Tatyana Snezhina, the story of her life and death, autobiography, discography, her books, quotes from her works, archival photographs. Singer Tatyana Snezhina: creative biography, personal life, tragic death, photo Tatyana Snezhina

Tatyana Snezhina (real name Pechenkina) was born on May 14, 1972 in Ukraine in the city of Lugansk in a military family. When Tatyana was six months old, her father was sent to serve in Kamchatka. There Tatyana went to school. Then several more moves: Moscow, Novosibirsk. Tatyana began writing poetry early. Her older brother helped her with this, noticing Tatyana’s literary abilities; he unobtrusively offered her works by Tsvetaeva, Pasternak, and Heine. On them and many other talents, the flower of Tatyana Snezhina’s poetry grew.

After school, Tatyana enters the 2nd Moscow Medical Institute. Then Tatyana already writes poetry and music for them and performs these songs herself. At student evenings, where Tatyana performs her songs, someone discreetly records her voice, and the songs spread among friends and acquaintances. But in 1994, Tatyana again had to leave for Novosibirsk. She misses her friends, metropolitan life, and her poems are born with renewed vigor. During her short life, Tatyana wrote more than two hundred poems, which are imbued with the bright soul of the poetess.
Friends write from Moscow asking her to record songs and send them to them. One such cassette with recorded songs radically changed the biography of Tatyana Snezhina. By the will of fate, quite by accident the tape ends up in Taganka, in the KiS-S studio. Within a day, Tatyana receives a call and is offered to record songs. Two hours later, having hastily gotten ready, Tatyana goes to the Novosibirsk airport, and five hours later she arrives at the studio. The most fruitful stage in the biography of Tatyana Snezhina begins.
Recordings of her songs begin, which she writes and performs herself. It is clear that the producers looked at the singer’s talent in their own way and tried to fit her talent into the framework of the show business that was being sold. It was a difficult and happy time for Tatyana. Life does not give her a break - studying at the institute, choreography classes, vocal lessons, rehearsals, recordings... Soon after the start of recording in the KiS-S studio, her first album, “Remember with Me,” appears. But in February 1995, the producers of the KiS-S studio refused to work with Tatyana. And she begins to look for a new studio to record her songs. By the will of fate, she was sent a man who became both a producer and a loved one for her.
In the spring of 1995, Sergei Bugaev, having listened to her recordings, invites Tatyana to work at the M & L Art studio. Already in May, her debut song “Musician” was released in this studio.

In harmony, Tatyana’s views on her work, and the approach of those around her to Tatyana’s talent, begin to transform. As one of the arrangers later admitted: “We tried for too long to bring Tanya’s songs up to world standards and suddenly realized that this was impossible. What she writes does not need serious processing, everything she writes should sound almost untouched because this is what we were waiting for, looking for and could not find for a long time...” And now Tatyana receives first prizes at various competitions, first television interviews and performances, and fans. The external gloss of show business, in general, weighed a little on Tatyana. She considered her main task to be writing songs and singing them for people, awakening long-forgotten feelings.
Having met, Tatyana Snezhina and Sergei Bugaev fell in love. And they were already planning the wedding. But life had its own way. The presentation of the new production project took place on August 18, 1995. And at this concert, Tatyana performs two romances instead of the planned pop songs
“If I die before my time...” and “My Star.” Those gathered were shocked by the power of Tatyana’s performance:
My star, don’t shine in sorrow,
Don't bare my soul in front of everyone,
Why does everyone need to know that you and I were married?
Both heavenly hell and immaculate sin.
Immediately after the presentation, Sergei and Tatyana set off on a pre-wedding trip to the Altai mountains, and on the way back, the Nissan minibus collided with a MAZ truck. As a result of this traffic accident, all six passengers of the minibus died without regaining consciousness: singer Tatyana Snezhina, Sergei Bugaev, director of the Pioneer MCC Shamil Faizrakhmanov, candidate of sciences, director of the Master-vet pharmacy Igor Golovin, his wife, doctor Golovina Irina and their five-year-old son Vladik." May their memory be blessed.
Songs written by Tatyana Snezhina were performed by such Russian pop stars as Alla Pugacheva, Mikhail Shufutinsky, Lada Dance, Joseph Kobzon, Tatyana Ovsienko, Alisa Mon, Elena Borisenko, Lev Leshchenko, Lolita (cabaret duet “Academy”), Kristina Orbakaite, Nikolai Trubach, as well as various pop groups.
During life, as often happens, recognition does not come to talented people. This happened with Tatyana Snezhina. But even today her heartfelt poetry lives in our hearts, and recognition in the souls of many people came to Tatyana Snezhina.

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Tatyana Snezhina is a talented singer, poet, composer. Her works were so touching, sincere and lyrical that they literally touched the soul. Tatyana could write many more songs and poems. But, unfortunately, a tragic accident took her life at such a young age. And after her death, the works of this incredibly talented girl are popular.

Childhood, family

Tanya's biography began in Lugansk. The girl was born into the family of a military officer. The real name of the poetess Pechenkina. She was very young, and her parents had already transported her to the harsh climate of Kamchatka, because Tanya’s father’s service required this. Mom raised her girl herself.

She gave her a love for music from a very young age. Tatyana's musical biography began with her mother's first chords on the piano. From the age of four, the girl sang and danced selflessly. She composed poems and, without hesitation, recited them to her relatives.

Tanya went to 1st grade in Petropavlovsk-Kamchatsky. My parents moved again, this time to Moscow. In her school biography there was everything, like many girls: lessons, public assignments, drama club. Having received a certificate, the girl decided to connect her fate with medicine. Since the family had to leave again, after some time, having started her studies in Moscow, the student submitted documents for transfer to the Institute of Medicine in Novosibirsk.

Music, songs

Tanya tried to record songs and poems at home and create albums from them herself. Everything that the girl composed was enthusiastically accepted by her classmates and classmates. Various music competitions were held in Novosibirsk, often a medical student became a participant.

Recordings of Tatyana's songs on cassette were seen and heard at the KiS-S recording studio. The studio helped the singer record 22 soundtracks for songs, the music and lyrics for which Tatyana herself came up with. Her first album was also released there. Simultaneously with the release of the collection, the young performer performed on the stage of the Variety Theater.

Radio Russia was the first to talk about the creativity of the young talented girl. At the very first step to her popularity, Tatyana came up with a stage name - Snezhina. The singer worked on the new album for a whole year, but she did not like the result that came out after the studio recording. She began to look for a new team to work on her compositions. The director of the youth studio, Sergei Bugaev, appeared on the singer’s path.

