Group kis. Kiss - Biography of the group. Rock encyclopedia. Back to the roots

Kissology News magazine, No. 5, 2004

The beginning of this story took place in 1970, when the two most important figures of the future group, Eugene Klein and Stanley Eisen, met and began to play together. First they called theirs a joint project“RAINBOW” and under this name the couple recorded on acoustics right on the street (the project lasted 2 days, during the last of which they were almost taken to the police station!). Of course, the above-mentioned guys did not want to earn their living by playing on the street for “alms” from passers-by, and dreamed of creating real group. Both already had some experience playing in various bands, and, what was much more valuable, both wrote their own songs. As a result, a group called "WICKED LESTER" was assembled, which had a fairly strong lineup.

The guys played something very unique, with a very clear influence of the BEATLES and LED ZEPPELIN, as well as the entire British movement of that time. In the process of work, the group almost released their disc, but as a result it was never released, which plunged the friends into quite a significant shock and forced them to reconsider the concept of the group in detail. Eugene was drawn to the image side of things, and really wanted his group to look like no other. Stanley completely agreed with him, and besides, it was obvious to him that the band needed to play more aggressively and harder. Unfortunately, this was not as obvious to their peers, and as a result, WICKED LESTER fell apart.

Staying together, the duo began to look for a drummer, who became the Italian George Peter John Criscuola. Even then, the basic concepts of the group were formed - one hundred percent dedication to the work, good appearance, no unkempt beards or mustaches, no casual clothing on stage. Peter met all the parameters... We thought about the name for a long time, and as a result we settled on “KISS” (“Kiss” - Russian). Eugene, however, proposed another name of 4 letters (“FUCK”), but it was not supported, because it was already too cool, and besides, the punk movement had not yet begun :) They looked for a second guitarist for a long time, focusing on the crazy standards of Jimi Hendrix and his numerous imitators. Among others, KISS auditioned for a certain Bob Kulick, who played well, but had a completely unacceptable specific feature for the group - a bald head. Desperate, KISS was about to take Bob, but then a guy named Paul Daniel Frehley entered the rehearsal room, plugged in his guitar and... killed everyone! So, the group was formed and everyone was ready for action. From the very beginning, it was decided to change their names to more euphonious stage names: Eugene became Gene Simmons, Stanley became Paul Stanley, Paul Daniel took the name Ace Frehley, and Peter shortened his long name to Peter Criss.

The idea for make-up first came to Peter Criss's mind, and then the guys went all out, coming up with an individual make-up for each member of the group! Using theatrical makeup, each of the musicians tried to express themselves fully, resulting in four completely different colorful figures with a rich image: inspired by his old hobbies (comics and horror films), Gene became the “Demon”; the lively but lyrical Peter became “Catman”; Ace, always fascinated by space, became "Space Ace", an alien from the planet Zendel; and Paul first became “Star Child”, immediately changed his image to “Bandit”, but almost immediately returned to the original version.

The group began to very successfully bomb clubs, where they received constant sympathy from the audience, because anyone who was not captivated by their music (quite simple but aggressive rock and roll) noted their external dissimilarity from other similar groups. Soon, KISS became interested in television producer Bill Aucoin, who at that time decided to switch to promoting some promising rock band. Aucoin brought the group together with Neil Bogart, president of the then-fledgling Casablanca Records & Filmworks, who reluctantly signed the group to a contract. "KISS" immediately recorded the first demo, from which everything began to dance. The first album "KISS" was released in 1974 and had a very unusual and bold name - "Kiss" :) The beginning turned out to be very nice. This first album became one of the best in the group's history. Although the album never enjoyed commercial success, neither did the second album, “Hotter Than Hell” (1974), as well as the third, “Dressed To Kill” (1975). All of them are somewhat similar, as if they are a continuation of one another: cool hard hard with a driving sound and very memorable riffs. The album "Dressed To Kill" was outstanding because it contained the first top-notch hit "Rock" n "Roll All Nite", which hit the charts.

Already during the recording of "Dressed to Kill" clouds began to gather over the group. Their albums sold sluggishly, while their live performances were well attended! Fans loved their image and the fact that KISS made a real show out of their concerts with pillars of fire, smoke and thunderous sound! In other words, the group survived only through concerts, while the Casablanca company did not receive a single cent from the group’s activities. There were plenty of debts... Bogart was pestered by his partners and enemies, saying that it was in vain that he took on the promotion of such a provocative group... this makeup, these ridiculous costumes, all this hype with their performances... all this was clearly beyond the bounds "a commercial product from the 70s." Yes, Alice Cooper, Harry Glitter and Slade did something similar, but they were already promoted and established personalities, while KISS was of no particular interest to anyone. However, here a truly miracle of miracles happened... Being on the verge of failure, the group decides to invest the absurdly small money they were given to record the next album into recording a “live” disc!! No wonder their concerts were so popular! That was the whole point. "KISS" professionally recorded several shows, and sitting in the studio with the famous producer Eddie Kramer (he produced Jimi Hendrix!), they began to prepare the album. Due to the often poor quality, they had to re-record many of their parts in the studio, which only improved the quality of the disc. As a result, the 4th release was released under the name “Alive!”. The surprise of the band and the record company knew no bounds when, in record short time it went first platinum, then double platinum, then triple platinum... "Alive!" raised the group to the very skies of popularity, and “KISS” was immediately talked about all over the world! The halls were filled with thousands of fans, the press was full of photographs of the painted four, and the city of Cadillac even threw a party in honor of KISS, essentially giving them the entire city for the duration of the festivities! The group's popularity swept the world, but for the main blow a new studio album was needed, which it was decided to do in a completely different, unusual manner. New album had to prove to humanity that “KISS” are capable not only of driving shows, but also of high-quality, and even excellent, work in the studio... The famous producer Bob Ezrin, who had recently become famous by that moment, was invited his work with Alice Cooper. In the studio, Bob revealed himself 100%, showing himself not only as a producer, but also as an excellent arranger, composer and, ultimately, organizer who goes into every detail. He greatly helped each member of the group to open up, sometimes neglecting the personal opinions of KISS themselves (for example, Ace Frehley then could not find a common language with Bob, which resulted in a small quarrel). The result of the studio session was the release of the MEGA album "Destroyer"... It was truly a wild worldwide success! "KISS" appeared before their fans in new concert costumes and with new music - crazy, complex, fire-breathing, coolest music! The group tried to make hits with songs like "Detroit Rock City", "God of Thunder" and "Shout It Out Loud", but, as usual, success came from where it was not expected at all - the ballad "Beth", sung by Peter Criss , breaks out among the first hits in the United States and around the world! Just think about it! But how much work Peter had to prove to the other musicians the importance and potential of his song!

