Sergei Zakharov artist view paintings. Zakharov Sergey Efimovich - Russian, Soviet artist. What about the documents?

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Zakharov Sergey Efimovich - Russian, Soviet artist. In 1927 he graduated from the Tomsk Institute of Architecture and Construction. Since 1938 - member of the St. Petersburg Union of Artists (until 1992 - Leningrad Union of Artists).

Outstanding watercolorist. The artist’s still lifes, made using the watercolor pouring technique, received universal recognition. The free, broad brushwork did not prevent the artist from convincingly conveying beauty and materiality. objective world, making the transparency of a grape or the juiciness of a cut ripe melon almost tangible.

Wrote also genre compositions, landscapes, portraits, worked in watercolor and tempera techniques, studied monumental painting and interior design.In the 1940s and 1950s he worked a lot in Tajikistan.

The artist’s personal exhibitions took place in Leningrad (1951, 1980, 1984), St. Petersburg (1996), Moscow (1961, 1965). Sergei Efimovich Zakharov died on January 24, 1993 in St. Petersburg at the age of ninety-third. His works are in the State Russian Museum, in museums and private collections in Russia, Italy, France, Great Britain, Tajikistan, USA, Germany and other countries.

Works by Sergei Zakharov

New Holland. 1979 paper, aqua, 59 x 53

Ships on the Neva 1983, boom, water 40x56

Petersburg. Early winter. 1991 boom, aq. 52x48

Still life with pineapple. 1980 boom., aq. 49x56

Sketch for a still life painting, 1980, paper, watercolor. 30x34.5

Leningrad. Holiday. 1980 boom., aq. 51x62

Leningrad. Night view. 1990 boom, aq. 44x52

Military patrol. 1944 boom, see tech. 58x40

Architect, artist of monumental and decorative art, painter, graphic artist

Studied at the Tomsk Institute of Architecture and Construction (1917–1927) and Tomsk art school (1917–1922).

Lived in Sverdlovsk (1928–1931), Leningrad (1931–1940, from 1945), Dushanbe (1940–1945). He participated in the design of the Magnitogorsk plant (late 1920s), a number of public buildings in Sverdlovsk (until 1931), the Theater. Lenin Komsomol (1933–1935) and public buildings (1930s) in Leningrad. He supervised the artistic design of the Cotton pavilion at the All-Russian Agricultural Exhibition in Moscow (1938).

From the late 1930s to the 1950s he worked a lot in Tajikistan; participated in the development of projects for the Tajik Opera and Ballet Theater (1936–1940), the House of Government of the TajSSR (1947–1948), and the Public Library named after. Ferdowsi (1948–1951) in Dushanbe and others; created sketches of the decoration of these buildings, we will use them to paint (tempera) lampshades in the Tajik Opera and Ballet Theater (1940–1942, in collaboration with other artists), walls and lampshades in the Government House (“Industry, Agriculture and cattle breeding", 1946–1951; "Hirman", 1948-1949; together with M. A. Zubareva), the Public Library (“Firdousi and the heroes of his poem “Shahnameh”,” “Motherland,” 1952–1956; together with M. A. Zubareva). He was deputy chairman of the Union of Artists of the TajSSR. He directed a studio of amateur artists in Dushanbe.

Participated in the restoration of the Leningrad City Executive Committee building (Mariinsky Palace) in Leningrad; created the panel “Victory Salute in Leningrad” for the reception hall (1945–1946, together with M. A. Zubareva).

He carried out interior decoration projects for Soviet transatlantic ships (late 1940s - 1950s): “Nakhimov” (composition “Battle of Gangut”, portraits of P.S. Nakhimov and other great naval commanders), “Crimea”, “ Soviet Union».