He immediately fell in love with Tatiana’s work, and a creative, fruitful union was created. It took several months for a song about the musician to be born. Her material was easy, it could not be modified in any way, so what the girl wrote was sincere. This stage can be considered the beginning of the stellar biography of Tatyana Snezhina.

Success and fame did not turn the girl’s head; she began to take her vocals and recordings of her songs even more seriously. Tanya wrote everywhere and on everything, as if she knew that she needed to hurry, and there was still a lot to say. Sergei carefully studied all of the singer’s work and all of Tatyana’s homemade preparations. As an experienced professional recording maker, he realized that the material that fell into his hands was priceless. The plans were to create a magnetic album, clips and a laser disc.

Personal life, death of Tatyana Snezhina

The girl found in Sergei not only a good assistant, a wonderful producer, but also a loved one. The couple was supposed to get married. Complete mutual understanding and love arose between the young people.

The wedding day was set in September. In August, Snezhina and Bugaev showed everyone their joint project. The premiere of two songs took place. Unfortunately, one of them was called tragically: “If I die before my time.”

If I die before my time,
Let the white swans carry me away
Far, far away, to an unknown land,
High, high, into the bright sky...

The future groom, bride and their friends gathered in a minibus for the mountains. Altai is famous for its sea buckthorn oil and honey. Their young people wanted to recruit before the wedding. After spending two days in the mountains, we went home. On the highway, a minibus collided with a MAZ. No one survived this terrible accident. Tatyana was buried in the Novosibirsk cemetery. Then they were reburied in Moscow.

Creativity of Tatyana Snezhina

Tatyana Snezhina left many of her creative works as a legacy to her fans. In total, the poetess wrote more than two hundred songs and poems. The most popular pop singers sang songs left by Tatyana. Among them are Joseph Kobzon, Alla Pugacheva, Tatyana Ovsienko, Lev Leshchenko. Many compositions were never published. Snezhina's poems are collected in collections and become best-selling. They are on the same shelf with real classics of poetry.

It’s hard to believe that Tatyana has been dead for about twenty years, but her work still lives on. Her poems penetrate deeply into the soul of every sensitive person. Tatyana Snezhina, unfortunately, was already posthumously awarded the “Songs of the Year” prize. The award, which was once received by the diva of the Soviet and Russian stage Alla Borisovna Pugacheva, was consonant with the poetess’s pseudonym - “Silver Snowflake”.

Material from Wikipedia - the free encyclopedia

Tatyana Valerievna Snezhina (real name - Pechenkina; May 14, 1972, Voroshilovgrad, Ukrainian SSR, USSR - August 21, 1995, 106th kilometer of the Barnaul-Novosibirsk highway, Russia) - poet, composer and singer.

She was born in Ukraine in the city of Voroshilovgrad (now Lugansk), in a military family. At the age of three months, with her parents, due to the nature of her father’s service, she went to live in Kamchatka. She studied at the music school and secondary school in Petropavlovsk-Kamchatsky No. 4 named after. L. N. Tolstoy. In 1982, she and her family moved to live in Moscow. She studied at school No. 874, was a social activist and a member of the school drama club. She entered the 2nd Moscow Medical Institute (MOGMI). Since 1992, due to her father’s business trip, she lived with her parents in Novosibirsk. She entered and studied at the Novosibirsk Medical Institute.

The beginning of creativity

She began writing music and poetry during her school years. She drew and sang. The first success was informal - homemade “music albums” recorded at home were distributed among Moscow students, and then Novosibirsk students. The same fate awaited the poems and prose typed by the author. In 1994, T. Snezhina recorded phonograms of 22 original songs from her first album, “Remember with Me,” in the KiS-S studio in Moscow. In the same year, she made her debut at the Variety Theater in Moscow, and the first program about her work was broadcast on Radio Russia. In Novosibirsk he wins several song competitions in the city and region.
It was difficult for Snezhina to come up with new songs; the work was carried out painstakingly and carefully. Some songs took 2-3 months to record. The work went on, and Tanya’s style changed a little, the studio’s approach to her work changed. As one of the arrangers later recalled: “We tried for too long to bring Tanya’s songs up to world standards and suddenly realized that this was impossible. What she writes does not need any serious processing, everything she writes should sound almost in untouched form because this is what we were waiting for, looking for and could not find for a long time...". While looking for ways to release her solo album and record new songs in Novosibirsk, she met Sergei Bugaev, a former Komsomol worker who contributed greatly to the development of underground rock music in the 1980s. Since the early 1990s, the director of the Studio-8 youth association has been trying to promote “pop music with a human face,” which Tatyana Snezhina joined. In addition to the creative ones, close personal relationships were also established between the young people; in May 1995, Tatyana was proposed to marry her, and their wedding was supposed to take place in the fall.

Death

In August 1995, Tatyana and Sergei were engaged, and their wedding was supposed to take place a month later. Snezhina’s album was recorded at Studio-8, the release of which was planned for the same fall. On August 18, 1995, a presentation of a new production project took place, at which Tatyana performed two of her own romances, “My Star” and “If I Die Before Time,” with the guitar.

If I die before my time,
Let the white swans carry me away
Far, far away, to an unknown land,
High, high, into the bright sky...

Tatiana Snezhina

On August 19, 1995, Bugaev borrowed a Nissan minibus from friends and went with his friends to the Altai Mountains to buy honey and sea buckthorn oil. He took Tatyana with him.

Two days later, on August 21, 1995, on the way back, at the 106th kilometer of the Cherepanovskaya highway Barnaul-Novosibirsk, a Nissan minibus collided with a MAZ truck. As a result of this traffic accident, all six passengers of the minibus died without regaining consciousness:
singer Tatyana Snezhina, director of the Pioneer MCC Sergei Bugaev, candidate of sciences Shamil Faizrakhmanov, director of the Mastervet pharmacy Igor Golovin, his wife, doctor Golovina Irina and their five-year-old son Vladik Golovin.

There are two main versions of the disaster. According to one of them, Nissan went to overtake and, due to the right-hand steering wheel, did not notice a truck rushing towards it (that day one of the punctured wheels was replaced with a spare wheel). According to another version, the MAZ itself suddenly braked sharply, and its trailer skidded into the oncoming lane (it had rained shortly before the accident).

