“The Mystery of Dance.” VI International Festival of Arts "Mystery" in Arkhangelsk International Festival of Arts Mystery Foundation belcanto

VII art festival "Mystery" of the charitable foundation - event in cultural life capitals. The legendary atmosphere of the era, permeated with the spirit of the Russian estate, the unification of the creative efforts of modern Russian and Western musicians, dancers, actors and artists will create an amazing miracle effect. Within the walls of the ancient estate, masterpieces of various eras and styles will come to life - from baroque and classic to modernity.


Sophistication of interiors noble estate princes Yusupov, classical music, time-tested, performed by organ, saxophones, duduk, bagpipes, Celtic harp, passion Argentine tango and Spanish flamenco - an aesthetic component that will make the viewer’s imagination nostalgically sad about the beauty that will be created right in front of him. After all, it is no coincidence that the festival received such a mysterious name - like participants in ancient Greek theatrical mysteries, each guest will feel chosen, initiated into the amazing mystery of creativity.


“The first gala concert amazes with the selection of performers - an organ and a saxophone quartet. The combination is unexpectedly harmonious. It is this amazing combination of popular musical instruments that guests of the opening concert in the Organ Hall of the Colonnade of the Arkhangelskoye Museum-Estate will enjoy. Will be heard by: I.S. Bach, F. Liszt, S. M. Widor, C. Debussy. This means that the glorious traditions of noble estate music-making are being renewed. And this cannot but please me.” - emphasizes the founder and artistic director of the Belcanto Charitable Foundation, Tatyana Lanskaya.


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When: 07/16/2016 - 08/27/2016.

Cost: from 400 rub.

VI Arts Festival “MYSTERY” is an event in the cultural life of the capital. Combining creative efforts modern musicians, dancers, artists... and artists who worked in the 18th-19th centuries - will create an amazing miracle effect. The legendary atmosphere of the era, permeated with the idleness of the Russian estate, in a paradoxical combination with nostalgic and refined courtliness, awaits today's viewers.

The first concert amazes with the selection of performers - an organ and a saxophone quartet. The combination is unexpectedly harmonious. The next concert is an organ with a duduk. An even more paradoxical consonance. But the surprises don't end there. On the same day - tango! Dance legend of the 20th century on the parquet floor of a noble mansion in the interiors of the 19th century. The further program of the festival will also pleasantly surprise and delight. You will find both well-known works and lesser-known music – but no less wonderful for that reason. Within the walls of the ancient estate, masterpieces of various eras and styles will come to life - from baroque and classic to modernity.

The sophistication of the interiors of a noble estate... classical music, time-tested... passion dance movement- an artistic product of the highest standard that will make your imagination nostalgically sad about... the possible. The very “possible” thing that will happen right before your eyes. It is no coincidence that the festival received such a mysterious name - like participants in ancient Greek theatrical mysteries, each guest will feel chosen, initiated into the amazing mystery of creativity.

The combination of organ sounds with the timbre of a saxophone quartet is new, in a long-familiar one. The ancient sounds modern, the modern sounds unexpected.

Have you ever heard people talk musical instruments? No, not within the limits of the pitch prescribed by the composer, but as it happens in life - alternating cues, listening and not listening to each other, arguing or agreeing. The space of the colonnade will be filled with the divine sounds of the classics. The Bel Canto Foundation invites guests to witness a unique conversation between an organ and a saxophone quartet. What are they going to talk about? About Bach, Vivaldi, Marcello, Piazzolla... you never know what? The good thing about a conversation between old friends is that you never know what conclusions the end of the concert will lead to. Only one thing is clear - it will be excitingly interesting.

Anna Suslova organ

Russian saxophonist quartet

  • Vladimir Koznov soprano saxophone
  • Stanislav Prizhimov tenor saxophone
  • Ilya Bogomol baritone saxophone
  • Stanislav Pyalov alto saxophone

In the program: A. Vivaldi, B. Marcello, J. S. Bach, A. Piazzolla

Bach and Handel in one concert. This makes it possible to travel back to the era of the titans - when the sky spoke to the earth in the language of music... the organ sounded like an orchestra... the orchestra sounded like an organ...

Johann Sebastian Bach and George Frideric Handel never met. This is all the more strange since they were born in the same year, 80 miles from each other. And in the future, until Handel left for England, they were constantly within mutual territorial proximity - Germany is not that big. Both certainly knew and appreciated each other's work. Both are brilliant composers. But... it didn’t work out. However, history has long put everything in its place. Bach sounds in concert next to Handel. And there is no element of competition in this. Rather, on the contrary - it is precisely this comparison that makes it possible to obtain the most comprehensive picture of that great era. An era glorified by unattainable artistic breakthroughs - when the sky spoke to the earth in the language of music, when the organ sounded like an orchestra, and the orchestra sounded like an organ, when fashionable secular music did not hide her spiritual origins, and the composers were universal. An era in which the life paths of two greatest contemporaries never crossed. It's a pity. They would have something to talk about.

  • Marina Omelchenko organ
  • Tatiana Lanskaya soprano
  • Honored Artist of Russia
  • Alexander Chernov violin

In the program: J.S. Bach, G.F. Handel

Duduk and organ invite you to their joint concert. Baroque and modernity, classics and folk tradition - within the walls of a noble estate.

