Ariadne's Thread: Guide ~ Belgium ~ Brussels ~ Royal Museums of Fine Arts. Royal Museums of Fine Arts Brussels Royal Museum of Fine Arts Brussels opening hours

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Capital of Belgium. Mentioned in 794 as Brocela, indicating that the village was located between swamps. Name from Flemish. brock swamp, sela housing, i.e. a village near a swamp. Modern French Bruxelles (Brussels, obsolete Bruxelles), Flemish. Brussels... ... Geographical encyclopedia

- (French Bruxelles, Flag Brussel) the capital of Belgium, the political and economic center of the country. Located on the river. Senna. Administrative center of the province of Brabant. Population 169 thousand people. (1968), with suburbs of over 1 million people, about 10%... ... Great Soviet Encyclopedia

Basilica Basilica of the Sacre Coeur Basilique du Sacré Cœur (French) Basiliek van het Heilig Hart (n.d.) ... Wikipedia

Coordinates: 50°50′48″ N. w. 4°21′09″ E. d. / 50.846667° n. w. 4.3525° E. d... Wikipedia

This term has other meanings, see Royal Palace. Royal Palace ... Wikipedia

Brussels Town Hall Brussels Town Hall is a town hall located in the historical center ... Wikipedia

This term has other meanings, see Bruegel. Pieter Bruegel the Elder Self-portrait with the customer (“Artist and Connoisseur”) Birth name ... Wikipedia

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Royal Museums of Fine Arts of Belgium. Brussels, Elena Milyugina. One of the most significant and distinctive art collections in Europe is the Royal Museums of Fine Arts of Belgium, located in the capital of Brussels. Four of them: Museum of the Old…
Royal Museums of Fine Arts of Belgium, Brussels, Milyugina Elena. The Royal Museums of Fine Arts is a complex of six museums. With all the diversity of painting schools represented in the collection, the Royal Museums of Fine Arts will remain for spectators...

The Royal Museum of Fine Arts in Brussels owes its origins to the artistic policies of the French Republic. The decree of 14 Fructidor, 1799, announced the creation of collections in fifteen capitals of the departments of the Republic, including However, this intention clearly contradicted the unceremonious plunder of artistic treasures, which was subjected to, among other countries, conquered by Napoleon. Since 1797, the Belgian side has made a lot of efforts to return the stolen treasures that decorated the halls of the Louvre in Paris. The fight for the return of priceless national treasure was led by the first curator of the museum in Brussels, Guillaume Jacques-Joseph Bosschaert (1737-1815) . Bosshart headed the Academy of Painting, Sculpture and Architecture in Brussels, dreaming of creating an art gallery there. At his suggestion, the museum at the Academy was first placed in 1798 in the former Jesuit church, but eventually occupied the so-called Old Court Palace. With tenacity and energy, he searched for valuable works of art among the secularized property of churches, and bought a lot from private owners. Risking his position and making enemies in ruling circles, Bosshart showed tremendous persistence in negotiations for the return of paintings from France, he himself traveled to Paris, wrote personally to Napoleon, and in the end his efforts were crowned with success. Already in 1801, Rubens’s paintings “The Adoration of the Magi”, “St. Francis Xavier", "Coronation of Our Lady", "Death of St. Livina." As a result, more than a hundred paintings were received from France. Among the acquisitions of Bosshart's successors, it should be noted the masterpiece by J. Jordans "Allegory of Fertility" (purchase 1827), Lamentation of Christ by Petrus Christus (1844) , “The Battle of the Rebel Angels” by P. Bruegel (1846) .

In 1834, the Ministry of the Interior transferred its collection of modern paintings to the museum for storage. Thus, the city collection was connected with the state art collection. In 1842, valued at one million six hundred and forty-four thousand francs, the museum's collection became state property, then receiving the name of the Royal Museum of Painting and Sculpture, now changed to the Royal Museum of Fine Arts.