He was engaged in easel painting and graphics. He painted mainly landscapes and still lifes; worked a lot in watercolor technique. Completed a series thematic works: “Performance of artists at the front” (1943), “Timber rafting on a mountain river” (1944), “Harvesting bread” (1945–1946). Together with M. A. Zubareva he created the paintings “A Herd in the Mountains of Tajikistan” (1944), “Leningrad. Day Navy"(1957), watercolor "Sericulture of Tajikistan" (1958), panel "Autumn in the mountains (In a mountain village)" and "Gifts of Tajikistan" (both 1947), series "Landscapes of mountainous Tajikistan" (1954, tempera).

Since 1928 - participant of exhibitions (Regional exhibition of creativity of artists of the Urals in Sverdlovsk). Member of the Sverdlovsk branch of the Academy of Arts (1927–1931), LOSKh (since 1938). Exhibited at exhibitions: works of artists of the Union republics, autonomous republics and regions of the RSFSR in Moscow and Leningrad (1946), All-Union art exhibitions(1946, 1947, 1950, 1957, 1961), works by artists of the Uzbek SSR, KazSSR, Kyrgyz SSR and Taj SSR (1956), visual arts TajSSR (1957), " Soviet Russia"(1960), "Flourish, collective farm land" (1964), All-Union exhibitions of watercolors (1965, 1969), "Still life" (1974) in Moscow, Soviet graphics in Tartu (1947), works Leningrad artists(1947, 1948, 1958, 1960, 1961, 1964), autumn exhibitions of works by Leningrad artists (1956, 1958, 1968, 1970, 1971, 1973), watercolors and drawings (1959, 1965), “Leningrad” (1964) in Leningrad and others. He exhibited his works at foreign exhibitions: in Romania, Yugoslavia (1965), Czechoslovakia (1966), Poland (1974) and others. He held personal exhibitions in Leningrad (1937, 1951, 1980, 1984), Kirov (1938), Moscow (1962, 1965).

In 1951 he was awarded the title of Honored Artist of the TajSSR.

A memorial exhibition of Zakharov's works took place in St. Petersburg (1996).

Creativity is presented in a number of museum collections, among them - the State Tretyakov Gallery, the State Russian Museum, National Museum Tajikistan in Dushanbe.

Zakharov Sergey Efimovich (11/26/1900, Aleksandrovsk, Sakhalin Region - 1993, St. Petersburg) - Soviet architect, monumentalist, painter and watercolorist. Honored Artist of the Tajik SSR (1951). The son of a clerk at a border hospital. From 1917 he studied at the Tomsk Art School (until 1922) and at the same time at the Tomsk Institute of Architecture and Civil Engineering (? - 1927). After graduating from the institute, he worked in construction and design organizations in Tomsk and Sverdlovsk.

Participant of exhibitions from 1927 (Krasnoyarsk - Novosibirsk - Tomsk, 1st All-Sibirsk), then and until 1931 - member of the Sverdlovsk organization of the Academy of Arts.

In 1932 he moved to Leningrad, continuing to work as an architect (1930s). In 1938 he became a member of the Loskh. Since the late 1930s he has worked in Moscow (Cotton Pavilion, VDNKh) and Tajikistan (1936 – 1940, Tajik Opera and Ballet Theater). During the war years, he supervised the design of the constructed theater, created wall paintings, and designed ballet performances. In 1945-1946 he participated in the restoration of the building of the Leningrad City Executive Committee (the former Mariinsky Palace): he created the panel “Victory Salute in Leningrad” (another name is “Leningrad on Victory Day”) and a number of other works dedicated to the hero city for the reception hall. In 1947 - 1956, together with Zubreeva M.A. designed the interiors of the Government House of Tajikistan (“Industry, agriculture and cattle breeding”, etc.) and the Public Library named after. Ferdowsi in Dushanbe (“Firdousi and the heroes of his poem “Shahname”, “Motherland”).