The closer to the sky, the wider the horizons. The opportunity to take in vast expanses of space - what could be more tempting? By combining the centuries-old history of music in one concert, combining the organ with the duduk, we will take advantage of the amazing chance to create a miracle. We intertwine different genres and trends, confronting consequences with origins. The organ once originated from folk instruments. But the duduk, a folk instrument, looks great next to its majestic relative, in no way inferior to it in expressiveness and depth. Folk music competes with baroque and romance. But the roots of the classics are in folk tradition. A full-flowing river flows from a stream. And the surname Bach is translated as... stream. Everything is interconnected and harmonious. Like the facets of a diamond, differences sparkle. But they are united by beauty and harmony.

Laureates of international competitions:

  • Khosrow Manukyan duduk
  • Natalya Letyuk organ

In the program: J. S. Bach, C. Saint-Saens, L. Boelman, L. Vierne, H. Adriessen, E. Morricone

Tango is the passion of dance, drawing you in like a funnel. The best dancers, the best musicians - in the atmosphere of an old Russian estate.

And again - tango, whose passionate rhythms burn hearts with lava of sensual exaltation. He and she, yes and no, light and darkness - balance on the naked edge of irreconcilable contradictions, creating a miracle of harmony. This is tango. Absorbing the energy of opposites, the dance leads you, forcing you to breathe in unison with fierce emotion, opening up the horizons of the unknown. And the subconscious obediently follows him, without the slightest attempt at resistance - he is fascinated by the phenomenon of unbridled courage. Attractive courage, giving the energy of happiness, opening the door to the worlds of the subconscious. But tango and about everyday life. You just need to surrender to the music and hear the pulsating heart of time in the biting rhythm of the dance.

President of the Russian Tango Association

Irina Ostroumova and Alexander Yakushev Argentine tango

Tango Orchestra Misterioso

  • Anatoly Safonov– bandoneon
  • Yakov Chetverukhin– violin
  • Anton Semenovsky– cello
  • Maria Razmakhnina– piano
  • Yuri Gorelov– double bass

The wonderful Canadian organist Andre Knevel will perform works by Bach, Mozart and Liszt. Great music for a great instrument.

The world of the organ is great and vast. Each sound has its own special character, in each consonance there is the universe. We reverently listen to the singing of organ pipes, thanking the Almighty for the miracle given to us. The voice of the organ is the sublime ideal of earthly dreams. The melody, infused with polyphonic fermentation, calls to the sky... the bass, making the walls of the cathedral tremble, reminds of the greatness of the Creator. And all this - in an unusually beautiful embodiment of countless timbres, comparable to the timbres of a huge orchestra. Anyone who hears the sound of an organ at least once falls in love with it forever.

Andre Knevel(Canada) organ

In the program: I.S. Bakh, V.A. Mozart, F. Liszt

An amazing opportunity to compare the approaches of two great composers to the theme of “the seasons.” Different styles, different means. But the genius of the solution is amazing.

"Seasons". Among wide circles of music lovers, this name is equally associated with Antonio Vivaldi and Pyotr Ilyich Tchaikovsky. Both of these versions of the same theme are equally loved by us. Written in different eras, in different countries, the works of geniuses are united not only by a common approach to the sense of time, when, through displaying the variability of nature, the life path of each of us is shown. Despite all the differences in means, the greats wrote about man, about his inner beauty, its place in the universe. The four violin concertos created by the brilliant Venetian of the Baroque era are innovatively romantic. Their emotional range is bright and fresh - even from the point of view of our today's perception. Tchaikovsky's creation, for all its classical perfection of form and romantic sincerity, is also absolutely alive and modern. The true does not become obsolete.

Laureate of international competitions

  • Denis Gasanov violin
  • "Antonio-orchestra"
  • Anton Paisov

In the program: A. Vivaldi, P. Tchaikovsky

Irish and Scottish bagpipes. Compare and admire. The element of music in perfect instrumental embodiment. It's impossible not to fall in love

If someone tells you that all English bagpipes are the same, do not believe this person. Either he doesn't know anything or he's trying to deceive you. The loud Scottish bagpipe is an instrument created for war and parades. She always and everywhere accompanied the great soldiers of the Scottish army. Irish bagpipes softer, more aristocratic. Her voice is more gentle, thoughtful. The ranges are also different. Compared to two whole chromatic ones in the Irish one, there is one octave in the Scottish one. The Scottish basses are fixed fifths, while the Irish basses allow you to vary the pitch. The tools also differ in the way air is supplied into the bag. If the Scottish one is essentially a typical wind instrument, air is blown into it through a tube, then the Irish one is somewhat closer to an organ, the air supply into it is mechanical, through bellows.

But it is impossible to give primacy to any of the bagpipes. Both are great - each in their own way. And both are incredibly popular.

  • Ivan Ipatov organ
  • Evgeniy Lapekin Irish and Scottish bagpipes
  • City Pipes Pipe Band

In the program: W. Bird. G. F. Handel, Irish and Scottish melodies

The wonderful organist (and BBC music commentator!) Alexander Maikapar shares his inspiration with grateful listeners. Music and words are in the dual unity of miracle.

