Lack of dowry is the tragedy of Larisa Ogudalova. Ostrovsky "Dowry" - essay "The tragic fate of Larisa in the "dark kingdom" (based on the play "Dowry" by A. N. Ostrovsky)"

Ostrovsky "Dowry" - essay "The tragic fate of Larisa in the "dark kingdom" (based on the play "Dowry" by A. N. Ostrovsky)"

Many poets and writers dedicated their lines to women, the beautiful half of humanity. In Russian literature, the image of a woman was depicted with great warmth, her best features were sung: loyalty, sincerity, beauty, intelligence, nobility, tenderness and selfless love.

Larisa is an unusually interesting and attractive character in A.N. Ostrovsky's play "Dowry".

The meaning of the life of the main character is love. Larisa is a beautiful, smart, gentle, multi-talented girl with a pure soul. She lives in a provincial town, in a family without sufficient means of subsistence. But the girl does not chase a successful match, she waits and hopes that true love will come to her.

Kharita Ignatievna is trying to arrange the fate of her daughter, so she is busy looking for the best groom, but the main condition is money. The girl’s mother is not interested in the education and decency of the groom, just to marry off her daughter more profitably.

Frequent receptions are held in the house with the money of Knurov and Vozhevatov. The audience is very diverse: rich merchants and the modest Karandyshev, officials and the brilliant nobleman Sergei Sergeevich Paratov. Larisa fell in love with Sergei Sergeevich with all her soul. He is handsome, charming, smart, courteous and calculating. But the girl does not notice his shortcomings, forgives him any sin, condemns herself to shame for his pleasure and is ready to follow him to the ends of the earth.

Having squandered his fortune, Paratov is forced to marry a rich bride. Larisa is deceived, disgraced and abandoned. Desperate, she is ready to marry Karandyshev, hoping to find peace with him. Childhood friend Vasya Vozhevatov plays her toss with the elderly and serious merchant Knurov. Like a person , Larisa is not interested in any of them. For them, she is a “thing,” dear and beautiful. Having lost everything, the girl is ready to become a “thing.” Karandyshev’s shot brings her deliverance: she dies free, without becoming anyone’s. Larisa’s death is perceived as deliverance from torment: “I was looking for love and didn’t find it. They looked at me and look at me as if I was a joke. No one ever tried to look into my soul, I didn’t see sympathy from anyone, I didn’t hear a warm, heartfelt word.”

Sincere and proud Larisa was alien to cunning and lies, she is a woman with a “warm heart”. Such people are not capable of compromise. They can either win or die. Beauty and youth are ruined, but Larisa dies free.

Ostrovsky's drama "The Dowry" is built on the classical naturalness and simplicity of the images of the heroes, but at the same time on the complexity of their characters and actions. The drama is not like others, there are no strong intrigues in it, the heroes are the same people, but with the difference that that they are simpler and easy to understand.

Goncharov, discussing the basis of Ostrovsky’s drama, said that the playwright “seems to not want to resort to plot - this artificiality is beneath him: he must sacrifice to it a part of truthfulness, integrity of character, precious touches of morals, details of everyday life - and he is more willing to lengthen the action, cool the viewer , just to carefully preserve what he sees and feels alive and true in nature."

Ostrovsky’s work does not fit into any of the classical genre forms, this gave Dobrolyubov a reason to talk about it as a “play of life.” In "The Dowry" Ostrovsky comes to reveal complex, subtle, psychologically polyphonic human characters. He shows us the conflict of life, the reader lives this short period of life, like a resident of the same city of Bryakhimov, or, what is even more interesting, like any hero of the drama.

Larisa Ogudalova- main character dramas, all the action is happening around her, intrigues are “wandering”.

Larisa is a girl who is even more fragile and unprotected than she seems at first glance. In my opinion, she can be compared to a noble white rose. The girl is just as gentle and beautiful, it’s not for nothing that they call her “the decoration of the city.” But on the other hand, they say about Larisa that she is “an expensive piece of jewelry that requires a good jeweler.” Maybe it would be nice, but here, in the play, these words sounded impudent and vulgar. After all, here Larisa is valued as a thing, in this case, as a precious stone. Of course, precious is flattering, but a stone is something cold, lifeless, insensitive, not at all suitable for Larisa’s romantic nature.

Her soul is refined, bright, musical, sensitive and melodic. Larisa is like a light in this city, like the heroine of one of the Russian romances that she loves to sing. Having heard enough romances performed by herself, she begins to dream about pure love, about a strong family, loving wife.

But everything doesn’t work out the way the girl wants it. At the heart of the drama - social theme. Larisa is poor, she is a girl without a material dowry, but at the same time she has a rich inner world, which we will not find anymore in any of the heroes of the drama. Larisa lives in a world where everything is bought and sold, even girlish beauty and love. But, lost in her dreams, in her rainbow world, she does not notice the most disgusting sides in people, does not notice the ugly attitude towards herself, Larisa sees only good everywhere and in everyone and believes that people are like that.

That's how Larisa made a mistake in Paratov. He leaves the girl he loves for the sake of profit, ruins at will. Afterwards, Larisa is preparing to marry Karandyshev. The girl perceives him as a kind, poor man who is not understood by others. But the heroine does not understand and does not feel Karandyshev’s envious, proud nature. Indeed, in his attitude towards Larisa there is more complacency for owning such precious stone like Larisa.

At the end of the drama, Larisa comes to realization. She understands with horror and bitterness that everyone around her perceives her as a thing or, even worse, wants to make her a kept woman, such as Knurov and Vozhevatov.