The American tour began, which smoothly turned into the first trip of “KISS” somewhere outside the borders of its native country, namely to Europe! What is interesting is that there they appeared in the old costumes of the “Alive!” period, since the new vestments were not yet ready. But a little later, humanity saw an even more stunning show than before - pillars of flame, fireworks, smoke to the skies... Ace Frehley with a guitar smoking and flying above the hall, Gene Simmons spewing blood, spitting fire and soaring under the dome onto a special platform, to perform his signature "God of Thunder", Peter Criss, in smoke and fire, soaring to an unimaginable height on a hydraulic platform... For that time it was simply fantastic! Comic book heroes have stepped off the pages and are shaking the planet with the sounds of their incredible music! Of course, the main focus was on young people, however, as KISS soon discovered, their show attracts people of almost all ages - everyone wanted to see the American miracle in the flesh! Living in the mid-70s and not being a Kiss fan would be nonsense! By the way, about the fans - immediately after the release of the album "Alive!" the famous "KISS ARMY" was formed - an army of thousands of 100% fans, which literally won its place in the sun (when one radio station directly refused to broadcast KISS songs, the fans besieged the station building until its management surrendered - that was the day foundation of "KISS ARMY"!).

After the end of the tour, the group, as usual, sat down in the studio for the next release. It was decided to move away from the symphonic nature of the previous album and again cut in good old rock and roll, only a couple of thousand times louder than it was, for which producer Eddie Kramer was again engaged. The new album "Rock And Roll Over" turned out to be multi-platinum even before its official release (due to pre-orders) and was a resounding success! The songs "I Want You", "Calling Dr. Love", "Makin' Love", as well as the new hit from Peter Criss "Hard Luck Woman" were extremely popular. The world tour that followed the album definitely opened a new page in the history of "KISS" - the group visited Japan and immediately broke the local attendance record, set by the Beatles and until then not exceeded by anyone, Japan in general became a rather iconic country in the history of KISS - there they were always perceived as four gods at concerts in Tokyo! , fearing unrest, even forbade fans to leave their seats, because at one hour the hysteria of thousands of crowds of fans created a threat to everyone’s safety.

At the same time, KISS decided to take a unique step - they published comics in which they themselves were the heroes! Quite logical if you think about it... For promotional purposes, all members of the group donated a little blood, which was added to containers of ink for printing comics in the presence of the press. As a result, everyone who bought comics could be sure that they were holding in their hands a small part of their idols. In general, almost from the very beginning of their career, KISS paid great attention to the so-called merchandise, that is, goods. The world was literally overwhelmed by a wave of endless trinkets with the familiar lightning-fast logo: dolls, books, ties, sleeping bags, slippers, baseball suits, stickers, condoms, drinks, comics, toy cars, Board games and much more (catalogues of such products usually have hundreds and hundreds of pages!!).

In 1977, another album was released under the symbolic name "Love Gun" (the cover, as in the case of the album "Destroyer", was drawn by famous artist Ken Kelly, and the album itself was equipped with a cardboard shooting (!) pistol). Stylistically, the release was similar to the previous album. Paul Stanley shone in “Love Gun” and “I Stole Your Love”, Gene Simmons gave “Christine Sixteen”, as well as a very unusual psychedelic in “Almost Human”, Peter Criss expressed himself with the driving action movie “Hooligan”... but what was that? quite unusual - it was on the album "Love Gun" that Ace Frehley appeared at the microphone for the first time! In his performance here you could listen to the killer song “Shock Me”, which later became literally his signature card.

The new tour of 1977 - 1978 raised the group to heights unattainable for others, because during these years they were certainly the most popular group in the USA! Guys get new ones stage costumes and are putting on a new show, which again shows the world new standards in staging rock concerts. All the power of that tour was included in the double "Alive II", released in 1977, which, in addition to the "live" material, included 4 new songs + a cover of the insanely old song "And Then She Kissed Me". After the release of the second album, the tour continued with renewed vigor, KISS again reached Japan, where for the second time they created real hysteria among the fans! The world was swept by kissomania, in the wake of which “Casablanca Records & Filmworks” published the first official collection of hits “KISS”, many of the songs on which were remixed or even re-recorded.

In 1978, KISS released their first film, which became a truly unique phenomenon in the show industry of those years, taking second place in the US TV ratings (after the series Shot Gun). It was called "KISS Meets the Phantom of the Park" and was about superheroes (Demon, Star Child, Catman and Space Ace) who fought against the evil technical genius Abner Devereux, who had subjugated army of cyborgs. All the action took place in a huge amusement park, and for the sake of concert filming, the group had to give an additional show. The success was undeniable, although such activity was new to the KISS musicians. On the one hand, "KISS Meets..." served as a powerful advertising tool, but on the other hand, it exposed very significant and painful wounds on the body of a seemingly invulnerable giant named "KISS"...

Quarrels have arisen between musicians before. In most cases, their initiators were Peter and Ace, who complained that Paul and Gene were ignoring their songs when choosing material for the next album. Peter gravitated towards the blues and the tearaway rock and roll performed by KISS was not to his taste. Ace simply wanted more freedom and more of his songs in the band's releases. Gene and Paul were happy with the life and development of the group. There was no end to conversations and persuasion, but after the release of the film, the above-described conflicts reached their climax. Previously, it was not uncommon for Freley and Criss to be replaced in the studio by invited musicians, but at this stage all this had grown into a rather noticeable crack in KISS, which could not but worry the management of the producing company. Manager Bill Aucoin spent hours talking to the band, trying to prove to them that KISS was above all else and that their personal egos were only hurting the cause. According to Bill, even then, being at the zenith of their fame, the KISS musicians had no idea who they had become for millions of fans, did not even understand to what extent they had made a huge mess, and to what extent it would be a crime to go on the occasion of your changeable mood and ruin everything! The decision was ingenious and unprecedented - the company decides to give KISS a chance to take a break from each other and express themselves 100% along the way - let everyone assemble their own studio lineup and release their solo album!... And then in 1978 they released on the same day all 4 solo albums! They were called logically: "Paul Stanley", "Ace Frehley", "Peter Criss" and "Gene Simmons". All four solo albums went platinum, although Ace Frehley's album achieved the greatest success, as it contained the obvious hit "New York Groove", and Peter Criss' solo album gained almost no popularity due to its very soft blues inclination. However, it was a miracle - what other group can boast that all its members released solo albums on the same day, and even managed to sell these solo albums in such alarming quantities?!