Plays and talks

Honored Artist of Russia

BBC Music Commentator (London)

Alexander Maikapar

Received his musical education at Russian Academy music (piano class of Prof. Theodor Gutman) and at the Moscow Conservatory (organ class of Prof. Leonid Roizman). Wide concert activities The musician began in 1970 as a soloist - harpsichordist, organist and pianist. He performs in Russia and abroad (CIS countries, Poland, Germany, Austria, Belgium). He has repeatedly taken part in many European music festivals - in Berlin, Potsdam, Dresden, Schwerin, Vienna, Warsaw, Brussels, Charleroi, Budapest and many other cities. The only one in Russia and one of the very few musicians in Europe, Alexander Maikapar performed in concerts and recorded on the radio Complete collection harpsichord works by J.S. Bach. Significant events musical life Festivals held by Alexander Maikapar in the Armory Chamber of the Moscow Kremlin have become a staple of Moscow. The first of them was timed to coincide with the arrival of Queen Elizabeth II of Great Britain to Russia (with the participation of the British Embassy, ​​the British Council and the patronage of the British Ambassador, Mr. Brian Fall). The second is “Masterpieces of Music among the Kremlin’s Masterpieces.” To date, in London, the English company "Olympia" has released five CDs by Alexander Maikapar with a recording of ancient Russian music on the harpsichord, piano and ancient clavier from the collection of the Ostankino Palace of the Sheremetev Counts. Alexander Maykapar is an authoritative art critic. He has written more than 100 published works on the history of music, performing arts, musical iconography. The books “On Music” by Wanda Landowska (Moscow, 1991), Erwin Bodka’s “Interpretation of Bach’s Clavier Works” (Moscow, 1993), and Walter Emery’s “Bach Ornaments” (Moscow, 1996) were published in translation by Alexander Maykapar. Especially crowded in lately Alexander Maykapar collaborates with the KRON-PRESS Publishing House. Here, in the "Academy" series, his significant work in the field of iconography of Western Christian art, "The New Testament in Art" (Moscow, 1997), was published. Earlier in this series, James Hall's Dictionary of Plots and Symbols in Art (Moscow, 1996), translated by Alexander Maykapar, was published - a reference book recognized as a classic. A new translation by Alexander Maykapar has also been published - Henry V. Simon's book "100 Great Operas" with the addition "Masterpieces of Russian Opera", written by Alexander Maykapar.

In the program: J. S. Bach, G. F. Handel, D. Buxtehude, A. Vivaldi, B. Marcello, T. Albinoni, G. Polieri

The romance of saxophone sound in the interior of an old Russian estate. Bach, Gluck, Gershwin and Piazzolla - the best possible.

Romance is a dream. Romance is hope. The hardest hearts, secretly from themselves, long for romance. And also... they have a touching love for the saxophone. Because the saxophone is romance, in its purest form. The voice of the saxophone is the secret desires expressed by the singing soul, feelings embodied by sound. Listening to the saxophone, we talk to ourselves - beautiful, unexpected, uninhibited. The way that, deep down, we would like to be. Perhaps this is why the heart never gets tired of enjoying the exciting timbre of the saxophone. After all, perceiving the voice of a saxophone is, in essence, finding oneself. Saxophone is a dream. Saxophone is hope. Saxophone - romance. Take a step towards yourself...

Laureates of international competitions

  • Yuri Tashtamirov saxophone
  • Aidana Karasheva harp

In the program: I.S. Bach, K. Gluck, J. Gershwin, A. Piazzolla

Comparing the music of Bach and Wagner, find similarities in different things, trace the differences in methods of approaching music. But the main thing is to enjoy the brilliant music!

Germany of the 19th century gave us many brilliant composers. But even among other greats, Richard Wagner stands apart. Creator of a new musical language, creator German opera- he boldly experimented. Wagner's melody, permeated with a system of leitmotifs, is not at all similar to the melodious beauties of his Italian contemporaries. She is lively, emotional, passionate. And, at the same time, rational, verified. The combination of the incongruous gave an amazing result, which still continues to attract with its still unsolved mystery.

Laureates of international competitions

Honored Artist of Russia Marina Karpechenko soprano

Natalya Letyuk organ

In the program: I.S. Bach, R. Wagner

The main organist of the Dome Cathedral performs popular classics and wonderful, in their uniqueness, her own arrangements for organ.

Organ classics... What comes to mind first when hearing these words? Of course, Bach's fantasy toccata in D minor, whose dynamic waves are akin to an ocean tsunami. And, inspired by the toccata, a mathematically flawless fugue that accumulates the energy of the cosmos. And then there's the Passacaglia, whose unyielding bassline sounds like rock. Albinoni's Adagio is one of the pinnacles of world classics. The story told by the music is tragic, sublime... and incredibly beautiful. Mussorgsky’s “Bogatyr Gate” is so monumental that it simply begs to be transcribed by organ. But “Baba Yaga”, from the same “Pictures at an Exhibition”, is a surprise. I wonder how exactly the Russian character folk tales will fly out to the listeners from shiny organ pipes? Vivaldi's "The Four Seasons" is an absolute classic. But the organ began to sound relatively recently - thanks to the brilliant arrangement of Evgenia Lisitsyna. She will also perform the famous “Spring”. Just like all the other works listed above.

Chief organist of the Dome Cathedral in Riga

Evgenia Lisitsyna organ

In the program: I.S. Bach, A. Vivaldi, T. Albinoni, M.P. Mussorgsky

"Peer Gynt" is a great classic work that glorified Norway and its folklore. Favorite music, beautifully performed!

There are legends that powerfully attract people. Reading into the depths of their philosophical subtext, we again and again find answers to today's questions - surprised and rejoicing at the miracle of unchanging empathy. One such legend is the story of Peer Gynt, told in the 19th century by Henrik Ibsen. We enjoy immersing ourselves in the charm of fiction... intensely absorbing the sound of a bygone era... And even though the realities of those times have long since lost their relevance, and the conventions of dramatic writing are in some ways even naive. We are drawn to the mystery of a masterpiece created long ago, but such a piercing one. And then there is the music of the great Edvard Grieg, which is also... Peer Gynt. The melody animates the text, the word awakens the music. We are listening.