In the fifties, he was engaged in interior design (design) of the now Soviet liners “Admiral Nakhimov” (formerly “Berlin” (1925), subsequently sank in Novorossiysk in 1986), received under German reparations, “Soviet Union” (formerly “Hansa” (“Albert Ballin”) ", 1922)) and "Crimea". So for “Admiral Nakhimov” he created portraits of Russian naval commanders, the panel “The Battle of Gangut”.

Subjects of multi-layered, polyphonic still lifes and landscapes by S.E. Zakharov, made in the technique of watercolor and tempera and are largely determined by the exoticism of Tajikistan: “Sunset” (1928), “Nizhny Tagil” (1928), “Evening” (1934), “Chinar Grove” (1936), “Prospect 25 October” (1937), “Irises” (1954), “Abundance” (1957), “Still Life with Melon” (1957, 1960, 1967), “Peaches” (1961), “On the Volkhov” (1966), “Leningrad. New Holland" (1970), "Pineapple" (1975) - all watercolors; “Leveling on a mountain river” (1944, NMRT named after Bekhzod), “Mountain Tajikistan. Spring" (Voronezh OKM), "Petrodvorets. Samson" (1947), "In Belarus" (1953), "Spring on Malaya Okhta" (1959), " Industrial landscape. Tajikistan” (1961) – all tempera; “Timur Malik” (1943, Moscow, NMRT named after Bekhzod).

The artist’s personal exhibitions took place in Leningrad - St. Petersburg (1937, 1951, 1980, 1984, 1996), Kirov (1938) and Moscow (1961 (1962?) - “Tajik impressions”; 1965).

His works are in the State Russian Museum (St. Petersburg), State Tretyakov Gallery (Moscow), NKG im. Aivazovsky (Feodosia, 10 works), NMR Tajikistan named after. Kamoliddin Bekhzod (Dushanbe), Voronezh OKM named after. I.N. Kramskoy, Moscow State University, in other public and private collections in Russia and abroad.

Still life with pomegranates

Zakharov Sergey Efimovich - Russian, Soviet artist. In 1927 he graduated from the Tomsk Institute of Architecture and Construction. Since 1938 - member of the St. Petersburg Union of Artists (until 1992 - Leningrad Union of Artists).

Outstanding watercolorist. The artist’s still lifes, made using the watercolor pouring technique, received universal recognition.
He also painted genre compositions, landscapes, portraits, worked in watercolor and tempera, and was engaged in monumental painting and interior design.

Watercolor by S. Zakharov is an absolutely unique phenomenon of painting, giving the viewer the opportunity, with all the lightness and airiness of the technique, to feel the plasticity, rhythm and volume of color as a means of artistic influence. The painting of his still lifes is multi-layered, polyphonic and with these qualities is reminiscent of the effect of artistic glass in Halle's products.

Dry roses.

Another property of S. Zakharov’s painting is its extraordinary musicality, genuine and rare symphony. Its theme song is present in almost every work of the artist: from the landscape of a besieged city to an oriental still life. The secret of this property of the artist’s painting is in the special gift of a holistic vision of the composition of each work, in the influence of the richest experience in monumental painting.

Tajikistan largely determined the plots easel painting S. Zakharova. There he began and painted throughout his life a series of magnificent still lifes with juicy fruits and elements of oriental exoticism. Subtle lyrical landscapes were also created there, which largely determined subsequent works of this genre.

Works of easel painting, made in watercolor and tempera techniques, were created by S. Zakharov throughout his life, wherever the artist was: in the studio, on a business trip or on vacation. Honed craftsmanship, masterful mastery of the material, combined with a subtle sense of color and refinement of form make them unique, unlike the works of other artists.

Zakharov Sergei Efimovich was born on November 26, 1900 in the city of Aleksandrovsk, Sakhalin region, where the artist’s father was serving military service as a clerk at a military hospital. In 1910, the family moved to Novosibirsk. In the same year, S. Zakharov entered the Novosibirsk Real School, which he graduated in 1917.