On the one hand, the solo albums essentially kept the group intact, but on the other hand, they gave fans reason to think that KISS was close to breaking up. To refute these rumors, it was decided to release the next full-length album as quickly as possible. It came out in 1979 and was called "Dynasty". From this release it was immediately clear that the group had taken the path of commercialization, perhaps succumbing to the global fashion for disco. The main hit of that album, “I Was Made For Lovin’ You,” was performed partly in this manner. In addition, it was noticeable that Ace Frehley’s old complaints were heard, since on “Dynasty” we can hear as many as three of his songs! This release was awaited enormous popularity, although kissomania significantly waned. This did not stop the group from touring in support of the album and already in 1980 releasing the next release, “Unmasked,” which was no different from “Dynasty,” except for an even greater immersion in the disco atmosphere. . There is no need to create illusions, if “KISS” succumbed to fashion, it was in their own way - they simply began to sound much softer, but they were still the same “KISS”, even if they moved away from the classics of the genre. However, “Unmasked” became everyone’s favorite. a transitional album for the band, since even before its recording it became clear to the guys that Peter Criss was no longer part of KISS. He wanted to do it. solo career and nothing could hold him anymore. Peter starred in the video for the song "Shandi" and on the same day finally and officially left the group...

Kiss(Kiss)- American rock a group that gained enormous fame in the 1970-1980s, playing in the genres of glam, shock, hard rock and known for its stage makeup and concert shows, accompanied by various pyrotechnic effects. It was formed in New York in January 1973.

Most famous songs-"Strutter" (1974), "Black Diamond" (1974), "Rock and Roll All Night" (1975), "Detroit Rock City" (1976), "I Was Made For Lovin' You" (1979), " Lick It Up" (1983), "Heaven's On Fire" (1984), "Forever" (1989), "God Gave Rock and Roll To You II" (1992), "Psycho circus" (1998). As of 2007, they have over forty-five gold and platinum albums and over 150 million records sold.

History of Kiss

Early years and struggle (1971-1975)

Formation

Kiss takes its roots from Wicked Lester, a New York rock and roll (glam band) group created by Gene Simmons (a native of Haifa, Israel, born on August 25, 1949 with the native name Chaim Witz) and Paul Stanley (born as Stanley Harvey Eisen in Queens, New York January 20, 1952). Wicked Lester, who mixed different musical styles, never achieved success. They recorded one album, which was shelved by Epic Records, and performed live shows. Simmons and Stanley, feeling the need for a new direction for their musical careers, left Wicked Lester in 1972 and began forming new group.

In late 1972, Gene Simmons and Paul Stanley found an advertisement in Rolling Stone magazine written by Peter Criss, a veteran drummer of the New York club scene who had come from the band Chelsea. Criss (born George Peter John Criscaula on December 20, 1945 in Brooklyn, New York) auditioned and was accepted into updated version"Wicked Lester" The trio focused on a much harder style of rock than that played by Wicked Lester. Inspired by the theatricality of the New York Dolls, they also began to experiment with their image, wearing makeup and different costumes. In November 1972, the group attended an audition arranged by Epic Records director Don Alice in hopes of securing a collaboration. Although the production went well, Alice did not like the band's image and style of music. He actually hated them, and when he was about to leave, Chris's brother spat at him.

In December 1972, guitarist Ace Frehley (born Paul Daniel Frehley on February 22, 1955 in the Bronx, New York) joined the band. According to the book "Kiss & Tell", written by best friends Asa Frehley Gordon G.G. Gebert and Bob McAdams (who accompanied Ace at the audition), the eccentric Frehley impressed the group at the first audition, although he showed up wearing two different shoes (one red, the other orange) and was just warming up on guitar while the group listened to what - another guitarist. A couple of weeks later, Frehley joined Wicked Lester, which was renamed Kiss.

Creation of symbolism

Stanley came up with the name when he, Simmons and Criss were traveling to New York on a train. Criss mentioned that he used to be in the Lips, so Stanley asked, “What about KISS?” (Gene Simmons recalls this in the Exposed video). Frehley created the text logo (where he made the letters "SS" to look like lightning bolts) when he went to paint the word "Kiss" over a Wicked Lester poster outside the club they were going to play at. Later, the visual similarity of these lightning letters with the Sieg rune, which was used in the symbolism of the SS, the Nazi troops, during World War II was accidentally discovered. However, in Germany it is prohibited to use these symbols, therefore, in order to avoid misunderstandings, most of the group’s albums released after 1979 in Germany had a special edition of the cover in which the letters “SS” looked like a mirror image of “ZZ”. Rumors accusing Kiss of being Nazis are extremely ridiculous, since Gene Simmons is a native of Israel and Paul Stanley is of Jewish descent, so two permanent participant groups - Jews. Other rumors suggest the band's name is an acronym for Knights In Satan's Service or an acronym for Keep It Simple Stupid. None of these rumors have any basis in fact, and the group has consistently rejected them.

The makeup idea came from Paul Stanley and Gene Simmons. The idea was received positively and, using theatrical makeup, each participant came up with his own unique makeup. The participants' hobbies, such as comic books, horror films, etc., had a clear influence on makeup. Gene Simmons began to wear makeup as "Demon", Peter Criss - as "Cat", Ace Frehley - as "Space Ace", and Paul Stanley first became “Star Child”, immediately changed his image to “Bandit”, but almost immediately returned to the original version.

First achievements

Kiss's first performance took place on January 30, 1973, for three spectators at the Popcorn Club (soon renamed Coventry) in Queens. In March of the same year, the band recorded their first 5-song demo with producer Eddie Kramer. Former TV director Bill Aucoin, who had seen the group at a few shows in the summer of 1973, offered to manage them in October. Kiss agreed to the terms Oikon offered them and signed a recording contract within two weeks. On November 1, 1973, Kiss signed their first contract with renowned pop artist and Buddha Records head Neil Bogart to collaborate with his new label, Emerald City Records (which was soon renamed Casablanca Records).

The band entered New York's Bell Sound Studios on October 10, 1973 to record their first album. On December 31, the group received an official opportunity to perform at the Academy of Music (New York), opening for Blue Öyster Cult. At this concert, Simmons accidentally set his hair (which had been styled with an alcohol spray) on fire while performing his later popular "Fire Breath" stunt, in which he put kerosene in his mouth and sprayed out a stream of fire, for the first time.