Creation. Heritage

During her life she wrote more than 200 songs. Thus, the most famous song performed by Alla Pugacheva “Call me with you” belongs to the pen of Tatyana, but Alla Borisovna sang this song after the tragic death of the poet and performer in 1997. This event served as the starting point for writing poems dedicated to Tatyana Snezhina. Since 1996, other pop stars begin to sing her songs: // I. Kobzon, K. Orbakaite, Lolita Milyavskaya, T. Ovsienko, M. Shufutinsky, Lada Dance, L. Leshchenko , N. Trubach, Alisa Mon, T. Bulanova, E. Kemerovsky, Asker Sedoy and others. Numerous musical compositions based on her music in the dance rhythms of house and hip-hop styles are popular. Her music is heard in films.

Despite the fact that Snezhina wrote more than 200 songs, her poetry, thanks to its internal melody, inspires many composers to write new songs based on the poems of this author (E. Kemerovo, N. Trubach, etc.). Currently, the repertoires of performers in Russia, Ukraine, and Japan include more than two dozen new songs based on Snezhina’s poems.

In 1997, 1998, 1999 and 2008, T. Snezhina posthumously became the laureate of the Song of the Year award. There is an award named after Tatyana Snezhina - “Silver Snowflake” for her contribution to helping young talents. One of the first to receive this statuette was Alla Pugacheva.

In 2008, a literary prize was established in Ukraine by the Interregional Union of Writers of the Country named after. Tatiana Snezhina and the corresponding commemorative medal. Every year, the best songwriters are nominated for this award.

In Kazakhstan, the peak of the Dzhungar Alatau mountain range is named after Tatyana Snezhina. The peak was first conquered as a result of a targeted expedition by a group of young Russian climbers.

In 2006, at school No. 97 (formerly school No. 874) in Moscow, where Tatyana Snezhina studied from 1981-1989, the “Literary and Musical Museum in Memory of T. Snezhina” was opened by the teaching staff, on the basis of an official decision of the Moscow government. .

In Ukraine, in the city of Lugansk, in 2010, by decision of the authorities, a bronze monument to Tatyana Snezhina was erected in the city center. The author of the sculpture is E. Chumak.
Ukraine. Lugansk.

In 2008, a large-scale regional television competition for young pop song performers “Ordynka” was established and held annually in Novosibirsk, dedicated to the memory of T. Snezhina and S. Bugaev. Contestants come from all over Russia and the competition is held in several stages, widely covered by the press and television. Traditionally, one of the stages of the festival is the performance of T. Snezhina’s songs.

In Novosibirsk in 2011, one of the new streets was named in honor of Tatyana Snezhina.

Since 2012, the Novosibirsk Cycling Club “Rider” has been holding an annual “Bike Ride in Memory of Tatyana Snezhina” along the route Novosibirsk - 116 km. Cherepanovskaya highway (place of death of the poetess).

Since 2012, the annual “International Festival of School Creativity in Memory of Tatyana Snezhina” has been held in Moscow on the date dedicated to the poetess’s birthday.

On May 14, 2013, in Novosibirsk, on Tatyana Snezhina Street, on the initiative of the author’s fans, by decision of the city authorities, a five-meter bronze stele dedicated to this poetess and composer was installed. The authors of the sculpture are the main artist of Novosibirsk Yuri Burika and Tomsk sculptor Anton Gnedykh. The stela in the form of a stylized sail-harp with the silhouette of a young poetess perpetuates not only the image of T. Snezhina herself, but also one of her famous works - in the foreground of the composition there is a bronze stave with the first notes of the song “Call me with you.”

In the 21st century, Tatyana Snezhina has become one of the most popular and best-selling poetic authors in Russia. The circulation of her books has crossed the hundred thousand mark.

Take me with you

Poems and music by Tatyana Snezhina.

Again from me the wind of evil changes
It takes you away
Without leaving me even a shadow in return,
And he won't ask, -
Maybe I want to fly away with you
Yellow autumn leaves,
A bird behind a blue dream.

Call me with you,
I'll come through the evil nights
I'll go after you
Whatever the path prophesies for me,
I'll come where you are
Draw the sun in the sky
Where are the broken dreams
They regain the power of heights.

How many years have I been looking for you?
in the crowd of passers-by,
I thought you'd be with me forever,
But you're leaving
Now you won't recognize me in the crowd,
Only, as loving as before, I let you go.

Every time night falls
To the sleeping city,
I'm running away from the sleepless house
In sadness and cold,
I'm looking for you among faceless dreams,
But at the door of a new day,
I'm going again without you.

If I die before my time,
You give me to the white swans,
Between the feathers of their wings I will get entangled
And I will rush off with them into my dream.

And there is no need to call a priest to my house,
And there’s no need to perform my funeral service in church.
Let the free winds sing for me,
They will sing to my destitute soul.

Well, my body is empty
Cover it with damp earth,
Yes, give him, unbaptized,
Cross, so that I may be forgiven by God.

Don't put flowers on my grave,
Let it be overgrown with lush grass.
Let the forget-me-nots bloom in the spring,
Yes, winter will fall with white snow.

If I die before my time,
Let the white swans carry me away,
Far, far into an unknown land,
High, high into the bright sky...

The purpose of this article is to find out how the tragic death in a car accident of the talented poetess, composer and singer TATYANA SNEZHINA is included in her FULL NAME code.

Watch "Logicology - about the fate of man" in advance.

Let's look at the FULL NAME code tables. \If there is a shift in numbers and letters on your screen, adjust the image scale\.

16 22 46 53 67 78 88 102 103 122 123 142 171 203 217 218 221 222 234 240 257 286 292 295 309 310
P E C H E N K I N A T A T YA N A V A L E R E V N A
310 294 288 264 257 243 232 222 208 207 188 187 168 139 107 93 92 89 88 76 70 53 24 18 15 1

19 20 39 68 100 114 115 118 119 131 137 154 183 189 192 206 207 223 229 253 260 274 285 295 309 310
T A T YA N A V A L R E V N A P E C H E N K I N A
310 291 290 271 242 210 196 195 192 191 179 173 156 127 121 118 104 103 87 81 57 50 36 25 15 1

PECHENKINA TATYANA VALERIEVNA = 310 = 156-DIES IN A CAR ACCIDENT + 154-WHEN COLLECTING AN OBSTACLE.

310 = 240-DIED IN A CAR ACCIDENT WHEN COLLIDING + 70-ON AN OBSTACLE.