Already in 1882, the museum collected five hundred and twenty works, which could hardly be accommodated in the Old Court palace. Soon a decision was made to divide the collections, to transfer old paintings, as well as sculptures, to the Palace of Fine Arts, intended for exhibitions, concerts, and competitions. The building of this palace was built in the spirit of classicism according to the design of the architect A. Bal in 1875-1885. Still works of art (including the 18th century) are in it.

The Royal Museums of Fine Arts (Belgium) (French: Musées royaux des Beaux-Arts de Belgique, Dutch: Koninklijke Musea voor Schone Kunsten van België) is a museum complex in Brussels and its suburb of Ixelles. Contains a significant collection of paintings and sculpture, owned by the Belgian state. The complex includes (in Brussels) the Museum of Ancient Art (full name: French Musée royal d"art ancien à Bruxelles) Museum of Modern Art (French Musée royal d"art moderne à Bruxelles) Magritte Museum (French Musée Magritte) Museum Fin de siècle (in Ixelles) Wiertz Museum (French Musée Wiertz) Menier Museum (French Musée Meunier).

During the occupation of the Austrian Netherlands by French revolutionary troops in 1794, the confiscation of works of art began in Brussels. The confiscated goods were stored and partly transported to Paris. The remaining artistic treasures served as the basis for the museum founded by Napoleon Bonaparte in 1801 in Brussels, which first opened its doors to the public two years later in the palace of the Austrian Stadtholder. In subsequent years, some works of art from this collection were sent to Paris. All confiscated valuables returned from Paris to Brussels only after the deposition of Napoleon. Since 1811, the museum became the property of the city of Brussels. With the emergence of the United Kingdom of the Netherlands under King William I, the museum's funds expanded significantly. In 1835, King Leopold I decided to create a national museum of Belgian artists in the Belgian capital. Seven years later, the city and royal collections were combined and in 1846 received the name of the Royal Museums of Painting and Sculpture of Belgium. And a year before that, a department of contemporary art was created in the museum. In 1887, a new museum building was opened on Rue de la Régence / Regentschapsstraat, designed by Alfons Balat, which housed the department of ancient art. Collection of works of the 19th century. remained in its original place in the Habsburg palace. It was only almost 100 years later that a building was added to the museum to house the expanding collection of 20th-century art.

Museum of Ancient Art

Flemish collection

The collection of the Museum of Ancient Art contains about 1,200 works of European art, covering the period from the 14th to the 18th centuries. The collection is based on works of Flemish painting, almost all Flemings are represented by their significant works. Among the paintings are “The Annunciation” by Robert Campin, “Pieta” and two portraits by Rogier van der Weyden, several paintings by Dirk Bouts on religious themes, Petrus Christus and Hugo van der Goes, several portraits and “The Martyrdom of St. Sebastian" by Hans Memling, "Madonna and Child" and a triptych of the Leuven Brotherhood of St. Anne by Quentin Masseys, "Venus and Cupid" and two portraits of Mabuse's donors. The museum contains 7 paintings by Pieter Bruegel (the Elder), incl. the famous “Fall of the Rebellious Angels”, as well as “Adoration of the Magi”, “Winter Landscape with Skaters and a Bird Trap...

BOZAR

This huge center of fine arts, built in the Art Deco era, has not only extensive exhibition spaces, but also its own concert hall, cinema hall, laboratories for artists, musicians and architects. The center does not have its own collection, but it is here that the largest exhibitions in Belgium are held, including retrospectives of dozens of other masters that have already taken place.

Musée du Cinquantenaire

Cincentenary Museum, or Museum of Art History, is one of the largest in Belgium. Its history dates back to the 19th century, the time of the reign of Leopold II and the time of the creation and unification of all kinds of royal collections. In terms of the eclectic composition of the collections, it can be compared with those in London or Vienna. It displays works of art and crafts from around the world, from antiquity to modernity, including an extensive block of works by African artists from the former colonies. The museum has a large park where you can stroll and look at the pavilion by leading Art Nouveau architect Victor Horta.