Laureates of international competitions

Evdokia Ionina violin

Anna Suslova organ

In the program: E. Grieg

A wonderful work by the great Italian violinist - again in the luxurious interiors of a Russian estate. The traditions of the 19th century are being revived.

Every composer dreams of creating something that will be admired centuries later. After all, in this way, the creator’s connection to eternity arises. We don’t know what Antonio Vivaldi was thinking when creating his “Seasons”... most likely, he simply enjoyed the successful melodies and harmonies - inspiration is so exciting! But we know something that contemporaries had no idea about - the red-haired Venetian priest managed to create a miracle. His genius turned out to be subject to hearts and souls, feelings and minds... “Seasons” is music that unites humanity. They are the unchanging code of our cultural self-identification. And... constant listening pleasure. The master loved and knew how to compose music. It's no coincidence that instrumental concerts he wrote over 500!

Laureates of international competitions

  • Hiroko Ninagawa(Japan) violin
  • "Antonio-orchestra"

Artistic director and conductor Anton Paisov

In the program: A.Vivaldi

The unique trio “Bel Canto” invites you to their concert. Organ, duduk and saxophone. Have you ever seen anything like this?

Organ, duduk and saxophone. The unexpected composition of this trio causes surprise and delight. Surprise - because this has never happened in the entire thousand-year history of music. Delight - because there is an amazing opportunity to hear the magical consonance of legendary instruments. The organ is almost the same age European civilization, the saxophone was invented only less than two hundred years ago, the duduk is a folk instrument, despite its centuries-old history, which only came out on the classical concert stage in the twentieth century. Just recently, such an ensemble seemed impossible. But thanks to the meeting of wonderful musicians: duduk player Khosrov Manukyan, organist Ivan Ipatov and saxophonist Mikhail Troshin, a miracle happened. And the point is not even that each of the ensemble members is a magnificent soloist, with numerous victories at international competitions behind them (and this is exactly the case!) - but that as a result of the creative collaboration something completely new arose, which has no analogues in modern performance, nor in all previous history. Each of the trio's musicians is multifaceted and unpredictable. Organist Ivan Ipatov - composer and pianist, duduk player Khosrov Manukyan - pianist, sound engineer and arranger, saxophonist Mikhail Troshin - master of jazz improvisation and a wonderful classical musician. They are very different, but they were all united by the search for something new. The enormous success that accompanies each performance of the Bel Canto Trio is a natural result of tireless work, continuous search, and the complementarity of the versatility of the performing and personal talents of the ensemble members.

Swan Lake, Nutcracker and Sleeping Beauty

By writing music for the ballet, Pyotr Ilyich Tchaikovsky created a miracle. And the point here is not even that this music (like everything from him!) is brilliant. But the fact that ballet music began to sound valuable in itself turned out to be new and unexpected. Instead of the usual rhythmic, unobtrusive accompaniment of the dance, the surprised audience heard a work of symphonic scope. Music: with an infinitely beautiful melody... climaxes comparable to mountain ranges... a rhythm that pulsates like life itself. And all this turned out to be incredibly convenient for dancing. It is logical that suites from these ballets were immediately heard from the concert stage. And they still sound - with enormous, undiminished success.

Laureates of international competitions

Yulia Ikonnikova organ

Anna Shkurovskaya harp

Evdokia Ionina violin

Elena Skvortsova cello

In the program: P. Tchaikovsky, A. Glazunov

New tones of familiar classics. Bach and Vivaldi meet Gershwin and Piazzolla. The saxophone sounds accompanied by an orchestra.

A classic is a classic because it has stood the test of time. And there is nothing more merciless and fair than this test. How many former favorites of fate have sunk into oblivion, how many popular melodies have ceased to sound forever... But the classics live on, winning new and new hearts! Classical music is like good old wine - the years only add charm to its sound bouquet. Classics are like ancient trees, whose annual rings are remembered by past generations, and whose foliage protects the living from the sun. Classics are a bridge between the souls of those who have left and those who will come. We contemporaries are the lucky ones. Because classics are our present. In the concert, performed by a saxophone and orchestra, they will sound classical works- from Bach and Vivaldi, to Gershwin and Piazzolla. New timbres of familiar music are the way to tomorrow.

Imperialis Orchestra

Artistic director and soloist Taras Gusarov saxophone

In the program: J. S. Bach, A. Vivaldi, G. Gershwin, A. Piazzolla

The III International Choreographic Competition “Mystery of Dance” was held in Moscow from December 15 to 17, 2017 with the information support of the Ministry of Culture of the Moscow Region.

The competition was also informationally supported by: St. Petersburg government agency culture and additional education“Institute of Cultural Programs”, Leningrad Regional State Budgetary Institution of Culture “Educational and Methodological Center for Culture and Art”.

December is the ideal time to try your hand at the capital's venues. On the eve of the New Year, the strongest dancers from Russia, the CIS countries and Europe entered the competition for the title of Grand Prix laureate of the unique choreographic competition “Mystery of Dance”. It is on the eve of the main winter holiday that magic is in the air and creates a special atmosphere in which it is so easy to believe in yourself and discover new talents. At the “Mystery of Dance” competition, our participants performed on one of the best stages in the city, received a huge amount of educational material in master classes from leading choreographers, rested in their free time from the competition, took advantage of the rich leisure program, and went to sightseeing tour around New Year's Moscow, during which we saw the country's main Christmas tree on Red Square, walked along the Kremlin embankment and took stunning photographs near the Cathedral of Christ the Savior.