Let's check the decryption with the table:

16** 31 35 45 47 48 54 73 76* 77 80 99 114*115**118** 119**136 146 156* 172 189*199
P O G I B A E T V A V T O A V A R I I P R I
310**294*279 275 265 263 262 256 237 234*233 230 211 196**195**192**191*174 164 154*138 121*

213 214 220 229 234*240** 254 255 271*288*294**310**
N A E Z D E N A P R E P...
111 97 96 90 81 76** 70* 56 55 39* 22** 16**

The table contains 2 chains of 4 consecutive numbers: 114-115-118-119 191-192-195-196

And 1 chain of 3 consecutive numbers: 288-294-310

And also 7 matching columns: 16**\\310** 115**\\196** 118**\\195** 119**\\192** 240**\\76** 294**\ \22** 310**\\16**- (repeat)

Let's consider the decoding: 310 = 119-LIFE DEprived + 191-\102-CARS + 89-DEATH\.

8 18* 27 41 51 63 73 98 104*118**119** 120 123*142**157 158 161 162 179*189*221*
L I Z H I L I S H E N A + A V T O A V A R I A +
310*302 292*283 269 259 247 237 212 206**192** 191*190 187**168*153 152 149 148 131*121*

232*247 261 285* 295**309**310**
C O N C H I N A
89* 78* 63 49 25** 15** 1**

The table contains 1 chain of 4 consecutive numbers: 285-295-309-310

1 chain of 3 consecutive numbers: 1-15-25

And also 6 matching columns: 118**\\206** 119**\\192** 142**\\187** 295**\\25** 309**\\15** 310**\ \1**

In decoding: 310 = 188-DEATH IN A CAR + 122-DESTROYED IN AN ACCIDENT

We will see 8 matching columns:

11 26 40 64 74 88* 89** 92** 93** 96 115*130 143 158 160 170 182 188*
C O N C H I N A V A T O M O B I L E +
310*299 284 270 245 236 222** 221** 218** 217*214 195*180 167 152 150 140 128

191* 192**195**196**213 223*233 251 255 275 277 289 295*309**310**
V A V A R I S G U B L E N A
122* 119**118**115**114* 97 87* 77 59 55 35 33 21 15** 1**

The table contains 2 chains of 4 consecutive numbers: 191-192-195-196 114-115-118-119

And also 8 matching columns: 89**\\222** 92**\\221** 93**\\218** 192**\\119** 195**\\118** 196**\ \115** 309**\\15** 310**\\1**

P (bends around) + (rev) ECHEN (naya) + (became) KI (va) N (ie) A (vehicles) + (ka) TA (strophe) + (death) T + (oncoming) I (vehicles) ON + V A(automobile)LE R(azbilas)b + (vn)E(apne) (stalks)V(a)N(ie) A(vehicles)

310 = P, + ,ECHEN, + ,KI,N, A, + ,TA, + ,ТH + ,I,NA + V A,LE R,b + ,E,B,N, A,.

215 = CAR ACCIDENT (car) = ROAD CAR (car) + CAR (car).

If we make tables from these decryptions, we will see 3 matching columns.

Therefore, it would be best to consider the decoding: 215 = (p) AZBIVA (is) + 189-CATOR DISASTER (billing).

5 8 9 14 37* 38** 57** 86 102 108 125 128 143 149* 150**153**157*177*195 214*215**
T W A D T H A T F O R V O E A V G U S T A
215*210 207 206 201 178**177**158* 129 113 107 90 87 72 66** 65** 62* 58* 38* 20 1**

1** 10 12 22 25 26 37* 38** 57** 58* 76 95 112 127 148 149* 150**153**172 187 200 215*
(r) A Z B I V A... + K A T A S T R O F A A A V T O M O...
215**214*205 203 193 190 189 178**177**158*157*139 120 103 88 67 66** 65** 62* 43 28 15

The table contains 4 chains of 3 consecutive numbers: 37-38-57 149-150-153 62-65-66 158-177-178

And also 5 matching columns: 1**\\215** 38**\\178** 57**\\177** 150**\\66** 153**\\65**

"Deep" decryption offers the following option, in which all columns match:

D(road) (a)B(crash) + (stop)A (ser)DCA + (death)TH + P(r)ERV(an)O (breathing)E + AB(crash) + GU(bit) ST (colony) A(cars)

215 = D,V, + ,A,DCA + ,TH + P,ERV,O,E + AB, + GU, ST, A,.

Look at the column in the lower table of the FULL NAME code:

_______________________________________
195 = TWENTY-FIRST AUGUS(ta)

118 = 64-CRASH + 43-IMPACT + 11-K(death)
_________________________________________
195 = 63-(a)VARIA + 43-IMPACT + 89-DEATH

Code for the number of full YEARS OF LIFE: 86-TWENTY + 46-THREE = 132 = 63-DEath + 69-CATAST(rofa).

Let's look at the tables:

5 8 9 14* 37* 38**57** 86 105 122 132*
TWENTY THREE
132*127 124 123 118* 95**94** 75* 46 27 10

4 14* 16 22 34 63 74 75* 94** 95** 113 132*
G I B E L + K A T A S T (rofa)
132*128 118*116 110 98 69 58 57** 38** 37* 19

The table contains 2 chains of 3 consecutive numbers: 37-38-57 and 75-94-95

And also 2 matching columns: 38**\\95** 57**\\94**

In decryptions: 132 = (u)DAR HEAD IN AN ACCIDENT(s) = (g)IBEL IN A CAR ACCIDENT(s)

We get a slightly different picture:

5** 6 23 27* 42 54 69 72 87 97 100 101 104 105*122**132**
(y) D A R G O L O V A V A V A R I (i)
132**127*126 109 105* 90 78 63 60 45 35 32 31 28 27** 10**

10** 12 18 30 59 62 63 66 85 100 101 104 105*122**132**
(d) I B E L V A V T O A V A R I (i)
132**122*120 114 102 73 70 69 66 47 32 31 28 27** 10**

We see 1 matching line in the tables: 105-122-132

And also 3 matching columns: 5**\\132** 122**\\27** 132**\\10**

10**\\132** 122**\\27** 132**\\10**

"Deep" decryption offers the following option, in which all columns match:

D(breathing) (interrupt)V(ano) + (stop)A (ser)DCA + (death)TY + TR(aumated)I(e)

132 = D,B, + ,A,DCA + ,TH + TP,I,.