In 1917-1927 he studied at the Tomsk Institute of Architecture and Civil Engineering. At the same time, from 1917-1922 he studied at the Tomsk Art School. After graduating from the institute in 1927-1931, he lived in Sverdlovsk, was a member of the Sverdlovsk branch of the Academy of Arts. There, in 1927, he began to participate in exhibitions of the Academy of Arts. He painted still lifes, genre compositions, landscapes, portraits, worked in watercolor and tempera painting, and was engaged in monumental painting and interior design. Working in Sverdlovsk in Uralgiprozem and Uralzhilstroy, he took part in the design of the Magnitogorsk plant and a number of public buildings in Sverdlovsk. Since 1931, he lived in Leningrad, where he was sent by Uralzhilstroy to improve his qualifications at the Research Institute of Public Utilities. In 1933, he went to work for the Leningrad Regional Trade Council, where he participated as an architect in the design of the Lenin Komsomol Theater (1933-1935) and public buildings. In 1935 he went to work in workshop No. 7 of Lenproekt, where he designed school buildings. There, in 1936, he joined the team that designed the building of the Opera and Ballet Theater in Stalinabad. In 1938 he was accepted as a member of the Leningrad Union of Soviet Artists.

In 1938-39, S. Zakharov worked as the chief artist of the Cotton pavilion at the All-Union Agricultural Exhibition in Moscow. In 1940, in connection with the completed project for the interior decoration of the theater building in Stalinabad, he went to the construction site to complete working drawings. In May 1941 he again went to Stalinabad to carry out design supervision on the implementation of the project for the interior decoration of the theater and the painting of the ceiling auditorium. After completion of construction in 1942, he went to work for the Union of Artists of Tajikistan, was a member of the board and deputy chairman of the Union. In 1945, two landscapes of mountainous Tajikistan by S. Zakharov were acquired Tretyakov Gallery.

After returning to Leningrad in 1945-46, he participated in the restoration of the Leningrad City Executive Committee building (the former Mariinsky Palace), for which he was awarded the medal “For Valiant Labor in the Great Patriotic War.” Patriotic War" In 1947, Zakharov was again invited to Tajikistan to develop a project for the interior decoration of the Government House in Stalinabad, and then provide design supervision, as well as to carry out sketches and paint the walls and ceilings in kind (together with the artist Zubreeva M.A.). In 1951, for this work, S. Zakharov was awarded the honorary title of Honored Artist of the Tajik SSR.

Participant in watercolor exhibitions in Romania and Yugoslavia (1965), Czechoslovakia (1966), Norway (1968), Cuba (1971). The artist's personal exhibitions took place in Leningrad (1937, 1951, 1980, 1984), Kirov (1938), Moscow (1962, 1965) and St. Petersburg (1996).

Sergei Efimovich Zakharov died on January 24, 1993 in St. Petersburg at the ninety-third year of his life. His works are in the State Russian Museum, in museums and private collections in Russia, Italy, France, Great Britain, Tajikistan, USA, Germany and other countries.

Zakharov Sergei Efimovich was born on November 26, 1900 in the city of Aleksandrovsk, Sakhalin region, where his father served in military service as a clerk at a military hospital. In 1910, the family moved to Novosibirsk. In the same year, S. Zakharov entered the Novosibirsk Real School, which he graduated in 1917.

In 1917-1927 he studied at the Tomsk Institute of Architecture and Construction. At the same time, in 1917-1922 he studied at the Tomsk Art School. After graduating from the institute in 1927-1931, he lived in Sverdlovsk, was a member of the Sverdlovsk branch of the Academy of Arts. There, in 1927, he began to participate in exhibitions of the Academy of Arts. He painted still lifes, genre compositions, landscapes, portraits, worked in watercolor and tempera painting, and was engaged in monumental painting and interior design. Working in Sverdlovsk in Uralgiprozem and Uralzhilstroy, he took part in the design of the Magnitogorsk plant and a number of public buildings in Sverdlovsk. Since 1931, he lived in Leningrad, where he was sent by Uralzhilstroy to improve his qualifications at the Research Institute of Public Utilities. In 1933, he went to work for the Leningrad Regional Trade Council, where he participated as an architect in the design of the Lenin Komsomol Theater (1933-1935) and public buildings. In 1935 he went to work in workshop No. 7 of Lenproekt, where he designed school buildings. There, in 1936, he joined the team that designed the building of the Opera and Ballet Theater in Stalinabad. In 1938 he was accepted as a member of the Leningrad Union of Soviet Artists.