Competitors from 2 republics, territories, 9 regions and 20 cities came to the III International Choreographic Competition “Mystery of Dance” to demonstrate their achievements and improve their level of skill: Bobruisk (Republic of Belarus), Mirny (Yakutia, Republic of Sakha), Izhevsk, Irkutsk, the village of Privolnoye (Stavropol Territory), Volgograd, Yaroslavl, Koryazhma (Arkhangelsk Region), Nizhny Novgorod, Kemerovo, Vladimir, Tula, Moscow and Moscow region.

Members of the jury of the III International Choreographic Competition "Mystery of Dance":

Zara Davidovna Lyangolf (Russia, St. Petersburg)– Honorary Professor at the Institute of Peace under the auspices of UNESCO, Head of the Department of Choreography at the St. Petersburg University of Culture and Arts (St. Petersburg), choreographer.

Tatyana Borisovna Evsyukova (Russia, Moscow)– Honored Artist of Russia, soloist, teacher-tutor, choreographer of the Beryozka State Academy of Arts. N.S. Nadezhdina, President of the Cultural Foundation for Support and Development children's and youth and youth creativity "WORLD OF ARTS", winner State award"For valiant work", member of numerous International and All-Russian choreographic festivals and competitions.

Sergey Vladimirovich Melnikov (Russia, Moscow)– Honored Worker of Culture of the Moscow Region, ballet dancer state ensemble dance "Russia", ballet dancer of the song and dance ensemble of the Moscow Military District Air defense, member of the Moscow City Expert Council on Choreography.

Roman Desyatkov (Russia, Moscow)– finalist of the “Dance” project on Channel One, choreographer-producer of the “Dancing on TNT” project (season 2), choreographer-participant in the dance show “Price of Desire”, teacher of modern dance styles.

Taras Burnashev (Russia, Moscow)– choreographer, dancer, founder of the One Zucker project, teacher of the Contemporary Dance Center “TSEKH”.

Elena Vasilievna Gorbacheva (Russia, St. Petersburg)General manager Creative association "Triumph".

We express our deep gratitude to the entire judging panel! Thank you for your love of art, thank you for your work!

Awards of the III International Choreographic Competition “Mystery of Dance”:

Grand Prix in the nomination "Folk Dance" in age group 12-18 years old and a grant of 50,000 rubles for a trip to the International Competition-Festival of Musical and Artistic Creativity “Celebration of Childhood”, which will take place on November 22-26, 2018 in St. Petersburg, was won by the dance ensemble “Rossiyanka” of the Moscow Cultural Center “Moskovsky” (director Lyudmila Sergeevna Aseeva, teacher-accompanist T.V. Tokman, Moscow). The team impressed the jury with impeccable technique, bright costumes and incredible energy.

Grand Prix in the “Modern Dance” category in the age group of 12-15 years and a grant of 30,000 rubles for a trip to the International competition-festival of musical and artistic creativity “Open Pages. Yaroslavl”, which will take place in May 2018 in Yaroslavl, won the exemplary contemporary dance ensemble “Sculptor” (director Roman Mustafin, Svetlana Laina, Chernogolovka). The ensemble's performance was one of the most striking in the history of our competition. The young dancers literally hypnotized the audience and gave 100% on stage.

1st degree laureate diploma in the nomination “Folk Dance” in the age group of 12-15 years and a grant of 30,000 rubles for a trip to the International competition-festival of musical and artistic creativity “Golden Legend”, which will be held on October 26-28, 2018 in Suzdal, won the choreographic ensemble “ Zadorinki" (director Victoria Evgenievna Ravich, teacher-tutor Alena Ivanovna Ushakova, accompanist Stanislav Valentinovich Prishchip, Yaroslavl). The ensemble, a multiple participant in our festivals, once again confirmed the title of one of the strongest, this time in the “folk” nomination, being remembered by the audience for the massiveness and entertainment of the production.

1st degree laureate diploma in the category " Variety dance"in the age group of 15-20 years and a grant of 50,000 rubles for a trip to the International Competition-Festival of Musical and Artistic Creativity " Eastern fairy tale", which will take place May 31 - June 3, 2018 in Kazan, won the Eccentric Step dance theater (director Alexey Aleksandrovich Soshnikov, Kemerovo). The extraordinary number in original costumes fully corresponded to the unusual name of the group, confirming the creative approach to each number on the part of both the teaching staff and the dancers.

1st degree laureate diploma in the “Folk Dance” nomination in the age group of 14-17 years and a grant of 30,000 rubles for a trip to the International Competition-Festival of Musical and Artistic Creativity “Sounds and Colors of the White Nights”, which will be held May 31 – June 3, 2018 in St. Petersburg, won exemplary studio folk dance “Andan” (leader Felix Borisovich Khubetsov, Izhevsk). Dancers from the capital of Udmurtia demonstrated all the subtleties of folklore: from the details in the costume to the polished, historically accurate and verified movements, with the help of which the dancers told the real story from the stage.

Special prize in the nomination “For high level performing arts" was awarded to Olga Ushakova's dance school (head Ekaterina Nikolaevna Poddaeva, Yegoryevsk).