Look at the column in the top table of the FULL NAME code:

122 = TWENTY TR(s)
__________________________________________
207 = 69-END + 138-ROAD CUT*(astrophe)

207 - 122 = 85 = INSTANT.

310 = 132-TWENTY-THREE + 178-SEVERE M(brain) INJURY.

215-TWENTY-FIRST OF AUGUST = 132-TWENTY-THREE + 83-CAR ACCIDENT.

132 = TWENTY THREE = 69-END + 63-DEATH.

Tatyana Valerievna Snezhina(real name - Pechenkina; May 14, 1972, Lugansk, Ukrainian SSR, USSR - August 21, 1995, 106th kilometer of the Barnaul - Novosibirsk highway, Russia) - Russian singer, lyricist, poet, composer and writer.

Alla Pugacheva about Tatyana...

Born in Ukraine, into a military family. At the age of three months, with her parents, due to her father’s line of work, she went to live in Kamchatka. She studied at the music school and secondary school No. 4 named after L. N. Tolstoy. In 1982, she and her family moved to live in Moscow. She studied at school No. 874, was a social activist and a member of the school drama club. She entered the 2nd Moscow Medical Institute MOLGMI. Since 1994, due to her father’s business trip, she lived with her parents in Novosibirsk. She entered and studied at the Novosibirsk Medical Institute.

If I die before my time,

Let me be carried away

white swans

Far, far away, to an unknown land,

High, high, into the bright sky...

Tatiana Snezhina

On August 19, 1995, Bugaev borrowed a Nissan minibus from friends and went with his friends to the Altai Mountains to buy honey and sea buckthorn oil. He took Tatyana with him.

singer Tatiana Snezhina ,

Director of MCC "Pioneer" Sergey Bugaev ,

PhD Shamil Faizrakhmanov ,

Director of the pharmacy "Mastervet" Igor Golovin ,

his wife, a doctor Golovina Irina And

their five year old son Vladik Golovin .

Initially, T. Snezhina was buried in Novosibirsk at the Zaeltsovskoye cemetery, later the remains were transferred to Moscow to the Troekurovskoye cemetery.

During her life she wrote more than 200 songs. So, the most famous song performed by Alla Pugacheva « Take me with you "belongs to the pen of Tatyana, but Alla Borisovna sang this song after the tragic death of the poetess and performer in 1997. This event served as the starting point for writing poems dedicated to Tatyana Snezhina. Since 1996, other pop stars begin to sing her songs: // I. Kobzon, K. Orbakaite, Lolita Milyavskaya, T. Ovsienko, M. Shufutinsky, Lada Dance, L. Leshchenko , N. Trubach, Alisa Mon, E. Kemerovsky, Asker and others.

Numerous musical compositions based on her music in the dance rhythms of House and Hip-Hop are popular. Her music is heard in films.

In Kazakhstan, the peak of the Dzhungar Alatau mountain range is named after Tatyana Snezhina. The peak was first conquered as a result of a targeted expedition by a group of young Russian climbers.

In Ukraine, in the city of Lugansk in 2010, by the decision of residents and authorities, a bronze monument to Tatyana Snezhina was erected in the city center. The author of the sculpture is E. Chumak

Ukraine. Lugansk. Monument to T. Snezhina

In Novosibirsk in 2011, one of the new streets was named in honor of Tatyana Snezhina, and a memorial plaque was placed on the wall of the Pioneer cinema in the city center.

In the 21st century, Tatyana Snezhina has become one of the most popular and best-selling poetic authors in Russia. The circulation of her books has crossed the hundred thousand mark.

Discography [edit]Call me with you (1997)

Songs performed by Russian pop stars

Alla Pugacheva - Call me with you

Mikhail Shufutinsky - How old

Lada Dance - We are no more

Joseph Kobzon - Festival of Lies

Taste of Honey - Casanova

Tatyana Ovsienko - Dream Alisa Mon - Snowflake

Joseph Kobzon - Me and You

Elena Borisenko - How I leave you

Lev Leshchenko - Sailor

Lolita (cabaret duet "Academy") - House on a High Mountain

Kristina Orbakaite - Musician

Lada Dance - Be with me

Taste of Honey - Fantasy of Snow

Elena Borisenko - Autumn

Lev Leshchenko - There was a time

Mikhail Shufutinsky - Memory remains

The Taste of Honey - Crossroads

Nikolai Trubach - What is my life worth?

Joseph Kobzon - Your letters

Evgeniy Kemerovo - The sky above us

Tatiana Snezhina - The last day of autumn

House on the High Mountain (1998)

House on a high mountain Call me with you Musician Young Casanova Snowflake Yellow leaves The last day of autumn My star House on a high mountain (-1)

Remember with me (2003)

My city Dream It was time Rose Your first rain Sailor We are no more Figaro You spoke about love Festival of lies Fantasy of snow Be with me Gramophone Crossroads Call me with you Casanova House on a high mountain I forget you Me and you Your letters Ask me

Beyond the Bluest Heights (2009)

Fog over the city, fog Don't fly away summer Your portrait If only you were lucky We are only guests in this life... Is winter to blame for the bluest heights? I will wait for you Old tram I won’t be bored Lullaby A joke about autumn Let me live without time...

Anxious Candle Petal (2010)

Ob River Anxious petal of a candle Farewell Echo of the rain A dream will melt The Bible of love I am memory I am far away today It is winter in Yalta I will come for you in a dream In a deserted, thoughtful night Don’t scold me Snowflake Yellow leaves My star

Singer and composer

Tatyana Pechenkina was born on May 14, 1972 in Voroshilovgrad (Lugansk, Ukraine).

AUTOBIOGRAPHY

The most precious memories of any person are memories of his childhood, father, mother, of that carefree and joyful perception of the world that will never be repeated.

I was born in Ukraine, and my first impressions of life were melodic Ukrainian tunes from the radio near the crib and my mother’s lullaby. I was not even six months old when fate transferred me from a warm, fertile region to the harsh land of Kamchatka. The pristine beauty of Nature... Gray volcanoes, snow-capped hills, the majestic expanse of the ocean. And new childhood experiences: long winter evenings, howling snowstorms outside the window, the crackling of birch logs in the stove and mother’s tender hands giving birth to Chopin’s unforgettable melodies.

Our old piano... I sometimes look at it, and it seems to me that all these years it was a member of the family, happy and sad, sick and healed with me. I didn’t yet know how to speak, but, hitting the keys with my childish fingers, I tried to show the world around me my feelings and thoughts.