Kiss's first tour began on February 5, 1974 in Edmonton, Alberta, Canada at the Northern Alberta Jubilee Auditorium. Kiss' debut self-titled album was released on February 18. Casablanca and Kiss vigorously promoted the album throughout the spring and summer of 1974. On February 19, the band performed "Nothin' to Lose," "Firehouse," and "Black Diamond" for their first television appearance, on ABC's Dick Clark's In concert. Concert (aired March 29). On April 29, the group performed "Firehouse" on show The Mike Douglas Show. This broadcast included Simmons's first television interview and argument with Mike Douglas, in which Simmons revealed himself to be "evil incarnate," causing the confused and depressed audience to laugh nervously. Guest comedian Totie Fields noted that it would be funny if under all that makeup he was just a “handsome Jewish boy.” Simmons cleverly deflected this remark with neither confirmation nor denial, but simply with the phrase: “You just have to know.” To which she replied: “Yes, I know. You can't hide the hook" - a sly reference to Gene Simmons' nose.

Becoming

Despite this publicity and constant touring, Kiss initially sold only 75,000 copies. Meanwhile, the band and Casablanca Records were rapidly losing money. The group flew to Los Angeles in August 1974, they recorded their second album, Hotter Than Hell, which was released on October 22, 1974. The only single, "Let Me Go, Rock "n" Roll," failed, and the album stalled at #100.

With Hotter Than Hell quickly losing ground, Kiss were rushed off their tour to record their next album. Casablanca head Neil Bograt took on the production of the new album himself, changing the dark and rough sound of Hotter Than Hell to a cleaner sound. Dressed to Kill, released March 19, 1975, did much better commercially than Hotter Than Hell. It also contained one of the band's most famous and future popular songs, "Rock and Roll All Nite" (Sound sample).

Although Kiss albums did not sell large numbers, the group quickly acquired the status of the most spectacular. Kiss concerts included many different stunts and gimmicks, such as Gene Simmons spitting blood (actually a mixture of yogurt, juices and food coloring that he lived on) or "fire breathing" (when Gene Simmons took kerosene into his mouth and squirted him to the torch); fireworks from Ace Frilly's guitar during the solo (fireworks, lights and smoke bombs shoved into the guitar); Rising to heights drum kit with Peter Criss, giving off sparks; Paul Stanley smashing his guitar in the style of Pete Townshend; and plenty of pyrotechnics throughout the show.

At the end of 1975 Casablanca nearly went bankrupt and Kiss were in danger of losing their contract. Both sides desperately needed a financial breakthrough to stay afloat. This breakthrough took an unusual form - recordings of a live concert.

Rise to fame and success (1975-1978)

Kiss wanted to express the excitement that was felt at their concerts and the excitement that, unfortunately for them, their studio albums could not convey with their first live album. Released on September 10, 1975, Alive! was certified gold, and spawned Kiss' first Top 40 single, a live version of "Rock And Roll All Nite." This was the first version of "Rock and Roll All Nite" to feature a guitar solo, and this recording successfully introduced the definitive version of the song, eclipsing and supplanting the studio original. In later years, the band noted that the extra crowd noise was added to the album not to fool fans, but to add more "excitement and realism" to the show.

Success Alive! not only gave Kiss the break they were looking for, but also possibly saved the Casablanca label, which was close to bankruptcy. Following this success, Kiss partnered with producer Bob Etzrin, who had previously worked with Alice Cooper. The result was Destroyer (released March 15, 1976), Kiss's most musically ambitious studio album to date. Destroyer, with its rather intricate and complex production (the addition of an orchestra, boys' choir, elevator drums, radio message-style intros and other effects), moved away from the raw and unpolished sound of the band's first three studio albums. While the album sold well and became the band's second gold album, it quickly lost ground on the charts. It wasn't until the ballad "Beth" (Sound sample) was released as a single that the album took off again in sales. "Beth" was a #7 hit for the group and its success revived both the album (which reached platinum status by the end of 1976) and Kiss product sales.

In October 1976, Kiss appeared on The Paul Lynde Halloween Special, performing backing tracks of "Detroit Rock City", "Beth" and "King of the Night Time World". For many teenagers, this was their first memory of Kiss' dramatic appearance. Bill Aucoin co-produced the show. In addition to this production, Kiss was the subject of a brief comedy "interview" conducted by Paul Lynde himself. The interview included a statement he made when he heard the band members' names

Over the next year, two more highly successful albums were released - Rock and Roll Over (November 11, 1976) and Love Gun (June 30, 1977). In 1977, the second live album, Alive II, was also released, namely on October 14, 1977. All three albums went platinum shortly after their release. Between 1976 and 1978, Kiss received $17.7 million in royalties and music publishing fees. A 1977 Gallup poll named Kiss the most popular group in America. In Japan, Kiss performed five grand shows at the Budokan arena, breaking the previous record of four held by the Beatles.

Double Platinum - the first of many Kiss Greatest Hits compilations was released on April 2, 1978. This double album included many remixed versions of their hits, such as "Strutter "78", a re-recorded version of one of the band's signature songs. At the request of Neil Bogart, the song was played in a style similar to the then popular disco music.

During this period, sales of Kiss merchandise became a significant source of income for the group. Some of the products released included

1. A couple of comic books published by Marvel (the first of them, among the red color, contained, in addition to ink, the blood of the group members, which they donated specifically for this purpose).
2. Pinball machine
3. Kiss dolls
4. Cosmetics kits “Kiss Your Face Makeup”
5. Halloween masks
6. Toy medicines "Pets"
7. Board games
8. Toys

And many other memorabilia. The Kiss Army fan organization was created. Between 1977 and 1979, worldwide sales (in stores and on tour) reached a whopping $100 million.

Divergence in Solo (1978)

Kiss were at the height of their commercial popularity by 1978 - Alive II became the band's fourth platinum album in two years, and the subsequent concert tour was greatest number visitors (560,550) in the group's history. In addition, their annual income for 1977 was US$10.2 million. Kiss, together with their creative manager Bill Aucoin, came up with the idea of ​​​​bringing the group to a new level of popularity. For this purpose, they invented a cunning strategy for 1978.