A special prize in the nomination “For a high level of performing skills” was given to the dance ensemble “ROSSIYANKA” of the Moscow Cultural Center (director Lyudmila Sergeevna Aseeva, teacher-accompanist T.V. Tokman, Moscow).

Special prize in the nomination “For the preservation of national cultural traditions"received the choreographic ensemble "Zadorinka" (director Victoria Evgenievna Ravich, teacher-tutor Alena Ivanovna Ushakova, accompanist Stanislav Valentinovich Prishchip, Yaroslavl).

Special prize in the category “Best stage costume"received the exemplary choreographic ensemble "Cornflower" (director Natalya Mikhailovna Zinovenko, Anastasia Olegovna Galeh, Bobruisk, Republic of Belarus).

A special prize in the nomination “Best National Costume” was received by the ensemble “VIKHRITSA” of the Moscow Children’s Art School, Moscow (director Lyudmila Sergeevna Aseeva, teacher-accompanist T.V. Tokman, Moscow).

Felix Borisovich Khubetsov (Izhevsk) received a special prize in the category “Best Teacher”.

Victoria Evgenievna Ravich (Yaroslavl) received a special prize in the category “Best Teacher”.

A special prize in the category “Best Choreographer” went to Roman Mustafin (Chernogolovka).

Special prize in the category " Best number on patriotic theme” received the choreographic group “Volnitsa” (director Svetlana Petrovna Adamchuk, village of Privolnoye, Stavropol Territory).

A special prize in the category “For Artistry” was given to the dance ensemble “ROSSIYANKA” of the Moscow Cultural Center (director Lyudmila Sergeevna Aseeva, teacher-accompanist T.V. Tokman, Moscow).

Congratulations to the winners and good luck in the next competitions!

Master classes of the III International Choreographic Competition “Mystery of Dance”:

As part of the competition-festival, participants were able to take part and improve their skills at master classes of professional teachers in various creative disciplines, gain theoretical knowledge and practical advice from experienced masters in the field of art.

Setting up a summary number

The consolidated number is a colorful event for any creative competition, festival. How to unite all the wards into a common consolidated performance, in which there is a place to demonstrate the talent of each of the young artists - we learned at this master class!

PEducator: Sergey Vladimirovich Melnikov (Moscow, Russia)- Honored Worker of Culture of the Moscow Region, ballet dancer of the state dance ensemble "Russia", ballet dancer of the song and dance ensemble of the Moscow Military District of the Air Defense, member of the city expert council on choreography in Moscow.

Master class on round dances" World trip in dancing":

All participants in the lesson were able to feel the harmony, wisdom of age-old traditions and the spirit of circular (round dance) dances, because since ancient times round dances have been a symbol of the power contained in the sacred form of a circle, which allows dancers to become one and merge with the world around them in peace and tranquility.

Teacher: Elena Paradise (Moscow, Russia)– ethno-choreographer, creator of the “Dancing to Yourself” project, professional fitness trainer certified by the World Fitness Federation (WFF).

Staging work in a choreographic group (for teachers):

Creating a performance by a choreographic group is tantamount to erecting a building. Attention to the basics and consistent activity - these principles can and should be followed, including when working daily with groups of creative children.

Teacher: Zara Davidovna Lyangolf (St. Petersburg, Russia)– Honorary Professor of the Peace Institute under the auspices of UNESCO, Head of the Department of Choreography of the St. Petersburg State Institute Cultures, choreographer. Winner of the Olga Spesivtseva Prize and the medal “For Contribution to National Culture.”

Bright program interesting master classes, a lot of positive emotions and unforgettable moments - all this was at III International choreographic competition "Mystery of Dance" in Moscow! Thanks to everyone who took part in this event, we look forward to seeing you at the next competitions and festivals creative association"Triumph"!

Position

II INTERNATIONAL CHOREOGRAPHIC ART COMPETITION

"MYSTERY OF DANCE"

Moscow, Russia

Small forms (3-5 people) and ensembles participate in the competition

Venue - concert hall of the Cosmos Hotel. The concert hall is one of the most popular concert venues in Moscow - filming of many television programs and concerts with the participation of domestic and foreign pop stars takes place here. theatrical performances And circus performances. The hall has excellent acoustics and is equipped the latest equipment. Professional technical equipment complements stylish interior concert hall.

The competition was established with the support of: Academy of Russian Literature and Fine Arts named after. E.P. Derzhavin, the Center for Effective Communications of Ivan Artsishevsky, the elite concert hall "Cosmos".

Information support in Russia and the CIS - newspaper "Musical Klondike"

Prestigious international competitions and festivals children's and youth creativity, combined with an extensive excursion program. A series of competitions and festivals have been held in various cities around the world for many years. Every year the level of preparation and organization of events is improving, the geography of projects is expanding, and the number of participants is growing.

GOALS AND OBJECTIVES OF THE COMPETITION

The competition is held in order to identify and support talented youth, popularize the art of choreography in its performing and pedagogical aspects, as well as to discover new names and talents in the field of choreography. Also, the goals of the competition are: preservation and development of traditions of multinational culture Russian Federation; acquaintance of participants with the dance wealth of the peoples of the world; promotion professional level team leaders; holding master classes, creative meetings and round tables for managers; development among young people of tolerance and adequate understanding of other cultures, ways of self-expression and manifestation human individuality; exchange of experience between teams, managers and teachers, support of constant creative contacts between them, their unification within the framework of the festival movement; creating an atmosphere for professional communication between competition participants, exchange of experience and repertoire; attracting producers and concert organizers for subsequent contacts with groups participating in the competition, for organizing tours and participation in foreign festivals, competitions and concerts; attracting attention from government, international, commercial and public organizations to problems creative teams and performers; coverage of the creativity of children and youth in the media.