Then, at three or four years old, the first “variety” performances. Mom's cosmetics, mom's skirt and something from the 70s repertoire. Remember: “Oh, Harlequin, Harlequin...” or even better, “Dark eyes...”. And, of course, thunderous applause from guests and parents who are in love with their child. At the end of the "concerts" - the first nursery rhymes. In one word - Childhood.

Then school and a new move, this time to Moscow. And the first conscious shock in life is the loss of friends who remained thousands of insurmountable kilometers away, in that harsh and beautiful land. And instead of the joyfully playful children's stanzas about “worms and bugs,” sad and at the same time lyrical lines began to come into my head, along with nightly tears for my first love, “which is there, far away, in a distant and harsh land.” They could not yet be called poems, they... were, perhaps, those grains that were destined to germinate later. And the soil was nourished by volumes of Tsvetaeva, Pasternak, Heine, slipped in unnoticed by the caring hand of the elder brother, who saw and understood everything.

Other people's poems, other people's songs, girlfriend Lena, evenings turning into nights at the piano, all this in public, and at night secretly your own - in a notebook, bad, but your own. And later the first listener is my mother, the person closest to me, and her tears, tears of joy and sadness. Only then did I realize that what I had been nurturing and hiding for many years could evoke feelings not only in me. And gradually the circle of people whom I began to trust, to talk about the most intimate, personal things, began to expand. But that was later, when I entered the 2nd Moscow Medical Institute. I don’t know if it was possible to talk about creativity even then, it’s not for me to judge, but I lived by it, I simply filled my inner loneliness, I thirsted for something beautiful and... unrealizable, and people liked it. Student evenings with friends at the club piano became frequent; one of them quietly recorded what I sang and played on a tape recorder, and the tapes began to be distributed among acquaintances, friends, and relatives. This was my first, and therefore most expensive, edition, the first joy of creative satisfaction. I couldn’t even believe right away that what I wrote for myself was needed by someone else. The old pain gradually subsided, new friends appeared, in short, there were no limits to happiness and carefreeness...

And then HIS death. The death of a great Man and Poet - the death of Igor Talkov, and dreams, dreams about him. How much has not yet been written, how much has not been sung. Why do people so needed by Russia leave early - Pushkin, Lermontov, Vysotsky, Talkov? The dreams were prophetic and difficult. Shock, again a spiritual vacuum. I couldn’t walk, think, write. Friends remained... And a new blow of fate, which, regardless of anything, throws me again thousands of kilometers from home, friends, my life - to Siberia, to the city on the Ob - Novosibirsk. Longing for everything that I had lost, as once again, a longing that did not leave me day or night. And songs began to be born, this time I can say with confidence - just songs, sometimes two or three per night. And outside the window there is still the same snow, maybe that’s why I am Snezhina - snow, cold, emptiness. And calls from the past, from afar, from Moscow from friends, from my brother: “We are with you. Record something new and go out.” If it weren’t for them... And the tapes, which I had already recorded myself in my home studio, flew to the capital. One of them, by the will of the same fate, accidentally deviated from the assigned route and ended up on Taganka in the KiS-S studio. A day later a call: “Ready to work.” Two hours later I was already at the frozen airport of Novosibirsk, five more - I was going down the dark steps into the holy of holies of my 1994 year, into the studio - I was walking towards my dream. The dream, however, quickly doused me with water, in the words of my first arranger Alexander Savelyev: “Work and work... but there is something in it.” I suddenly heard, as it seemed to me then, the divine sounds of a mysterious melody, which after a couple of seconds turned out to be just a talented arrangement of my song from my school years, “Rose.”

This was a new page in my biography. Rehearsals and recordings, quarrels and reconciliations with friends-arrangers and cameraman, night taxis and a smoky studio basement, the first success and the first failure. A year of colossal work by the guys I worked with: Kalinkina V., Savelyeva A., Savari D., Krylova S. I worked with them for days, without leaving the studio for weeks. And the result is the first album of my songs, “Remember with Me,” twenty-one songs. Only now I realize that these are songs that came from my dialogues with myself, with my soul, from my tears and my joys, from my life.

Last year he also made his debut at the Variety Theater in a concert by V. Strukov. Gradually she began to gain experience on stage. I had to combine this with studying at the institute, so my first audience was night discos and clubs. She gave her first interviews on the radio. Of course, if it weren’t for the support of my family, brother, friends, and studio staff, I probably wouldn’t have been able to overcome the first difficulties on the way to my dream, the dream of helping people “remember with me” that happiness is nearby.

Now I continue to work, combining this with the need to graduate from college. I hope to release my first album, despite the complexity of such a thing as show business. But the recording of the second one is already in the project. After all, over the years of creativity, I have accumulated about two hundred songs that are waiting for their listeners. And life goes on as usual, new impressions, new thoughts, new words that you need to hear and try to understand. And the main thing is to have a dream. Of course, you still have to work and work, learn a lot, overcome a lot, without this you cannot, but as long as you have a dream in your soul, a light in the distance and friends at your shoulder, you can walk through fire and not get burned, swim across the ocean and not drown.

Tatiana SNEZHINA,

Novosibirsk - Moscow

Snezhina is Tatyana’s creative pseudonym. Her father is a high-ranking military man Valery Pavlovich, her mother is Tatyana Georgievna. Tatyana had an older brother - Vadim. Six months after Tatyana’s birth, her father was transferred from Lugansk to Kamchatka. After ten years of service in Kamchatka, Valery Petrovich was transferred to Moscow.

Tanya wrote poetry since childhood and tried to create songs from them. Among Tanya's school poems you can find ones dedicated to Pushkin, the Decembrists, Zoya Kosmodemyanskaya and many events in her personal life. In her poems the concepts of “fate”, “loyalty”, “lie”, “betrayal”, “separation” and “death” were often encountered. Tanya often wrote about death, including her own, in poetry.

If I die before my time,
You give me to the white swans,
Between the feathers of their wings I will get entangled
And I will rush off with them into my dream.

Despite her literary preferences, Tatyana entered the 2nd Moscow Medical Institute, but continued to engage in creativity. The audience liked her performances at student evenings, and some of them recorded her songs on a tape recorder, and the tapes quickly spread among friends, relatives and acquaintances.

