The Branly Museum in Paris is a treasury of primitive culture. Museum on the Quai Branly Museum on the Quai Branly in Paris

The Quai Branly Museum is not an address, it is the official name of the museum of primitive art of the peoples of Africa, Asia, Oceania and America.

But the address, of course, too. Opened in 2006 on the initiative of French President Jacques Chirac, who was fond of ethnography, the museum is indeed located on the Quai Branly, a stone's throw from the Eiffel Tower. It is impossible to pass by - it can be seen from afar: huge mirrored windows and a wall covered with greenery. Mosses, flowers, climbing plants. This is Patrick Blanc's famous vertical garden. A metal frame is attached to the wall, layers of polyamide are placed on it to support the roots of the plants, and the nutrient solution flows down the capillaries from top to bottom. Blanc, a cheerful man with green hair, popularized vertical gardens around the world, the Branly Museum being one of his most famous projects. In winter, the wind from the Seine sometimes damages the plants, but the rest of the year the wall looks fantastic.

The part of the building that is not occupied by greenery looks no less amazing: it is multi-colored (mainly in red and purple tones), stands on stilts, and parallelepipeds of different sizes protrude from the sides. The building was designed by the famous French architect Jean Nouvel, and the garden in which it is located was designed by landscape designer Gilles Clément. The garden is separated from the embankment by a glass wall - 200 meters long and 9 meters high. You can go behind it and take a free walk among the ponds and hills, breathe in the aroma of exotic flowers and feel a little like you are in the jungle.

It’s even strange to remember that there is also a museum itself. And it’s worth seeing, although out of 300 thousand exhibits only 3500 are on display (their replacement is planned for several years in advance). Masks, figurines, tom-toms, tambourines, drums, carpets, skins, tomahawks - all this is located in the hall without explanations or signs, at first glance even haphazardly. The meaning of this “unsystematicity” is clear - peering at the artifacts of a foreign culture, the visitor involuntarily begins to reflect, compare, and think. True, he will no longer think about the collection of mummified heads of Maori warriors - the Branly Museum had to solemnly return 20 tattooed heads to New Zealand, whose authorities had long demanded the return of objects of national culture taken out by Europeans.

The museum has a multimedia library, a theater and a restaurant overlooking the Seine and the Eiffel Tower, where a bewildered tourist can finally come to his senses.

On the Seventh Avenue of Paris, on the left bank of the Seine, is the Quai Branly (French: Quai Branly). There are many Parisian attractions nearby, such as the Louvre, the D'Orsay Museum, the Grand and Petit Palais and the Palace of Tokyo. And next to the embankment rises the Eiffel Tower. This embankment is named after the great French inventor - Edouard Branly. On the Quai Branly there is a museum [...]

On the seventh avenue of Paris, on the left bank of the Seine is located Quai Branly(fr. Quai Branly). There are many Parisian attractions nearby, such as, and and. And it rises next to the embankment. This embankment is named after the great French inventor - Edouard Branly.

Located on the Quai Branly Branly Museum, named so only by its location. The museum houses collections of so-called primitive art from Africa, Asia, Oceania and America. The famous architect Jean Nouvel designed this museum in an avant-garde style.


The Branly Museum was opened in 2006, thanks to the efforts of French President Jean Chirac, who contributed more than anyone to the opening of the museum. Now it is called the brainchild of Jean Chirac. This museum is amazing because from the outside it looks like a living green wall. It's even more interesting inside. There are exhibits of examples of art from the peoples of America, Africa, Asia and Oceania.

In addition, Russia acquired a plot on the Quai Branly to build an Orthodox church there.

75007 Paris, France

Take the metro to Bir-Hakeim station

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The Quai Branly Museum - Jacques-Chirac, or the Museum of Arts and Civilizations of Africa, Asia, Oceania and the Americas (non-European Civilizations) is located on the Quai Branly in the 7th arrondissement around . The museum was opened on the initiative of President Jacques Chirac on June 20, 2006. It is now part of the.

The museum's emblem is a ceramic figurine of Chupicuaro from Mexico.

Address:

37 Quai Branly, 75007 Paris, France

Working hours:

Tuesday, Wednesday, Sunday – 11.00-19.00

Thursday, Friday, Saturday – 11.00-21.00

Monday – closed

The garden is open 9.15-19.30 Tuesdays-Sundays; until 21.15 on Thursdays - Saturdays.

The museum library is open 11.00-19.30 on Tuesdays, Wednesdays, Sundays; until 21.30 on Thursdays, Fridays, Saturdays.

Website Ticket price:

Permanent exhibitions – 10 euros Temporary exhibitions in the Garden Gallery – 10 euros / free for under 18s / free on the first Sunday of the month

Ticket to all exhibitions – 12 euros / 9 euros

Ticket to the performance without visiting the museum – 20 euros; 10 euros for persons under 26 years old

Ticket to a concert without visiting the museum – 10 euros; free for under 26s.

Entrance to the garden is free.