At the competition-festival, competitive auditions of soloists and groups are held, solemn ceremony openings, awards and gala concert of the winners, creative meetings and master classes with theater, film and pop artists, composers, poets, directors, producers, famous masters culture, round tables with members of the jury and an excursion program to the main attractions.

COMPETITION NOMINATIONS

  • Folk dance - ethnic, folk, characteristic
  • Dances of different nationalities, with consistency in style, technique and music.
  • Folk stylized dance - performance of folk dances in modern adaptations.
  • Dances of the peoples of the world
  • Classical dance and neoclassical
  • Modern choreography: jazz, modern, free plastic, street and club destinations, dancing without rules
  • Variety choreography: show groups, step, oriental dancing, disco
  • Sports choreography: hip-hop, techno, street, electric boogie, break dance
  • Dance theater
  • Children's dance
  • Ballroom and Sports ballroom dance
  • Original genre: balancing act, eccentricity, cheerleading, majorettes and drummers, acrobatics, rhythmic gymnastics with elements of acrobatics.
  • Dance show
  • Pantomime

Small forms (3-5 people) and ensembles participate in the competition

  • Children's group, age up to 11 years
  • Youth group, age from 12 to 15 years
  • Youth group, age from 16 to 20 years
  • Adult group, age from 20 to 40 years
  • Adult group, age over 40 years
  • Mixed group

In the team of each age category No more than 30% of participants are allowed to be younger or older than the specified age limits. Competitive performances are held in the presence of spectators.

PERFORMER LEVELS

Beginners- Performers with little experience of solo performances at concerts and competitions. Estimated performance experience - 1-3 years.

Lovers- Performers with sufficient experience of solo performances at concerts, competitions, and commercial performances. Dancers who performed in categories no higher than “amateur” ( open class), as well as teachers dance clubs, studios, groups. Estimated performance experience: 3-7 years.

Professionals- Performers with extensive experience in solo performances at concerts, competitions, and commercial performances. Dancers who previously performed in the “Professionals” category, as well as teachers of dance clubs, studios, and groups. Estimated performance experience of more than 5 years.

TECHNICAL EQUIPMENT. Participants in all nominations can perform competitive works with live musical accompaniment or have phonograms on a USB drive (flash drive), signed as follows: track name, group or full name and city (for example: “Russian Dance”, ensemble Kalinka, Moscow). There should be no other files on the USB drive except the competition program.

SPEECH PROGRAM

Each group participating in the competition presents a performance program consisting of two works with a total duration of up to 10 minutes (two numbers), taking into account the exit and departure from the stage. In the “Dance Theatres” category, the performance time can be extended to 15 minutes if it is one story production.

JURY

Participants are assessed by a jury consisting of professional dancers, teachers and choreographers of the highest educational institutions, directors, choreographers and pop artists.

EVALUATION CRITERIA

Competition numbers are scored on a 10-point system.

  • Performance technique - compliance with style, level of complexity, originality of choreographer's decisions, creative idea, the dancer's ability to perform characteristic features selected dance technique, quality of performance, rhythm, synchronicity during dance performance, lexical and compositional solutions.
  • Composition/choreography - selection of dance elements and their composition, figures, variation, use of the dance floor, interaction with each other, variability and originality of the use of various combinations.
  • Image - self-expression, presentation, contact with the audience, costume, expression of a conceived idea in a dance composition, props, makeup. The entertainment of the number. Correspondence of the repertoire to the age characteristics of the participants.

Summing up the results of the competition

The winners are identified in accordance with the decision of the jury, based on the points reflected in the protocols.

The decision of the jury is final and cannot be changed.

PRIZES AND AWARDS.

All teams participating in the competition are awarded diplomas and commemorative cups. In each nomination and age category, the titles of Laureate of I, II, III degrees are awarded, as well as the titles of Diplomat of I, II and III degrees. One team that scored greatest number votes of the jury members, a Grand Prix diploma and a cash grant are awarded. Special diplomas and titles have also been established: “Best Choreographer”, “Diploma for Artistry”, “Best Costume”, “For a High Level of Performance Skills”, “ Best Production on a patriotic theme."

Staging work in a choreographic group (for teachers). Creating a performance by a choreographic group is tantamount to erecting a building. Attention to the basics and consistent activity - these principles can and should be followed, including when working daily with groups of creative children. Teacher: Zara Davidovna Lyangolf(St. Petersburg, Russia) - honorary professor of the Institute of Peace under the auspices of UNESCO, head of the choreography department of the St. Petersburg State Institute of Culture, choreographer. Winner of the Olga Spesivtseva Prize and the medal “For Contribution to National Culture.”

Master class on modern dance. A practical lesson in modern dance will be an excellent addition to the artist’s existing choreographic base. IN modern dance It is extremely important to stay up to date with the latest trends and current dance trends. By attending a master class on modern choreography, young dancers will be able to not only learn from the rich experience of a professional, but also bring fresh solutions to their own dance aesthetics.

TO PARTICIPATE IN THE COMPETITION you must submit an application through the online form on the website and pay for its registration until October 15, 2017, and also pay the registration fee in full.