The first part involved the simultaneous release by four members of the groups of their solo albums. Although the band complained that the release of four solo albums was intended to ease growing tensions with the group, their 1976 contract called for four solo albums before a major release of a fifth. Although each album was a purely solo effort (neither member played on the other's album), they were labeled and released as Kiss albums (with similar covers and posters inside). This was the only time that all four members released a solo album on the same day.

It was a chance for the band members to showcase their musical tastes and stylistic inclinations outside of Kiss (Simmons' album included appearances by Aerosmith members Joe Perry, Cheap Trick: Rick Nielsen, disco diva Donna Summer, Bob Seger, and later Cher's friend). Stanley's and Frilly's albums were close to the hard rock, glam rock and metal used by Kiss, while Criss's album included elements of R&B and was heavy on ballads. Simmons' album was the most eclectic, virtual hard rock, pop in best traditions Beatles, ballads, and ended with a cover version of the song “When You Wish upon a Star” (from the cartoon “Pinocchio”).

In September 1978, Kiss set another precedent: on the same day they released four solo albums, simply but tastefully titled “Peter Criss”, “Ace Frehley”, “Paul Stanley” and “Gene Simmons”. It must be said that in the struggle for the hearts of the fans, the strength of the musicians turned out to be approximately equal; by the end of the year, each of the discs sold more than 1,250,000 copies, and the total circulation exceeded 5 million. The most popular radio hit is the song from Ace Frehley's album “New York Groove”, which reaches number 2 in the sales ranking.

The second part of Kiss and the producer's vision was to shoot a film in which the band's characters would be portrayed as superheroes. Filming was scheduled for September 1978. Although the film was conceived as a cross between A Hard Day's Night and Star Wars. Episode IV. New Hope,” the final results were extremely far from these samples. The script went through multiple rewrites by different writers, and the band (especially Criss and Frilly) were overwhelmed by the tediousness of filming. Peter Criss completely refused to take part in the voice acting after filming, and he was voiced by another actor.

Kiss Meets the Phantom of the Park, which was produced by Hanna-Barbera, aired on NBC on October 20, 1978. Despite disastrous reviews from critics, the film became one of the best films of the year, and was subsequently released outside the United States in 1979 under the title Attack of the Phantoms . In later interviews, the group recalls the filming of the film as something unusual, funny, humorous and embarrassingly funny, however, dissatisfied with the final result of the acting work, they noted that in the film they were shown more as clowns than superheroes. The artistic failure of the film created a wall between the group and Aucoin, who was blamed.

Later years in cosmetics

The band's first album of new material in two years, Dynasty, released on May 22, 1979, continued their platinum streak. The album contained a song that later became the group's most famous single and calling card - “I Was Made For Lovin' You”. The song, combining elements of hard rock and disco music popular at the time, became a hit that entered the top 10 throughout worldwide (it peaked at #11 in the US). Dynasty was recorded with session drummer Anton Fidge, at the request of producer Vinnie Ponchi, who had strong doubts about the validity of Peter Criss' drumming skills. The only contribution from the increasingly distant Peter Criss to the Dynasty album was the song "Dirty Livin". "," which he wrote, played (drums) and sang.

Billed as "The Return of Kiss", the Dynasty Tour was expected by the band and manager to surpass all previous concert tours in their history. According to the plans, a transportable amusement park made in the theme of Kiss and called Kiss World was supposed to travel together with the group, but this idea was abandoned because it required too serious funds and investments for implementation. The Return of Kiss concert tour ended up not being the most successful tour in the band's history, and even attracted slightly fewer people than the previous ones.

Concerts

Kiss was also known for their inflammatory concerts, which featured a variety of effects such as bright fireworks, exploding/smoking guitars (smoke/gunpowder bombs were placed inside the guitar and then ignited), blood splashes (the blood was usually made from food coloring or yogurt), “breath of fire” (Gene Simmons, taking kerosene into his mouth, spat fire), and raising the drummer or guitarists to a height using hydraulic lifts. It is worth noting that live albums and concert videos have always been used great success; for example, the great success of the album Alive! (which went four times platinum) saved the band and label from bankruptcy.

Kiss is one of the most visited and successful live bands in the world.

The Kiss concert in Rio de Janeiro in June 1983 attracted an audience of 247 thousand people.

The Kiss group, whose photos are presented on the page, is one of the most notable in American rock culture of the second half of the twentieth century. The performance style is extremely shocking; all concerts are held with the use of fiery paraphernalia and fantastic makeup. The amount of pyrotechnics used by the rock band Kiss during one three-hour performance can be compared to fireworks at a holiday show in a large Russian city. Sometimes the concert continues until the last flashfire on stage burns out.

Start

The Kiss group, whose history goes back to 1973, began its activities by imitating already famous performers. Initially, there were only two musicians in the lineup - and Gene Simmons, both of whom knew how to play the guitar and sang well. But without the accompaniment of percussion instruments, things did not work out. Then Paul found his friend drummer Peter Criss, who agreed to participate in the project. Now the trio could already play more complex compositions in the style of hard rock, although it was not yet hard rock.

External attributes

At the same time, the musicians began searching for their own image; they wanted to be radically different from other rock bands. And soon the only correct option was found: a theatrically terrifying style of clothing and face painting.

Name

The Kiss group was beginning to take shape, and after another guitarist, Ace Faile, joined its lineup, it was already possible to talk about concert program. Then the musicians decided to give a name to their brainchild. At first they wanted to call the group "Lips". But since the image was already working, and the word Kiss could be designed in a “terrible” style, turning the letters S into fiery lightning, the choice was made in

Makeup as the basis of image

The musicians found their “masks” in comic books and horror films. That's where they borrowed them from. Gene Simmons took on the image of a demon, Paul Stanley opted for a “star child” mask, guitarist Ace Frehley turned into an “alien”, and Peter Criss became a “cat”. Later, the “Ankh warrior” appeared; lead guitarist Vinnie Vincent tried on his image. And finally, drummer Eric Carr began wearing it during performances. Six different images on stage organically complemented each other, thereby creating big picture fantastic action.

Group "Kiss": biography of participants

It currently consists of both creators, Paul Stanley and Gene Simmons. They continue to be the vocalists, with Paul playing rhythm and Simmons playing bass. Behind the drums is Eric Singer, who also serves as backing vocals. Tommy Tyler - lead guitar and backing vocals.

At different times, six more musicians took part in the group’s activities:

• Bruce Kulick - vocals and guitar (1984-1996);
• Mark St. John - lead guitar (1984, died 2007);
• Vinnie Vincent - lead guitar (1982-1984);
• Eric Carr - percussion instruments (1980-1991, died in 1991);
• Peter Criss - vocals and drums (1973-1980, 1996-2001, 2002-2004);
• Ace Frehley - vocals and lead guitar (1973-1982, 1996-2002).