Villa Empain / Fondation Boghossian

Villa Empain, built in 1911 by one of the founders of the Vienna Secession, Joseph Hoffmann, is located near the current center of Brussels. The luxurious building with a swimming pool and garden was bought by the Boghossian family of Lebanese jewelers in the 1990s, completely restored and decided not only to show visitors a magnificent example of the Art Deco style, but also to hold various exhibitions here. The exhibitions usually echo the spirit of the villa - its architecture and furniture of that time. Many classics of the last century have already been exhibited here, from to.

ADAM

Museum in Ixelles, like a puzzle, continues to be made up of private donations, and it began at the end of the 19th century. Today, his collection includes more than ten thousand works of art from different centuries, including works by and, and, Ensor, Warhol and. There is also a large space for temporary exhibitions, where a variety of exhibitions are shown - from Belgian and European symbolists to photography.

Horta Museum

House-Museum of Victor Orta, one of the founders of the Art Nouveau style in architecture, was opened in 1969 and, despite the “boring” memorial status, remains one of the most visited museums in the city. Here you can see furniture and decor of that era, Orta’s personal belongings and, of course, admire the work of the master himself - Orta rebuilt his home several times, achieving almost ideal modernist proportions.

Van Buuren Museum

Van Buren House Museum is both a fine example of the Art Deco style (it was built in 1928 and designed by the banker David van Buuren himself), and a prime example of the eclectic collecting that Belgians still love today. The house, furnished with designer furniture and decorated with art objects from different times, was at one time a real salon, where Elvis Presley and Georges Minnet visited. Today here you can not only look at fantastic interiors and furniture, but also see a collection of paintings and sculptures with masterpieces by Kees van Dongen and other masters.

ING Art Center

The exhibition space of one of the largest banks fits elegantly into the museum quarter along with the Royal Museums and BOZAR. Here, as in Vienna, owned by the Bank of Austria, large-scale exhibitions of local classics, as well as large prefabricated projects, take place. For example, there have already been exhibitions of abstraction from the collection of the Guggenheim Museum, British and American pop art, and a retrospective of a classic of modern art.

La Patinoire Royale

This large neoclassical building, built in 1877 in the center of Brussels for royal entertainment (it was home to a roller skating rink), today houses one of the largest exhibition halls in Belgium. For many years now, it has been successfully rented by the famous gallery owner Valerie Buck to display large-scale installations and monumental works. And she has something to show: only over the last couple of years, the spaces have been filled with works by such artists as, and.

WIELS

Another center for contemporary art without its own collection, but with regular and extremely entertaining temporary exhibitions, as well as a large program of art residencies. Its main task is to present to the audience both young and already famous artists from all over the world. Rita McBride, Duncan Campbell, Simon Denny, Clara Liden and others have already been residents here.

Vanhaerents Art Collection

The family's collection of contemporary art from the 1970s to the present day is displayed in the four-story industrial building dating back to 1926. Its reconstruction was carried out thirteen years ago by the Ghent bureau Robbrecht en Daem. Today there is a permanent exhibition with works by Warhol and Christian Boltanski, as well as temporary exhibitions.

CENTRALE For Contemporary Art

A private art center, which, in addition to large exhibition spaces for temporary exhibitions, includes residences for young artists under 35 years of age and a workshop with a gallery for experiments CENTRALE.box. The exhibitions here are collected mainly from private Belgian collections of contemporary art of the 20th and 21st centuries, so they are most often varied both in composition and in themes - just like eclectic local collections.

CAB

This art foundation, housed in a former Art Deco warehouse, hosts two major exhibitions a year, from September to December and April to June. The curator is museum and gallery people from different countries, and the art that is exhibited here is also international: next to the house of Jean Prouvé, installations by Tony Matelli, sculpture by Wilfredo Prieto and painting experiments of the group coexist.

MIMA

This private museum opened in 2016 in the Molenbeek district in a former brewery. That same year, the building, whose roof offers stunning views of the center of Brussels, celebrated its centenary. Enthusiastic collectors and owners of the museum display a wide variety of art from around the world on four floors, with an emphasis on multimedia and street art. Exhibitions by the Swedish duo Akay & Olabo, the Dutchman Boris Tellegen, and combined international exhibitions dedicated to graffiti and street art have already been held here.