.

Anna Sergeevna quickly crossed the room and sat down on an armchair near the sofa on which Bazarov was lying.

Generous! - he whispered. “Oh, how close, and how young, fresh, clean... in this disgusting room!.. Well, goodbye!” Live long, that's best, and take advantage while there is time. Look at what an ugly sight this is: the worm is half crushed and still bristling. And I also thought: I’ll screw up a lot of things, I won’t die, no matter what! There is a task, because I am a giant! And now the giant’s whole task is to die decently, although no one cares about this... All the same: I won’t wag my tail.

Bazarov fell silent and began to feel his glass with his hand. Anna Sergeevna served him a drink, without taking off her gloves and breathing fearfully.

“You will forget me,” he began again, “ dead to living not a comrade. Your father will tell you that this is what kind of person Russia is losing... This is nonsense; but don't dissuade the old man. Whatever the child enjoys... you know. And caress your mother. After all, people like them cannot be found in your big world during the day...

He immediately accepted the hand and stood up.

“Goodbye,” he said with sudden force, and his eyes flashed with a last sparkle. “Goodbye... Listen... I didn’t kiss you then...Blow on the dying lamp and let it go out...

Anna Sergeevna pressed her lips to his forehead.

And that's enough! - he said and sank onto the pillow. - Now... darkness...

I. S. Turgenev’s novel “Fathers and Sons” is dedicated to the memory of the outstanding critic of the forties V. G. Belinsky, with whom the author was friends and considered “a passionate, sinful, rebellious heart.” Turgenev used many of Belinsky’s character traits when creating a portrait of the main character of the novel - Evgeny Vasilievich Bazarov.
Evgeny Bazarov is undoubtedly an interesting personality. Only his appearance: “dark blond hair, long and thick,” “hanging sand-colored sideburns,” which infuriated the Kirsanovs’ old servant Prokofich (“he with his sideburns is a real pig in the bush”). However, the opinions of others about Evgeniy are very contradictory. So, Pavel Kirsanov considers him “proud, impudent, cynic, plebeian,” and the yard boys “run after him like little dogs,” Prokofich calls him “a flayer and a scoundrel,” and Sitnikov bows to him, considering him a spiritual mentor. As a reader, I am attracted to Evgenia’s individuality: “I don’t share anyone’s opinions; I have my own”). His courage and directness with which he expresses his opinions are attractive. However, in some cases, these same qualities can rather be called bad form. An example is one of the most seemingly harmless cases when Evgeniy “characterizes” his uncle to the young Kirsanov: “How happy this idiot would be to hear you!”
Also, the undoubted shortcomings of Bazarov’s personality include excessive pride (“when I meet a person who did not save in front of me”, materialism “nature is not a temple, but a workshop, and a person is a worker in it”), contempt for others, “people who trees in the forest... one human specimen is enough to judge others"). Often he behaves not as he would like, but as, in his opinion, a nihilist should behave (for example, he expresses his interest in Odintsova also “extraordinary”: “What kind of figure is this? It doesn’t look like other women”, “Such a rich body - even now in the anatomical theater”).
One gets the impression that in an effort to maintain the image he himself created, he often overacts. It’s also funny how he defines the reason for his denial of everything: “I’m pleased to deny, my brain is designed like this - and that’s it!”
In a word, Bazarov is an undoubtedly interesting person. But this hero is quite difficult to like and sincerely love, since his behavior is devoid of naturalness, which he himself talks about so often.