Paul Stanley

Born in 1952 in Queens, New York. One of the founders of the group, guitarist and vocalist. Composer, author of the hits Forever, Night, I Want You and many others.

Gene Simmons

The group "Kiss" owes its existence to this and was born in the Israeli Tirat Carmel in 1949, on August 25th. Bass guitarist, vocalist and actor. - “demon”, a bloody, fire-breathing monster.

Eric Singer

Born May 12, 1958 in Cleveland, Ohio, USA. Drummer and backing vocalist. In addition to the Kiss group, he worked with Alice Cooper. Over two decades, he managed to take part in the recording of more than 50 albums.

Tommy Thayer

Born on November 7, 1960 in Portland, Oregon, USA. He is currently the lead guitarist and backing vocalist in the band Kiss. Passionate Alice Cooper fan, " Deep Purple" and Rory Gallagher.

Ace Frehley

Born April 27, 1951 in the Bronx, New York. Lead guitarist and vocalist. He left the group twice and returned twice. He came up with the image of an alien, in which he had considerable success at concerts.

Peter Criss

Birthday: December 20, 1945, place of birth: New York, Brooklyn. The oldest musician in the Kiss group. Drummer and vocalist. He left three times and came back again. He performed in the image of a cat, which he himself invented.

Eric Carr

Born July 12, 1950 in New York. He played percussion instruments and was a backing vocalist. He gained worldwide fame when he worked in the Kiss group. He performed on stage as a red fox. He died in 1991 from heart disease.

Vinnie Vincent

Lead guitarist and backing vocalist. Born on August 6, 1952 in Bridgeport, in 1982 he replaced Ace Frehley, who left the group. However, two years later he was fired due to a conflict with the producers.

Mark St. John

The Kiss group changed its composition after Vincent's dismissal. Mark St. John came in as lead guitarist and backing vocalist. He worked until his death from a stroke on April 5, 2007. Bruce Kulik was invited to replace St. John.

Bruce Kulick

Born in 1953 in Brooklyn, New York, he was accepted into the group as lead guitarist and vocalist. The only participant who did not wear makeup. At the time of his enlistment, the makeup had already been removed.

Changes

The Kiss group, the biography of its members, current and former, evolution over a long time, formation, formation of the repertoire - all this is being studied today music critics. The image of the musicians has changed radically, the makeup has disappeared, and the shockingness has become less. The team has noticeably renewed itself.

Music became the main criterion in creativity. The Kiss group still doesn’t let the public get bored at its concerts; fireworks still fly up to the ceiling, and the musicians are on fire. But this is all theatrical action, it is intended to serve as visual accompaniment for the music in the style of hard rock. The Kiss group, whose photos against the backdrop of fire still excite the imagination, are already perceived somewhat differently. Depth has appeared in the compositions, as happens in the work of "Deep Purple", and truly interesting passages are already found. The arrangement has become more understandable, elegant and constructive. The rock band "Kiss" is growing professionally, despite the fact that the musicians have more than forty years of experience behind them. It’s just that the time is different now, the public’s tastes have changed.

Album release

The musicians have six concert discs and twenty studio discs to their credit. The first, called Kiss, was recorded on February 18, 1974 and, despite the fact that it was a debut, became gold in terms of the number of copies sold. The release of studio albums occurred as follows:

1. Kiss, 1974 (Gold).
2. Hotter Hell, 1974 (gold).
3. Dressed To Kill, 1975 (Gold).
4. Destroyer, 1976 (gold).
5. Rock Over, 1976 (platinum).
6. Love Gun, 1977 (platinum).
7. Dynasty, 1979 (gold).
8. Unmasked, 1980 (Gold).
9. Music From The Elder, 1981 (Gold).
10. Creatures, 1982 (platinum).
11. Lick It Up, 1983 (platinum).
12. Animalize, 1984 (platinum).
13. Asylum, 1985 (gold).
14. Crazy Nights, 1987 (gold).
15. Hot In The Shade, 1989 (platinum).
16. Revenge, 1992 (gold).
17. Carnival Of Souls, 1997 (Gold).
18. Psycho Circus, 1998 (Gold).
19. Sonic Boom, 2009 (gold).
20. Monster, 2012 (platinum).

The Kiss group, whose discography was regularly replenished with studio albums, also recorded a series of their concert performances:

1. September 10, 1975, Alive!
2. October 14, 1977, Alive II.
3. May 18, 1993, Alive III.
4. March 12, 1996, Kiss Unplugged.
5. July 22, 2003, Kiss Symphony: Alive IV.
6. July 22, 2008, Kiss Alive 35.

The group "Kiss", whose albums went gold and platinum, did not leave the first positions of the American charts. The concerts have already taken place under open air, in country parks and stadiums. The closed halls did not accommodate those interested.

Decline in popularity

The Kiss group has long been the most spectacular in the entire United States. All kinds circus acts, performed by musicians, attracted the audience. Fans have long known who is behind the “alien” mask and who the “cat” really is. People came to the Kiss concerts not to listen to music, because by and large not everyone understands hard rock, but to watch an unusual theatrical performance.

The concert usually began after dark. As soon as the sun set, musicians appeared on the unlit stage. Quiet guitar chords had a calming effect. Then the intensity of the sound increased, the ringing strings raised their tone, the chords sounded continuously, higher and higher, and suddenly broke into an uncontrollable crescendo. The stage was engulfed in flames, whirlwinds of flame rushing in all directions. The concert of the group "Kiss" began.

The audience was treated to two and a half hours of a grandiose show, boiling hard rock, a metallic taste of heavy metal style and a spontaneous riot of yellow, thick fire. Between the three-meter flames, four musicians and one composition merged into a single whole.

The concerts were a constant success, and yet the group's popularity began to decline. The concert tour, which took place in the fall of 1979, was almost a failure. And the next studio album no longer caused a stir. Gradually, the Kiss group abandoned heavy rock in favor of the market situation and lost some of their fans from among those who loved this style. Although I acquired new ones, from those who prefer calmer, more elegant music in the glam rock style.

The streak of failures ended in the fall of 1991, the Revenge album was received quite favorably by the public, and Kiss's reputation was restored.