Tatyana gained her variety experience by making her debut in 1994 on the stage of the Moscow Variety Theater. This was followed by performances at various youth competitions and pop stages. They started interviewing her. At the same time, Tanya did not give up her studies at the institute, and intended to graduate, despite all the difficulties of concert life. At the same time, I found time to practice choreography. Tatyana decided to take the pseudonym Snezhina, which reflected the snows of Siberia and Kamchatka that she remembered from childhood. Tatyana herself recalled this time as very difficult for herself. Tatyana Snezhina’s creative biography included quarrels and reconciliations with fellow musicians and arrangers. There were sleepless nights in a smoky studio, endless coffee, debates about what was best, first successes and failures.

At the end of 1994, she recorded the material she had accumulated in the KiS-S studio on Taganka. Soon after this, her family, following her father, who received a new appointment, moved to Novosibirsk. There Tanya's recording ended up in the local philharmonic society, where they did not pay any attention to it. At the same time, the tape landed on the table of the director of the youth association “Studio-8” Sergei Bugaev, who needs to be mentioned separately.

In the mid-80s, Sergei was a Komsomol worker and at the same time a major figure in the Novosibirsk rock movement. At the end of 1987, he became president of the Novosibirsk rock club, after which he created his legendary youth center “Studio-8”, where all the leading groups of the rock club immediately moved. Soon, under the banner of Bugaev, almost the entire flower of Siberian rock and roll stood from “Kalinov Most” to Omsk “Civil Defense”: Sergei became the only person in history who, back in Soviet times, managed to “flood” through the Komsomol the then arch-extremist texts of Yegor Letov . Later, Bugaev somewhat lost faith in the viability of the rock movement and became interested in the idea of “pop music with a human face,” which was more relevant for the mid-90s. It was here that the fateful meeting between Bugaev and Tatyana Snezhina took place.

In her autobiography, Tatyana Snezhina wrote: “These are songs that came out of my dialogues with myself, with my soul, from my tears and my joys, from my life... I couldn’t even believe that what I wrote for myself was needed by someone more".

It was Sergei Bugaev who played a huge role in the life of Tatyana Snezhina. As he later admitted more than once among his friends, a cassette with her songs quietly migrated from the walls of the studio to his car, and for several weeks he listened to Tanya’s songs, listened, forgetting that this was material for work.

The first stages of this work were at first like endless battles - Tatyana did not like the arrangers’ interpretations of her songs, the arrangers, in turn, did not see commercial prospects for promoting her material. At this moment, Tatyana was greatly helped by Bugaev’s talent and efficiency. Somewhere with patience, and somewhere with cruelty, he achieved mutual understanding and a creative spirit in his team.

Snezhina herself said: “The work proceeded in different ways. Sometimes we argue, even swear, but we always come to some kind of decision and result. If we are talking about my creativity, about what came out of me, then Sergei Ivanovich often gives in to me , allows me to express myself more, but if we are talking about the professional side, about the stage, arrangements - I trust Sergei Ivanovich more..." Snezhina’s new songs were difficult to come up with, the work was carried out painstakingly and carefully. Some songs took 2-3 months to record.

The work went on, and Tanya’s style changed a little, the studio’s approach to her work changed. As one of the arrangers later recalled: “We tried for too long to bring Tanya’s songs up to world standards and suddenly realized that this was impossible. What she writes does not need any serious processing, everything she writes should sound almost in untouched form because this is what we were waiting for, looking for and could not find for a long time..."

Bugaev himself admitted in one of his television interviews that it was their luck to find both the author of music, songs, and a talented performer in one person: “Our plans do not include creating a pop diva... this is in no way a commercial project ... we want Tanya’s songs to simply be heard, so that she has her own audience..."

Tatyana herself said in one of her interviews: “I don’t set super-goals, I just go step by step as long as I have enough strength and breath...” Snezhina was a very efficient and demanding person. She constantly tormented herself with the question that she was not living like that, that she had not done enough. She wrote wherever she could, wrote poems on napkins in cafes, on tickets in transport. Snezhina’s family was literally in shock when her poems were everywhere, in notes, in paper waste, etc. She loved to say: “When I get tired of writing, I have a lot of time, then I’ll take up the old notes and process them.”

Working together brought Tatyana and Sergei closer - Bugaev declared his love to Tatyana and made an official proposal. Their wedding was scheduled for mid-September.

In August 1995, Tatyana and Sergei were engaged. Snezhina’s album was recorded at Studio-8, the release of which was planned for the same fall.

“Apparently, her songs, so somewhat incomprehensibly mysterious, somehow hooked Bugaev,” said former administrator of Studio-8 and director of Civil Defense Andrei Solovyov. In general, I never liked this kind of music close to pop; I would not have listened to it if I had not known Seryoga. And Snezhina herself gave the impression of a respectable, beautiful girl. I couldn’t imagine her as a singer.”

On August 19, Bugaev borrowed a Nissan minibus from friends and went with his companions to the Altai Mountains to buy honey and sea buckthorn oil. He took Tatyana with him to show her the beauty of the Altai mountain lakes.

Two days later, on the way back, the Nissan collided with a huge MAZ truck, and all six people traveling in the minibus, including Tatyana and Sergei, were killed. There are two main versions of the disaster. According to one of them, Nissan began to overtake and, due to the right-hand steering wheel, did not notice the truck rushing towards it. According to another version, the MAZ itself suddenly braked sharply, and its trailer skidded into the oncoming lane.

The police report stated: “On August 21, 1995, at the 106th kilometer of the Cherepanovskaya highway Barnaul-Novosibirsk, a Nissan minibus collided with a MAZ truck. As a result of this traffic accident, all six passengers died without regaining consciousness minibus: director of the MCC "Pioneer" Sergei Bugaev, singer Tatyana Snezhina, candidate of sciences Shamil Faizrakhmanov, director of the pharmacy "Mastervet" Igor Golovin, his wife, doctor Golovina Irina and their five-year-old son Vladik."

After the tragic death of Tatyana, thanks to the efforts of Joseph Kobzon, Igor Krutoy and many admirers of the singer’s work, in 1997 her name became known to the general public.