Valid

How to get to the Quai Branly Museum
  • Line 9: Alma-Marceau or Iéna stations
  • Line 8: Ecole Militaire station
  • Line 6: Bir Hakeim Station
  • RER C: Champ de Mars station - Tour Eiffel
  • No. 42: Tour Eiffel or Bosquet-Rapp stops
  • Nos. 63, 80, 92: Bosquet-Rapp stop
  • No. 69: Champ de Mars stop
  • No. 72: stop Musée d’Art Moderne - Palais de Tokyo or Alma Marceau
  • No. 82: stop Varsovie or Champ de mars
  • No. 87: stop Rapp - La Bourdonnais

The history of the founding of the Quai Branly Museum

In early 1990, Jacques Kerchache, a specialist in African art, advocated the emergence of "primitive art." He met about this with the mayor of Paris at that time, Jacques Chirac. When the latter became president of the country in 1995, such a department was opened in the Louvre. But a year later, the president announced his intention to create new museum. In 1999, an international competition was announced for architectural project museum. Its winner was Jean Nouvel.

The official opening of the museum took place on June 20, 2006. The initial collection consisted of collections that belonged to the Museum of Man at the Palais de Chaillot and the Museum of Arts of Africa and Oceania.

In May 2009, the museum entered into an association with three more museums located in the neighborhood, and together they formed the “Hill of Museums” (Town of Architecture and national treasure, museum contemporary art city ​​of Paris, Tokyo Palace).

The museum's collection in 2016 included more than a million objects; images of most of them have been digitized and are in the online catalogue. These are textiles, sculptures, paintings, musical instruments, etc., as well as specialized magazines, films, videos and sound documents, dissertations on ethnology and anthropology, databases, encyclopedias, etc.

The exhibition is constantly updated. Except permanent exhibition About 10 temporary exhibitions are organized annually.

The architectural ensemble of the museum is 40,600 square meters in 4 buildings and a garden with paths, terraces, slides, ponds. Also in the museum building there is a Claude Lévi-Strauss theater, a cinema hall and a bar.

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Le musée du quai Branly Paris, France

Ethnographical museum with purely topographical official name was opened on the left bank of the Seine, at the foot of the symbol of Paris - the Eiffel Tower. The initiator of the creation unusual museum, whose holdings included exhibits demonstrating the “primitive art” of the peoples of Asia, Africa, America and Oceania, was French President Jacques Chirac, a great lover of African identity. Now it was necessary unique collection out of 300,000 objects of art to put into a worthy shell. The right to create an exhibition space on international competition 1999, among the stars of world architecture, fell to the pride of the French land, Jean Nouvel, who brilliantly realized the originality of his creative idea.

Among the urban metropolis, an exotic habitat of tropical jungle has suddenly grown, striking with evergreen flora southern latitudes. Transparent glass walls do not at all restrain the riot of vegetation that entwines the walls and facade of the building, and is a living emerald frame for the overseas collection. The famous "vertical garden" of 150 plants various types, fixed on a special non-woven material, occupy the entire area of ​​800 square meters on the end side of the building. The Branly Museum, this sacred building for the mysterious objects of ancient civilizations, presents 3,500 pieces of permanent exhibition. In a multi-meter glass cylinder located in the center of the “mystical” park, about 9,000 musical instruments. The rumbling sounds of tom-toms and drums, reproduced by hidden speakers, complement the feeling of immersion in a foreign, unknown and fascinating world.

Among the living thickets of the pampas and tropical forest, artfully designed hills, lawns and ponds, in five volumes, painted in different colors corresponding to the continents, magnificent examples of “primitive art” of the peoples of other parts of the world are presented. Here you will be surprised by the number and variety of ritual masks and totem poles, weapons and household items, shamanic clay figurines and cult sculptural deities made of wood and stone, a huge red megalith of volcanic origin, precious ethnic jewelry, intricately painted and carved dishes, and other unique cultural diversity.

One of the most famous exhibits of the collection is, perhaps, the “Parisian skull”, weighing 2.5 kg and 11 cm high, carved from a single volume of rock crystal. It is one of 12 such objects attributed to the Aztec civilization, called masterpieces of "pre-Columbian art." This item was given to the Museum of Man by the collector of transatlantic ethnics Alfons Pinard in 1878. And although Scientific research, carried out in the laboratory of the Branly Museum, completely exposed the antiquity of the manufacture of the skull; this piece of art, with its originality and accuracy of reproduction, still arouses genuine interest among the public.

The new generation museum is a multifunctional complex. In addition to the museum itself, exhibiting the “primary art” of non-European peoples, the Branly Museum is also a scientific and educational center that maintains and develops relations with scientific historical and ethnographic organizations of the countries on whose soil the works of art presented were created. As well as a club that conducts cultural and educational social events, special projects and programs for the study and protection cultural heritage countries of other continents. This invariably attracts many tourists and researchers who are fascinated by the pristine history of Africa and Asia, Oceania and the Americas, and who, with the Branly Museum, are opening a new, bright and unusual page in museology.