And then the heroine says the words: “A thing... yes a thing. They are right, I am a thing, not a person.” Larisa, in despair, tries to throw herself into the Volga, but cannot, she is afraid to part with her life, no matter how worthless and unhappy it may seem to her.

The upset girl finally understands that everything in this world is assessed by the “rustle of banknotes,” and then she decides: “If there is to be a thing, then there is only one consolation - to be expensive.”

Karandyshev's shot is salvation in Larisa's eyes, she is glad that she again belongs only to herself, they cannot sell or buy her, she is free. In Karandyshev’s thoughtless, random act, Larisa finds a shadow of nobility and living human feeling, and her emotional drama the end ends, for the first time the heroine feels for real happy and free.

Tragic fate Larisa in " dark kingdom"(based on the play by A. N. Ostrovsky "Dowry")

In this case we are talking about the play “Dowry”.
Larisa Ogudalova had to experience the indifference and cruelty of those around her, survive a love drama, and as a result she dies, just like the heroine of “The Thunderstorm”. But despite the apparent similarity, Larisa Ogudalova has a completely different character than Katerina Kabanova. The girl received an excellent education. She is smart, sophisticated, educated, dreams of beautiful love, but initially her life turns out completely differently. She is homeless. Larisa's mother is very selfish. She sells the beauty and youth of her daughters. Larisa’s older sisters have already been “settled in” thanks to the care of their resourceful parent, but, unfortunately, their lives are developing very, very tragically.
Larisa Ogudalova falls in love with the “brilliant master” Sergei Sergeevich Para. She sincerely considers him the ideal man. The master has a fortune, he fully corresponds to the idea of ​​a noble and educated person. His inner essence is revealed later. Larisa is young and inexperienced, so she falls into Paraᴛᴏʙa’s trap and ruins herself. She does not have a strong character and becomes a toy in the hands of others. It comes to the point where the girl is being played toss. Those around her consider her a thing, an expensive and beautiful amusement, but her sublime soul, beauty and talent turn out to be unimportant. Karandyshev tells Larisa: “They don’t look at you as a woman, as a person... they look at you as a thing.”
She herself agrees with this: “A thing... yes, a thing! They are right, I am a thing, I am not a person...”
Larisa has a passionate heart, she is sincere and emotional. She generously gives her love, but what does she get in return? For her loved one, Larisa is just another form of entertainment and fun. Out of despair, she even agrees to accept Knurov’s conditions.
Death is a kind of salvation for Larisa, a spiritual salvation, of course. Such a tragic ending saves her from the difficult choice that she is trying to make, saves her from moral death and falling into the abyss called depravity.

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Larisa Ogudalova is the main character of A. N. Ostrovsky’s play “Dowry,” which was first published in “Notes of the Fatherland” in 1879. In Ostrovsky's dramaturgy of the 70s and 80s, the main theme becomes the power of money, property, and wealth in the era of the “triumph of the bourgeoisie.” The playwright continues to search for forces in Russian life that could withstand the elements of unbridled predation and humiliation human dignity, cold calculation and selfishness. The writer’s concern for the fate of a person “with a warm heart” is especially felt, who, even in this calculating time, continues to live by feeling, looking for love, understanding, and happiness. Such is the heroine of the play “Dowry”.

Larisa has everything - intelligence, talent, beauty, sensitivity. She is pure in soul and selfless. She reaches out to people, believes them, hopes for understanding and reciprocal feeling. But Larisa is homeless, and this predetermines her tragic fate.

Larisa's mother strives to get her daughter married at a better price; she is trying to teach Larisa to live by the rules that time dictates, forcing her daughter to lie and be nice to richer young people. But the heroine of the play cannot act according to calculation. She gives her heart to Sergei Sergeevich Paratov, handsome, smart and strong. But Paratov is a man of his time, living by the principle: “Every product has a price.” Larisa is also a commodity for him. And he is not ready to pay his material well-being for love and happiness. Paratov marries a rich bride, or rather, the gold mines that are given to her as a dowry.

Not finding love, Larisa tries to live “like everyone else.” She decides to marry the poor official Yuli Kapitonovich Karandyshev. In her chosen one, Larisa looks for traits worthy of respect: “I should at least respect my husband,” she says. But it is difficult to respect Karandyshev. In his vain attempts to compare with Knurov and Vozhevatov, he looks ridiculous and pathetic. He does not hear Larisa’s plea to go to the village, where she hopes to find at least peace of mind. It is more important for Yuliy Kapitonovich to “in turn laugh” at those whose humiliation he endured for three years. He has no time for Larisa’s torment!

After breaking up with Karandyshev, after Paratov’s deception, Larisa seeks simple human sympathy, turning to her childhood friend Vozhevatov: “Well, at least cry with me,” she asks him. However, Vozhevatov has already lost to Knurov the opportunity to influence Larisa’s fate. “I can’t, I can’t do anything,” is Vozhevatov’s answer to Larisa. Material from the site

Having found neither love, nor respect, nor simple compassion and understanding, Larisa loses the meaning of life. She says bitterly: “They looked at me and still look at me as if I was a joke. No one ever tried to look into my soul, I didn’t see sympathy from anyone, I didn’t hear a warm, heartfelt word. But it’s cold to live like this.”

Karandyshev's shot becomes for her a deliverance from mental anguish, from vulgar life“things”, toys in the hands of those who can pay for it. “To die while there is still nothing to reproach yourself with” is the best thing that remains for a “hot heart” in the world of calculation and vanity.

In that personal tragedy Larisa. But this is also the tragedy of a society where money rules and a person’s happiness is measured only by their quantity.

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