The application must indicate: the full name of the team; nomination; the institution where the team is based, its postal address (with zip code), telephone/fax; date of creation of the team, honorary title, awards; number of participants and their age; competitive program: title, author, timing, phonogram carrier, technical means; Full name of the team leader, contact numbers. For visitors: the need to organize additional meals or an excursion program and information about the time of arrival.

PAYMENT PROCEDURE:

After submitting an application, participants receive an invoice for the application registration fee. Registration must be paid strictly before the end of applications and only to the bank account. Further payments will be made minus the amount already paid.

FINANCIAL TERMS

FOR OUTSIDE PARTICIPANTS The registration fee for participation is 7600 rub/person

The price includes:

  • registration of application 760 rub/person
  • accommodation at the Cosmos Hotel *** 2 days in 2-3-bed rooms with private facilities, check-in 02.11 at 14.00, departure 04.11 at 12.00,
  • buffet breakfast,
  • participation in competition-festivals and master classes,
  • excursion program,
  • transfer from railway stations on festival dates.

For managers organized groups 15+1 free offer valid

FIRST NOMINATION IS A GIFT! Participation in the second and subsequent nominations is paid additionally. The registration fee for participation in additional nominations is 1,000 rubles per person, but not more than 12,000 rubles per team.

Hotel complex "Cosmos" located in the north-east of Moscow on one of the main streets of the city - Mira Avenue, in a green area, a 20-minute drive to the center. Opposite is the All-Russian Exhibition Center (VVC), the Ostankino TV Tower, and the Museum-Estate of Count Sheremetyev. Nearby are the Olympic sports complex and the Sokolniki exhibition complex, the Botanical Garden and the Losiny Ostrov National Reserve. The Cosmos Hotel Complex was built for the 1980 Olympics and became one of the best three-star hotels, and continues to be so to this day.

Sightseeing tour of Moscow(duration 4 hours). During the excursion, participants of the competition-festival will follow a route that includes such key attractions and places of worship Moscow, like: Tverskaya street, Pushkinskaya Square, Teatralny Proezd (Moscow theaters), Lubyanskaya Square, Presidential Administration building, monuments to Cyril and Methodius, Church of All Saints on Kulishki, Varvarka Street, Red Square, St. Basil's Cathedral, Kremlin Embankment, Cathedral of Christ the Savior, Bolotnaya Square, Leninsky Prospekt, Sparrow Hills, Moscow State University, Moscow skyscrapers from a bird's eye view, as well as a panorama of Moscow, Alley of Cinema Stars, Leonov monument, Ambassador Town, modern residential complexes "Golden Keys" and "Sparrow Hills", Poklonnaya Gora, Triumphal Arch, New Arbat, Znamenka Street - the oldest street in Moscow.

Additional excursions (paid separately):

1. Excursion to Moskvarium “A round-the-world trip in the depths of the sea”, 2. Visit to the Planetarium (Excursion to the Urania Museum, watching a film in the Big Star Hall or Excursion to the entertaining science museum “Lunarium”, watching a film in the Big Star Hall), 3. Walk by boat on the Moscow River (navigation opens from April 22) 4. Excursion to the Museum of Cosmonautics, 5. Excursion to the Moscow Kremlin Museum-Reserve + walking tour along the Red and Manezhnaya Square, Alexander Garden, 6. Excursion to the Armory Chamber + walking tour of Red and Manezhnaya squares, Alexander Garden, 7. Excursion to the Kolomenskoye museum-estate (optional): territory of the estate, Front Gate complex / palace of Tsar Alexei Mikhailovich, 8 . Bus tour “Moscow - the city of cinema” with a visit to the Mosfilm film studio, 9. Excursion to the Ostankino TV tower, 10. Excursion to the Tretyakov Gallery, 11. Visit to the Museum of Modern History, 12. Excursion to the Intercession Cathedral (St. Basil’s Cathedral), 13. Excursion V Pushkin Museum, 14. Visit to the Tsaritsyno Museum-Reserve, Catherine Palace and Park, 15. Excursion to Moscow State University, 16. Visit to the Museum of Fine Arts. Pushkina, 17. Excursion to the A.S. Pushkin Museum (literary), 18. Visit historical museum, 19. Excursion to the Cathedral of Christ the Savior with a climb to the observation decks.

The summer music festival brings together virtuoso performers from different countries within the walls of one of the most beautiful architectural monuments capitals.

The Arkhangelskoye State Estate Museum is deservedly one of the main cultural venues in Moscow. Central place in the series bright events, taking place on the territory of the historical complex - along with the famous festival - is occupied by a large-scale art marathon "Mystery", which is usually held in the second half of summer.

The Arts Forum takes the viewer into the atmosphere of noble music salons of the 18th-19th centuries. The basis of the “Mysteries” program is made up of various genres of chamber music and classical music, ideally combined with classicism architectural ensemble"Arkhangelsky". Immortal works Bach, Vivaldi, Handel, Schubert are performed by famous Russian and foreign musicians. Concerts within the framework of the Mystery festival are held in the exquisite interiors of the open and closed areas of the noble estate - the Colonnade temple-tomb, the Organ Hall, the palace Oval Hall and the Gonzago Theater. On the stages of the festival you can see not only interpretations of classics familiar to most, but also very unusual ways presentation of material - such as the programs “Organ + Saxophone”, “Legends of Ireland and Scotland”, “Duduk and Organ” - as well as bold combinations of music with dance art Argentine tango.

Ticket prices for concerts of the Mystery festival start from 400 rubles.