Reunion

In the spring of 1996, the Kiss musicians announced a return to the original lineup. The Alive/Worldwide Tour was organized and was a success. The concert program, in which four members of the original line-up took the stage, was composed of the band's hits from the seventies. Classic masks were once again painted on the faces of the musicians, the whole stage was on fire, engulfed in fire, as during the Love Gun period. The tour lasted about a year, with 192 performances and grossing nearly $47 million.

Farewell tour

At the beginning of 2000, the musicians of the group "Kiss" announced the end of their creative activity. The farewell tour was scheduled for March 2000 and was supposed to take place throughout North America. There was a hitch during the tour; he left the group. Left without a drummer, the Kiss musicians were forced to suspend the tour. Fortunately, we managed to quickly compensate for the loss; Eric Singer joined the group. With the new lineup, the Kiss group finished performing in the USA and moved to Japan, and then to Australia.

Collaboration with a symphony orchestra

In early 2003, the group was invited to perform with the Melbourne Orchestra conducted by David Campbell. The already unusual format of the performance was enhanced by the children's choir. The concert was a resounding success. His recording was later included on the Kiss Symphony/Alive IV album.

Latest projects

In the spring of 2001, the Kiss musicians began work on their next studio album, and in July the single “Hell and Hallelujah” was released, later included in the Monster disc.

In January 2015, the Yume No Ukiyo Ni Saetimina project was created together with the Japanese girl group Motoiro Clover Z.

KISS

In the early 70s, the Wicked Lester team appeared in New York, led by Gene Simmons (Chaim Witz, b. August 25, 1949) and Paul Stanley (Stanley Harvey Eisen, b. January 20, 1952). The band performed an eclectic mix of different styles and was not popular at all. At the end of 1972, drummer Peter Criss (Peter Kryskula, b. December 20, 1945) joined Paul and Gene, and a couple of months later guitarist Ace Frehley (Paul Daniel Frehley, b. April 27, 1951) joined the company. The group's style now became much tougher, and soon the name changed - the quartet took the name "Kiss". Kiss's debut performance took place in January 1973, and six months later the first demo was recorded with producer Eddie Kramer. By this time, Bill Aucoin had become the group's manager, who immediately organized a contract for his mentee with the newly created Casablanca Records label. The company provided the musicians with good promotion, however, despite this, sales of the debut album were far from expected. The second record was also commercially unsuccessful, and the head of Casablanca, Neil Bogart, decided that it was time for him to intervene. He personally took on the production of the third album and lightened the sound of "Dressed To Kill" compared to the darkness of "Hotter Than Hell". But again sales were low, although the concert popularity of "Kiss" was at its best. The use of branded makeup, pyrotechnic and bloody prop effects aroused increased interest among the public, and people flocked to the performances.

This arrangement helped to accept correct solution for a major breakthrough. In the fall of 1975, the double live album Alive! was released, which led Kiss to real success. Thanks to the live version of "Rock And Roll All Nite", the album sold very well, which saved Casablanca from impending bankruptcy. In 1976, joining forces with producer Bob Ezrin ("Alice Cooper"), the musicians released the studio album "Destroyer", which no longer had such a rough sound as its three predecessors. The disc quickly surpassed the gold mark and, although it did not stay on the charts for long, thanks to the ballad “Beth” it later reached platinum. Three subsequent works also went platinum: “Rock and Roll Over”, “Love Gun” and “Alive II”.

Between 1976 and 1978, Kiss earned approximately $20 million and became the most popular band in America. The shelves were filled with goods with the symbols of the group, and the army of its fans was indicated by a six-digit number. In 1978, when the team was at the peak of its popularity, the musicians, together with Bill Aucoin, started two grandiose projects: the simultaneous release of four solo albums by each member of Kiss and the filming of a science fiction film with the participation of the group. The first idea was a commercial failure, and none of the solo albums came close to “Love Gun” in terms of circulation. In the process of implementing the second idea, friction began in the team, which subsequently led to the resignation of Peter Criss. In 1979, the album "Dynasty" was released, which included the group's most famous hit single, "I Was Made For Lovin' You". Peter, who was recovering from a car accident, almost did not take part in the sessions, and his functions were performed by Anton Fig. A similar story repeated itself during the recording of the next album, and after the release of “Unmasked” Criss was officially removed from the lineup, and his place was taken by Eric Carr (Paul Caravello, b. June 12, 1950). By the way, that disc had a semi-pop sound, and. as a result, for the first time since "Dressed To Kill", the team was left without platinum. Bob Ezrin was called in to save the situation, but "Music From The Elder", made under his leadership, turned out to be stuffed with strings, brass and synthesizers and was quite far from hard rock. Kiss not only lost many of their fans, but also Ace Frehley and Bill Aucoin.

In the fall of 1982, the album "Creatures Of The Night" was released, on which the group began playing again heavy music, however, the inertia of the public took its toll here, and commercial success could not be returned. A little later, Vinnie Vincent, who made his debut on the tour dedicated to the 10th anniversary of Kiss, was officially introduced into the lineup instead of Frehley. In 1983, to save their popularity, the kisses took a decisive step - they appeared in public for the first time without makeup. This action paid dividends, and the album "Lick It Up" returned the team to platinum levels. With three subsequent records, the group consolidated its success, although the most best time for the team it remained in the 70s. In the spring of 1984, Vincent was replaced by Mark St. John, who in turn gave way to Bruce Kulick (b. December 12, 1953).

The end of the 80s was blurred by the somewhat unsuccessful "Hot In The Shade", and at the beginning of the next decade the team received serious blow– Eric Carr died on November 24, 1991. Despite the loss, "Kiss" with new drummer Eric Singer completed the album "Revenge" and broke into the top ten with it. After the release of "Alive III", interest in the band's work began to grow again, and this ultimately led to a reunion of the classic lineup. The world tour that took place on this occasion was a great success, and in September 1998 a new studio album, “Psycho Circus,” was born. And although Frehley and Criss participated nominally in its creation, Kissomaniacs were of little interest in this. They swept the discs off the shelves in large quantities and thereby secured the album third place on Billboard. In 2000, it was announced that there would be a farewell tour and the subsequent cessation of Kiss' activities, but after the end of the tour, Stanley and Simmons, who had seized power, changed their minds. In 2003, an Australian tour took place, during which the group, together with the Melbourne Symphony Orchestra, recorded the live album "Alive IV". Further performances were sporadic, and the places of Frehley and Criss were taken by Tommy Thayer and Eric Singer. In 2006, Kiss started releasing the Kissology DVD collections, and all three parts were a huge success and sold multi-platinum copies.