In 1938-39, S. Zakharov worked as the chief artist of the Cotton pavilion at the All-Union Agricultural Exhibition in Moscow. In 1940, in connection with the completed project for the interior decoration of the theater building in Stalinabad, he went to the construction site to complete working drawings. In May 1941 he again went to Stalinabad to carry out design supervision on the implementation of the project for the interior decoration of the theater and the painting of the ceiling of the auditorium. After completion of construction in 1942, he went to work for the Union of Artists of Tajikistan, was a member of the board and deputy chairman of the Union. In 1945, two landscapes of mountainous Tajikistan by S. Zakharov were acquired by the Tretyakov Gallery.

After returning to Leningrad in 1945-46, he participated in the restoration of the Leningrad City Executive Committee building (the former Mariinsky Palace), for which he was awarded the medal “For Valiant Labor in the Great Patriotic War.” In 1947, Zakharov was again invited to Tajikistan to develop a project for the interior decoration of the Government House in Stalinabad, and then provide design supervision, as well as to carry out sketches and paint the walls and ceilings in kind (together with the artist Zubreeva M.A.). In 1951, for this work, S. Zakharov was awarded the honorary title of Honored Artist of the Tajik SSR.

At the same time, S. Zakharov developed projects for the interior decoration of Soviet transatlantic ships in the architectural and artistic workshops of Lenizo. In 1954 he was awarded the Order of the Badge of Honor for his activities in the development of architecture and fine arts of the Tajik SSR. As an easel painter, he worked primarily in watercolor and tempera painting techniques. Outstanding watercolorist. The artist’s still lifes, made using the watercolor pouring technique, received universal recognition. The free, broad manner of painting did not prevent the artist from convincingly conveying the beauty and materiality of the objective world, making the transparency of grapes or the juiciness of a cut ripe melon almost tangible. Among the easel works created by Zakharov are the works “Sunset”, “Nizhny Tagil” (both 1928), “Swan Canal” (1935), “Prospect 25 October” (1937), “Timur Malik” (1943), “Leningrad. Military Patrol" (1944), "Autumn. Valdai" (1946), "Petrodvorets. Samson" (1947), "River Shelon" (1950), "In Belarus", "Forest Stream" (both 1953), "Irises" (1954), "In Belarus", "Abundance", "Still Life with Melon" ( all 1957), “Spring on Malaya Okhta”, “Still Life”, “On the Msta River” (all 1959), “Factory Village”, “Still Life with Watermelon” (both 1960), “Spring. Tajikistan”, “Peaches”, “City of Dushanbe”, “Industrial landscape. Tajikistan" (all 1961), "Still Life with a Bird" (1963), "Fruit. Still Life" (1964), "Pomegranates on a suzani" (1969), "Still Life with Pears" (1972), "Still Life on a Silver Tray", "Still Life with Pomegranates" (both 1980), "Still Life with a Cactus", "Still Life with pomegranates" (both 1982), "Still life with pears", "Still life on striped fabric" (both 1986) and others. Participant in watercolor exhibitions in Romania and Yugoslavia (1965), Czechoslovakia (1966), Norway (1968), Cuba (1971). The artist's personal exhibitions took place in Leningrad (1937, 1951, 1980, 1984), Kirov (1938), Moscow (1962, 1965) and St. Petersburg (1996).