Joseph Kobzon said:

“One day a young man came up to me and said that we had a girl living in Novosibirsk. She was very talented. We loved her very much. And we sang her songs. Would you like to listen? You know, I was wary. Because I have a huge number of such cassettes. I listened to the cassette. I listened and, frankly speaking, from the first songs I was very interested. And this thought came to me, this idea: “What if I introduce my colleagues?” And I turned to Igor Krutoy: "The songs are good. Listen, if it makes sense, let's try, let's think about creating such a song evening." And so the songs began to spread around the circle with incredible speed. And in a large number of songs I found something that, in any case, I tried to try on my own shoulders. In Tanya's songs there is a soulfulness, purity, unusual for our days... Tanya was a child of nature - she loved life, prepared for this life, but man assumes, but God has it... How much lyrics are in these verses and how much revelation is in Tatyana's poems, in the song "Your Letters"... And her other song "Festival of Lies" is Tatyana's light mischievous coquetry. This song is so youthful, disco, cheerful... I would like to remember Tatyana as so beautiful, talented, cheerful."

In the same year, a large concert was held at the State Concert Hall "Russia" to a full house, in which the songs of Tatyana Snezhina were performed by Alla Pugacheva, Kristina Orbakaite, Mikhail Shufutinsky, Lev Leshchenko, Nikolai Trubach, Tatyana Ovsienko and many other Russian pop stars. The songs “Musician”, “Crossroads”, “Snowflake”, “Be with me” and “How many years” hit various charts, and the composition “Call me with you” performed by Alla Pugacheva became a mega-hit.

Alla Pugacheva, in an interview given in 1998, said:

“I have a special, personal relationship with Tatyana Snezhina. I didn’t know her, we “met” after her death. Of course, if Tatyana had lived, there would have been a famous author and singer of songs and a famous producer. But “the saddest story in the world” there would be no modern Romeo and Juliet. Tatyana Snezhina for me is a symbol of all talented people whom we often pass by without noticing, without looking closely. Hence the meaning of our action - do not pass by talents! The concert in Novosibirsk, as it were, prolongs the lives of these people . After all, as long as they remember, a person is immortal. I come across a lot of cassettes - with songs by both living young authors and dead ones. But when I got a cassette of Tatyana Snezhina’s songs in my hands, I was struck by the poignancy of these songs. Not every song This is how it gets into the heart. Tatyana Snezhina’s songs give off a flow of positive energy. The song “Musician” became the main hit for Kristina Orbakaite, Alisa Mon performs “Snowflake” beautifully. And “Call me with you” is just some kind of mysticism! We recorded it at a studio in Tver and, returning to Moscow, listened to it continuously for three hours in the car. This is a rare case for me. My performance is similar to Tanino’s, no doubt. I had no desire to do everything the other way around, as happens when you take an old song and, willy-nilly, try to sing it in a new way. But in the story of the song “Call Me With You” there was an element of mysticism. I didn’t sing and didn’t want to sing, to be honest. But I heard “Call me with you” - and there was no doubt that I would sing it. When I approached the microphone... I don’t know what suddenly happened to me, but I had the feeling that it wasn’t me singing. Someone is singing in my voice! Believe it or not. The same thing happened with Tanya’s second song, “We are only guests in this life.” I go up to the microphone and again I feel that someone is nearby... I am not a very mystical person. But there was another strange incident with the song “Call me with you.” I come to St. Petersburg to shoot a video. Director Oleg Gusev had not heard anything about Tatyana, did not know the story of her death, and had not even seen photographs. “I don’t have much time,” I say, “I can only photograph the face, and you can come up with the rest yourself.”I come to the studio to watch the video sequence. And I see a road, a car, a car accident! And the girl who was filming is strikingly similar to Snezhina! Then I open a volume of Tatyana’s poems and show Oleg the photograph. Where Tatyana and Sergei were filmed a few hours before their death - well, a copy, one to one! How is this possible? We will never be able to explain!"

Tatyana Snezhina's poetry is imbued with extreme lyricism and the tragedy of existence. Many of her poems developed the theme of the transience of life and early tragic death. Almost all the poems are confessional in nature and allow us to understand the deep inner world of the poetess.

In 1997, 1998 and 1999, Tatyana Snezhina became the laureate of the All-Russian television music competition "Song of the Year". In 1998, Tatyana's work was presented in three categories of the National Russian Award "OVATION". At the Golden Palms awards ceremony, the song “Call Me With You” was recognized as the hit of the year. Igor Krutoy, being in the same nomination as Tatyana Snezhina as the best composer of the year, solemnly refused to win in favor of Tanya.

Lev Leshchenko said in an interview:

"I accidentally came across Tanya Snezhina's cassette. I put the cassette in the tape recorder and started listening. The first song interested me very much. The second song somehow even, you know, made me a little happy and turned me on. And then I realized that this was really... professional material is, of course, talent... only a talented person can feel the world around you in his young years, and not only the world of young people, but also the world of people with an already established worldview, with established destinies, characters. ...This is the trait of a real artist - how to synthesize all this, combine it in oneself, and then make it possible for it to become some kind of artistic images. Each of her songs is an artistic image. Lately there have been very few songs that would have been precisely resolved in dramatic terms. Each song has some kind of plot, story or dialogue. And this suggests that she was a fairly mature master, despite her young years. Snezhina, a unique talented girl who she mastered the beautiful - music, poetry... She sings her songs quite nicely. When I listen, I don't find any gaps. She could easily work as an actress-singer. Her songs are so diverse and filled with some very good light intonations, good mood, and sincerity. God grant that they sound and that they are sung by our performers."

In 1996, Tatyana Snezhina’s poetry collection “What is My Life Worth?” was published, the double album “Call Me with You” was released, and the documentary film “They Were Young” was shot.

In 2001, the Moscow publishing house "Veche" published the most complete anthology of the poetic heritage of Tatyana Snezhina. One of the peaks in the Dzungarian Alatau is named after her, the singer’s fan clubs have appeared in Russia and a website dedicated to the life and work of Tatyana Snezhina has been opened.

Initially, Tatyana Snezhina was buried in Novosibirsk at the Zaeltsovsky cemetery.

Later, her remains were transferred to Moscow to the Troekurovskoye cemetery.

“For 215 years, our city has given the world a galaxy of famous and talented people,” said mayor Sergei Kravchenko at the opening of the monument. - Our countrywoman Tatyana Snezhina managed to write a lot of wonderful poems in her short life. She was infinitely talented; many famous pop artists sing songs based on her works. This monument is a tribute to the young poetess and all her talented contemporaries.”

Used materials:

Text of the article “After all, you didn’t know about me,” author O. Lvova

Materials from the official website of Tatyana Snezhina www.snezhina.ru

Site materials www.ckop6b.narod.ru