A couple of years later, the team broke up their sedentary lifestyle and went on a long tour called “Kiss Alive/35 World Tour”. At the same time, the vow of studio silence was broken, and in October 2009, Kiss fans received a brand new album, Sonic Boom, which brought back their golden 70s. The release was anticipated with such anticipation that the quartet set a personal chart record, entering the second step of Billboard in the first week of sales. The Kiss machine was back in full swing, and even the news of the death of Bill Aucoin (at one time considered the fifth member of the group) did not stop it. In August 2011, a message appeared on the official website that the 20th album, “Monster,” was being prepared for release. On it, like last time, the team played straightforward hard music - without keys, without ballads, and even made the sound a little heavier. And although “Monster” lacked the effect of the long-awaited comeback, the album was met with applause from critics and started at number three on the main billboard list.

Who gave the group the name "KISS"? Why did the group's text logo lead to accusations of its members being Nazism? What did the KISS musicians come up with to be different from the rest? Why did the first KISS albums sell poorly, and how did managers manage to promote the group and save Casablanca Records from bankruptcy? What cunning strategy helped KISS become number one in album sales and become the most popular band in America? Why did rock musicians gradually lose popularity in the 80s, and what did they have to do to regain public interest?

Creating an image

The history of the KISS group, which “blew up” the world rock scene in the 70s, began in 1972, when New York guys Gene Simmons and Paul Stanley organized Wicked Lester. The group played a mixture of rock and roll and glam rock, but did not last long. Simmons and Stanley decided to radically change their approach to music and left the group with the intention of organizing a new group.

Gene and Paul were soon joined by drummer Peter Criss and guitarist Ace Frehley. According to legend, Fraley impressed the other contestants with his eccentricity by showing up to the audition wearing two different shoes. Whether this was done intentionally is unknown, but everyone liked the eccentric Frehley, and he was accepted into the group.

According to Simmons, Stanley came up with the name "KISS" while they were riding on a train together, and Frehley designed the text logo. Later, when it came to selling records, musicians discovered that their letters

The s in the form of lightning are similar to the Sieg rune, which was used in the symbolism of the SS troops of Nazi Germany. Despite the provocative image, they decided not to change the logo, but they still had to publish special covers in Germany.

The numerous accusations of Nazism against KISS were extremely ridiculous. If only because Simmons is a native of Israel, and Stanley has Jewish roots. The guys just liked the image of the letters SS as lightning bolts and didn't care what anyone else thought. Much more important was the stage image of the KISS members, which not only distinguished them from other groups, but also became the subject of imitation.

It was Simmons and Stanley's idea to put makeup on the face. They decided that this would differentiate them from other bands and make them memorable. The rest of the group supported the idea. So Stanley became the “Star Child,” Simmons became the “Demon,” Fraley became the “Cosmic Ace,” and Criss became

"The cat." Throughout their career, they changed their makeup several times, but still remained true to their images.

On the way to glory

KISS's first show took place at the Popcorn Club on January 30, 1973. In November of the same year, the musicians signed a contract with producer Neil Bogart, who was the head of the Casablanca Records label. The group went on their first tour to Canada, and soon recorded their debut album, simply titled "KISS" (1974).

Despite their growing popularity, KISS's first albums sold poorly. Casablanca Records was on the verge of bankruptcy, but Bogart's attempts to change the sound came to nothing. This was not the case, of course. For example, KISS concerts were a great success. And this is not surprising, because there was a real show on stage with fireworks, smoke bombs and various tricks that the musicians performed. The group quickly acquired st.

atus the most spectacular, but still few people knew about it. A financial breakthrough was needed, otherwise the group could cease to exist. And soon a solution was found.

Given that KISS concerts were extremely popular, it was decided to release a recording of the live concert. From a commercial point of view, the move was brilliant. Live album "Alive!" (1975) not only brought the group worldwide fame, but also saved the Casablanca Records label from bankruptcy.

Riding the wave of incredible success, KISS recorded their most ambitious album, "Destroyer" (1976). It was followed by the successful "Rock and Roll Over" (1976) and "Love Gun" (1977). All of them received platinum status, proving that the team members are capable of not only putting on a spectacular show, but also producing high-quality beautiful music. Their image and manner of performance predetermined the emergence of such a genre as glam rock and had a huge influence on the form

roving hard rock.

In the late 70s, KISS became the most popular band in America. However, the managers decided to take the group to a new level. For this, a cunning strategy was invented, which can be roughly divided into two parts. The first part is the simultaneous release of solo albums by all four participants. Each of them found its listener, but the most successful, according to critics, was Ace Frehley's disc with the radio hit "New York Groove".

The second part of the cunning plan involved creating a movie that would portray the KISS characters as superheroes. It was released in 1978 under the title "Kiss Meets the Phantom of the Park" and was trashed by film critics. Despite the negative reviews, fans of the group appreciated the film and elevated it to the status of a cult.

Thanks to successful management, KISS earned an impressive amount and reached the peak of fame. However, the law soon happened

dimensional crisis. It was connected with disagreements between the members of the team. Peter Criss left the group in 1982, followed by Ace Frehley two years later. This affected not only KISS’s music, but also album sales, as some fans, dissatisfied with the dismissal of their idols, declared a boycott.

To save their popularity, the musicians took a decisive step and appeared in public without makeup! This action returned public interest in the shocking group, but not for long. In the 80s, glam rock and hard rock, between which KISS maneuvered, gradually lost their audience, and with the advent of grunge, a new era began, which put an end to the work of many hard rock bands.

Nevertheless, KISS remained a huge fan base, which is still one of the largest fan groups to this day. In 1996, after repeated changes in band members, the musicians announced a reunion in the original

different composition. The group went on the world tour "Alive/Worldwide Tour", which was carried out on a wide scale and was a huge success. This was the last big tour of the legendary KISS. Soon, Peter Criss and Ace Frehley left the group forever, and in 2000 the musicians announced a farewell tour.

However, KISS did not retire. In 2002, Paul Stanley announced that the group would continue to exist with a new line-up. Eric Singer replaced Criss on drums, and guitarist Tommy Thayer replaced Frehley. With the new line-up, KISS released two albums - "Sonic Boom" (2009) and "Monster" (2012), which today are latest works rockers.

During their musical career, KISS sold more than 100 million albums, becoming one of the most successful rock bands in history. Their influence on the formation of rock music is difficult to overestimate. Now "KISS" is called nothing less than living legends of glam rock